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    5 Summer Activities Libraries Can Host to Boost Engagement

    Tessa Dodson
     | May 20, 2026
    Young elementary students outside exploring with a teacher

    Summer library activities help you prevent learning loss while encouraging children and families to maintain strong reading habits during school breaks. Your library can be an accessible community learning hub where readers explore books and collaborative experiences that keep literacy engagement active throughout the summer months.

    Creating interactive seasonal programs strengthens reading confidence and encourages lifelong reading behaviors across different age groups. Summer literacy programs also provide your community with consistent opportunities to build social connections through shared literacy experiences. The most effective ones encourage active participation while making reading feel collaborative and accessible. These activities combine education, social interaction, and hands-on learning experiences that keep readers connected throughout the break.

    1. Intergenerational book clubs and oral storytelling events

    Intergenerational book clubs and storytelling events can be among the most meaningful summer library activities for strengthening community literary engagement. Your library can create book clubs that pair children, teens, parents, and older adults. You can host storytelling nights where residents share cultural stories and community experiences.

    Learning from lived experience while hearing ideas and solutions from young people can also become a collaborative process for addressing broader social and community challenges. Oral storytelling further supports listening comprehension and encourages stronger emotional connections through shared narratives and discussions.

    2. Community reading challenge with incentives

    One of the most effective summer library activities involves organizing age-based or family-based reading challenges with weekly milestones that keep participants engaged throughout the season. Your library can increase excitement by offering badges or certificates that reward consistent participation and reading progress. 

    Children who participate in summer library reading programs often surpass their peers in reading proficiency because regular reading strengthens comprehension and academic retention. You can implement structured reading routines to reinforce reading stamina while helping participants build long-term literacy habits. Shared goals and group participation further increase motivation by creating a stronger sense of community involvement.

    3. Outdoor story walks and park reading trails

    Your library can create outdoor story walks by placing laminated book pages or QR-linked story stations throughout parks or community walking paths to encourage interactive reading experiences outside traditional spaces. You can add discussion prompts and literacy games along the route to keep participants engaged and turn reading into a more social, hands-on activity.

    Movement-based literacy programs can improve participation among reluctant readers and younger children. Active experiences feel less intimidating and more enjoyable than seated instruction alone. When you combine physical activity with reading, participants form stronger memory associations, making the learning experience more immersive and memorable.

    4. Creative writing and zine-making workshops

    Your library can host creative workshops focused on poetry, comics, or self-published zines to make literacy feel more personal and interactive during the summer. You can invite local authors, educators, or community artists to lead sessions and give participants direct exposure to different forms of storytelling and creative expression.

    These workshops help increase confidence because participants actively create and share their own ideas rather than only consuming written content. Hands-on writing activities can also encourage reluctant readers to engage with language differently by connecting literacy with art, personal reflection, and collaborative creativity.

    5. Literacy-based STEM and research activities

    You can create cross-disciplinary summer library activities that combine books with science- or history-themed projects, encouraging participants to explore literacy across multiple subject areas. Your library might organize mystery-solving scavenger hunts, coding challenges, or research mini-projects that make reading feel more interactive and relevant to real-world learning.

    These programs help improve critical thinking and information-evaluation skills by encouraging participants to analyze sources and apply their knowledge in creative ways. Integrating literacy across disciplines also creates a much richer learning experience as students use literacy for different purposes in various subject areas.

    The importance of summer literacy engagement

    Consistent reading routines help strengthen vocabulary growth and support long-term academic retention during summer breaks. Since the journey to skilled reading typically spans around 10 years, students benefit from high-quality classroom instruction and sustained independent reading practice that reinforces literacy development over time.

    Organizing community-centered literacy activities through your libraries makes books and educational support more accessible to families from different backgrounds. These shared reading experiences also encourage social-emotional development and help participants feel a stronger sense of belonging to the community.

    Making the library a summer learning hub

    Summer library activities help you support academic growth while strengthening community connection through shared learning experiences and consistent literacy engagement outside the school year. Your library can help sustain reading habits beyond traditional classrooms, which makes it important for you to design interactive programs that keep reading social and accessible throughout the entire year.

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    Please RSVP: Inviting Children's Picturebooks Back Into the Classroom

    Sonja Ezell
     | Sep 17, 2025
    Elementary school teacher reading a picturebook to students
    At the ringing of the bell, students are corralled from their desks and asked to join their teacher at the front of the room. A captivating selection of children’s picturebooks housed in the woven book basket located at the front of the room excites the community of readers. 

    Sitting on the colorful classroom carpet, legs crisscrossing and awe in their eyes, the last gentle kinesthetic reminder and sound of shh gives way to stark silence. The young students gaze intently at the children’s picturebook their teacher is displaying at the front of the room and the lingering anticipation invokes curiosity.

    Children's picturebooks share the tales, narratives, and experiences of friends, families, and familiar places. They feature various genres and themes that invite exploration, wonder, and the circumspect to solve complex, challenging problems. Children's picturebooks unlock both fictional settings and informational ecosystems and habitats. 

    When quality children’s picturebooks—like those selected from the Newbery Award, the Caldecott Medal, or ILA’s Children’s Book Awards List—are coupled with powerful literacy practices such as think-turn-talk, asking questions, and written a-ha moments on sticky notes, we can capture inquisitiveness and shoulder-to-shoulder student conversations and use that to weave an awe-inspiring learning environment. 

    During the instructional literacy block, teachers have the opportunity to deliver small group instruction with an independent reading center featuring self-selected children’s picturebooks to build an interconnected reading community that honors courage, kindness, and empathy as the goals of literacy. The magical moments that are captured and presented within the pages of children’s picturebooks can spring from honorable guest readers, brought to life by digital recordings of celebrities performing readings, whisper-read in the literacy station, or vocalized as a dramatic teacher read aloud.

    In today’s classroom, the most frequently read children’s picturebooks are approximately 25 years old. Circulating contemporary conversations capture that children’s picturebooks have a crowd, a crown, and the complex, complicated need for a champion.

    Mirrors, windows, and sliding glass doors

    Children’s picturebooks can craft a world of self-reflection, help readers develop empathy, and provide the foundation for project-based learning. Book Fairs, Book Swaps, and Book Talks can build bridges and invite open conversations to create compassionate classrooms and communities. Between the covers can lie stories and tales reflecting friends and adventure set in a world readers will find familiar or a chronological text that takes one into a new world can all be discovered by the sharing of children’s picturebooks. Animals, tall-tales, friends, and recipes all dwell inside the pages of children’s picturebooks and informational topics spanning space, plants, or spiders all peacefully cohabitate in the classroom library.

    Ready, set, read

    There’s no bad time to enjoy a picturebook. An after recess read-aloud can provide the perfect time to showcase the magic and splendor of children’s picturebooks. Book clubs and reading circles present a scheduled time for students to gather in nested learning communities to explore common themes on related topics. Book Buddies offer the opportunity for younger readers to have self-selected children’s picturebooks read to them by a fluent reading mentor or guide. Ebooks and iPads provide an audio narration of children’s picturebooks allotting students’ time for independent listening along with guided practice and rehearsal. 

    When books are read, discussed, shared, displayed, and made available for checkout to support at-home literacy, blooming readers are presented with the opportunity to embrace reading, meaning, and the full discovery of literacy.

    Curriculum connections 

    Children’s picturebooks set the stage for expanded learning opportunities. Children’s picturebooks can be paired with upcoming field trips and serve as learning guides or resources to prepare students for their upcoming adventure to the local zoo or regional museum. Also, children’s picturebooks can be incorporated into social studies content and STEM topics, and can marvelously merge with math instruction. Science projects, graphic organizers, and historical timelines can be completed with the content of children’s picturebooks. 

    In addition to providing a bevy of words, children’s picturebooks provide young learners with the tools to explore, understand, and help solve community problems, such as the need for food drives to address food insecurity and book drives to stock local family shelters with donated books so that all children might experience the joy of reading.

    The sharing of children’s picturebooks could be followed by students writing a group, paired, or class review of the book or even the invitation of a local speaker to further address the topic or theme of the children’s picturebook in person or via technology. Librarians at local libraries can  recommend additional titles that students might enjoy available for check-out or inter-library loan for the classroom library.

    The world of literacy as captured in children’s picturebooks is an ever-bountiful harvest that gives, restores, and grows. May our children find their faces, their classmates, new neighbors, far-away places, and amazing adventures in the pages of children’s picture books.

    The read-aloud book basket

    • Friendship/Classmates: The Day the Crayons Made Friends by Drew Daywalt and Oliver Jeffers (Penguin Young Readers Group)
    • Words/VocabularyThe Dictionary Story by Oliver Jeffers and Sam Winston (Candlewick Press)
    • Science/Trees: Listen to the Language of Trees: A Story of How Forests Communicate Underground by Tera Kelley (Sourcebooks)
    • Animals/Spiders: Jumper by Jessica Lanan (Roaring Brook Press)
    • Family/Acceptance: Eyes That Kiss in the Corner by Joanna Ho (HarperCollins)
    • Food Insecurity/SEL: Saturday at the Food Pantry by Diane O’Neill (Whitman, Albert & Company)
    • Grief/Empathy: Cape by Kevin Johnson (Roaring Brook Press)
    • Books/Library: Stacey’s Remarkable Books by Stacey Abrams (Harper Collins)
    • PE/Recess: Ella McKeen, Kickball Queen by Beth Mills (Lerner Publishing Group)
    • Social Studies/HistoryFry Bread: A Native American Family Story by Kevin Noble Maillard and Juana Martinez-Neal (Roaring Brook Press)

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    Writing as Play: Engaging Elementary Students

    Morgan Brandt
     | Jun 05, 2025
    Elementary school notebooks

    A pastor at my church, Steve Treichler, recently shared, “People do that which is fun.” Though he was instructing on leadership-building qualities and how to get community members to engage, the same pithy insight applies in the classroom: If you want your students to be engaged, make it fun. Effective teachers know good writing instruction must include explicit, academic tasks, but if personalization and fun are absent from writing, we will quickly lose our students. Having fun not only increases engagement, it builds relational bonds, crafts memories, produces more resilient children, and, ultimately, results in kids enjoying school and learning. 

    As a current first grade teacher who has taught a range of elementary grades, I recognize that teachers today are faced with more pressure than ever. When faced with a shortage of time and a heavy load of standards, unfortunately, writing is often cut first for the sake of time. There is too much at stake if we lose budding, creative, unique writers and thinkers to a diet of only academic, serious writing, or cut it out altogether. In the name of joy, I make a case here to elevate practices of writing for authentic audiences, playing with words, and celebrating together.

    Involving Others

    Writing is an inherently social activity contrary to the mental image of a student writing independently at their desk. Partner writing, sharing published writing, and authentic audiences are an easy onramp to engage students in social, joyful, purposeful writing. Sharing writing builds teamwork and the writing community by allowing students to listen and learn from each other, take risks, give feedback, and exchange praise.

    Each year, I compile finished writing projects into class books that are available in the classroom library, which thereafter brings weeks of enjoying friends’ writing, all while fostering connections as classmates. Around each Valentine’s Day, I introduce letter writing to authentic audiences, which includes sending letters to people around school. This links writing to a meaningful purpose: To connect with those you care about. Writing a thank-you note to a cafeteria worker or setting up a classroom mailbox for letters to classmates goes a long way toward building students’ writing agency and excitement that their writing has the potential to brighten someone’s day. 

    A picture of a bookbag, composition notebook, plush toy, and book

    Writing as Play

    Beyond summaries, paragraphs, and essays, students need opportunities to laugh, make mistakes in a silly way, and stretch creative muscles in writing if we ever expect them to return on their own. Using mentor texts as a model for playful ideas is a surefire way to prime the pump of joy and creativity in young writers. After reading some excerpts from books like Scranimals by Jack Prelutsky or If You Give a Mouse a Cookie by Laura Numeroff, students get carried away in their own story creations modeled after a wonderful, out-of-the-box structure. A colleague even created an “If You Take a Mouse to School” home-to-school class book bag with a notebook and mouse stuffed animal (pictured above) to send home to families for the chance to continue the mouse’s adventure outside of the writing block by creating their own pages.

    From tying in games like Telestrations, where a small group alternates drawing and writing sentences, during indoor recess, to writing nonfiction facts as riddles to guess the object, to using silly words from a word bank to make poems, there are many simple writing activities that leverage fun. These are powerful, low-prep experiences that model to students we do not only write for academic purposes, but because writing allows us to think in new ways, bonds us together, and makes us laugh. Ultimately, we write because we enjoy it.

    Celebrating

    A bucket full of classroom foldersFinally, one of the best ways to create a culture of writers and ensure joy is to celebrate! Writers need to know that their work and thinking are celebrated, and worthy of shared delight. Often in my classroom, I elevate sharing at the end of a unit by the practice of the author’s chair, zhuzhed up with a red curtain projected on my screen. Intermediate elementary students love the prop of a microphone. After particularly satisfying journeys through the writing process, our class celebrates with a publishing party, complete with apple juice and popcorn to cheers each writer after they share in a small group of three to four peers. This celebratory sharing can also be modified to fit in a couple students at a time during morning meeting or closing circle, followed by finger snaps of recognition.

    Young writers deserve to experience joy, choice, and delight in writing if we expect them to share their thoughts beyond academic contexts and develop as thinkers and word lovers. Though writing does give us the skills to summarize and convey the main ideas of what we learn, to sever the craft from personal expression and reflection is doing a disservice. Students are academic learners, but they are also thinkers and feelers who must experience writing socially and joyfully if we ever expect them to write with their authentic voices throughout their lives. And isn’t the goal for children to use writing to tell someone they care, to bring about change in their communities, and to inspire joy no matter where life takes them?

    As a teacher who faces the Tetris puzzle of fitting in all of the academic demands, I urge teachers not to neglect the necessity of writing for fun. With some brainstorming, we can take simple steps to craft our students’ attitudes about writing to be social, playful, and celebratory in ways that keep young writers eagerly picking up their pencils with a smile.

    Morgan Brandt is a first grade teacher in Mounds View, Minnesota, where she loves fostering joy and play as her students learn. She has taught elementary grades 1-5 and holds bachelor's degrees in elementary education and Spanish education from the University of Northwestern, St. Paul, and a K-12 Reading License from Concordia University, St. Paul. She is currently pursuing a master's in literacy.

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    Empowering Future Teachers: How Fairytales Foster Cultural Competence

    Ivonne Miranda
     | Apr 24, 2025
    elementary school children reading with a teacher
    Fairytales have always been part of the American classroom. These stories not only foster cultural awareness, but they can also be a tool to prepare preservice teachers to create inclusive classrooms by embedding translanguaging in writing. Strategically using fairytale writing as a tool in a teacher preparation program enhances a culturally sustained pedagogy by allowing preservice teachers to connect with diverse cultural stories and validate the linguistic repertoire of multilingual learners.

    However, to fully realize this potential, teachers must be equipped to recognize and address the diverse cultural and linguistic backgrounds of their students. According to the National Center for Education Statistics (NCES), in 80% of teachers in 2020 were white while the student population was increasingly diverse—culturally and linguistically—a population that teachers do not reflect. This disparity highlights the urgent need for teacher preparation programs to prioritize cultural competency and equip future educators to effectively weave students' cultural background into their teaching for truly culturally sustained pedagogy.

    In the arts integration course I teach, preservice teachers learn about the various arts that can be integrated into the curriculum. I find that literary art in the form of creating fairytale adaptations can open the door to preservice teachers becoming culturally competent. Even though individual fairytales are unique to their specific culture, the similarities they have serve as a bridge that helps preservice teachers understand culture and language, and writing fairytale adaptations requires both a deep knowledge the originating culture and the activation of developing the same translanguaging practices that multilingual students use as part of their linguistic repertoire.

    Getting started

    I begin my literary arts module by asking who knows the story of the three little pigs or Cinderella, which of course many students do. When I show my students The Three Little Pigs by Paul Galdone, the preservice teachers recognize it, but when I show them The True Story of the 3 Little Pigs by Jon Scieszka, few students do. Further, when I introduce The Three Little Javelinas by Susan Lowell, The Three Little Tamales by Eric A. Kimmel, and The Three Little Gators by Helen Ketteman, no one has heard of these adaptations. This makes a perfect opportunity to teach how to design and facilitate culturally relevant learning that brings real-world experiences into educational spaces.

    We start by comparing and analyzing the mentor texts based on their story elements and writing style. I task my students to find other fairytales and their adaptations. Some of the more common ones include Cinderella by James Marshall and adaptations such as Yeh Shen: A Cinderella Story from China by Ai-Ling Louie, Isabella: A Cinderella Fairytale of Latina Princess (Puerto Rican Princess) by King Ki'el, and Sindi: A Zulu Cinderella by Desaeay Mnyandu. For Little Red Riding Hood by James Marshall, students have selected Mahogany: A Little Red Riding Hood Tale by JaNay Brown-Wood and Lon Po Po: A Red Riding Hood Story from China by Ed Young as adaptations.

    Comparing and analyzing mentor texts

    Now that we have a few to choose from, my students compare and analyze these mentor texts, identifying things like the target audience and any writing techniques such as dialogue between characters that represent a blend of home language and English used by the author to enhance a culturally sustained pedagogy. We create five-column charts to easily see the similarities and differences of each fairytale adaptation. By comparing and analyzing story elements, preservice teachers can begin to see how authors have reframed traditional fairytales with a cultural lens.

    In addition, writing techniques are analyzed to identify how the author has embedded translanguaging (e.g., “Tío José and Tía Lupe owned a taqueria” and “He built his casita out of cornstalks”) and cognate words (e.g., tortilla and tamale) as seen in The Three Little Tamales. This analysis also gives preservice teachers awareness of the multi-dialectal nature of language in American society and the social constructs of different dialects, including the learner's natural way of talking, as demonstrated in The Three Little Gators when the author writes, “It’s time you young ‘uns set out on your own.”

    Writing an original fairytale adaptation

    After preservice teachers have gained a deeper understanding of how authors' adaptations create an inclusive learning space for all readers, they write their own fairytale adaptation. Regardless of their demographic, I have my students research a culture different from their own. This critically reflective practice helps preservice teachers engage in the use of story elements and how character development, setting, problem, and solution align to that specific culture while staying true to the plot of the fairytale. A key component of this lesson is the appropriate use of translanguaging, cognate words, and the dialects of how learners speak in the final assignment.

    Writing fairytale adaptations gives preservice teachers awareness of their own cultural biases and assumptions, and the opportunity to demonstrate cultural inclusivity and responsiveness when teaching fairytales to elementary students. This prepares future teachers to understand how to use writing methods in order to be culturally competent and empathetic educators while developing a culturally sustained pedagogy. 

    Ivonne Miranda has been an urban educator for 23 years. She is currently assistant professor, supervisor of field experiences and student teaching, and director of the graduate program at Cedar Crest College Education Department. She has the Celebrate Literacy Award from the Keystone State Literacy Association Central Eastern Region for her work with pre-service teachers publishing diverse children's literature, and has also been published in Literacy Today.

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    ILA Choices Reading Lists Live on With New Name, New Home

    By Lara Deloza
     | Feb 14, 2023
    Choices_680w

    In June 2020, conditions created by the COVID-19 pandemic caused ILA to pause the popular Choices reading program. When it was clear that the ongoing disruptions to in-person schooling and necessary safety precautions once buildings reopened would make it near impossible to resume the project, the International Literacy Association (ILA) made the difficult decision to let it go.

    Retiring Choices, however, was not an option. ILA was determined to rehome the reading lists—which launched in 1974 with Children’s Choices and later expanded to include Young Adults’ Choices and Teachers’ Choices—with an organization that would honor the spirit of the program and produce lists with the respect and care they deserved. The obvious choice: The Children’s Book Council (CBC). For years, CBC cosponsored the Children’s Choices list, and in 2019 it also began cosponsoring its counterpart for young adults.

    In June 2021, a year after announcing the COVID pause, ILA signed a Memorandum of Understanding (MOU) granting CBC full permission to give the Choices project a second life.

    CBC Executive Director Carl Lennertz said his organization’s top goal was “to maintain the success and qualities of ILA’s Choices programs and build on the reach of the programs by expanding participation while developing sustainable processes.”

    Fast forward to May 2022, when—after months of gathering feedback from the Choices volunteer network and other key stakeholders—CBC relaunched the project as the Favorites Lists.

    Like Choices, the Favorites Lists are curated by readers themselves. CBC recruited 80 review teams spanning schools, public libraries, and independent bookstores across the United States. Through a revamped process, the organization was able to put 1,500 books—roughly 100 copies of each publisher-submitted title—into the hands of readers across the country.

    The first annotated collection of Children’s Favorites, Young Adult Favorites, and Teacher Favorites Lists are set to publish in May 2023. 

    Lennertz says that CBC feels “a great debt of gratitude” for ILA and the decades invested in the three Choices lists, which Lennertz characterizes as a “go-to resource for educators, librarians, and caregivers.”

    The feeling is mutual. “We are thrilled that the Children’s Book Council will carry on the Choices tradition,” says ILA Executive Director Nicola Wedderburn. “We feel confident that the new Favorites Lists will continue to identify high-quality, engaging books that foster a love of reading in people of all ages.”

    To learn more about the CBC’s Favorites Lists, visit https://www.cbcbooks.org/readers/reader-resources/favorites-lists/.

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