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    New Year, New Releases in Literature

    By Nancy Brashear and Carolyn Angus
     | Jan 30, 2017

    Getting the first look at January releases is one of the most exciting times of the year for book reviewers. The selection of hot-off-the-press books so far suggest 2017 will be a terrific year for children’s and young adult literature and readers can look forward to a year of great books from which to choose. Happy reading to all in this new year!

    Ages 4–8 

    Mighty, Mighty Construction Site. Sherri Duskey Rinker. Ill. Tom Lichtenheld. 2017. Chronicle.

    mighty mighty construction siteAfter the five hard-working construction vehicles from Goodnight, Goodnight, Construction Site (2011), Excavator, Bulldozer, Crane Truck, Dump Truck, and Cement Mixer, review plans for a supersized, complex building, they know they’ll need help to get the job done. Fortunately, they have five good friends to call on. “Rolling, rumbling, revving hard, / ten big trucks meet in the yard. / A mighty, massive SUPERCREW— / there is nothing they can’t do!” The rhyming text and sunny, earth-toned illustrations on double-page spreads playfully show the teamwork of the new machines (Skid Steer, Backhoe, Flatbed, Front-End Loader, and Pumper) and the original crew. “Cooperation got it done; / teamwork made it fast—and fun!” Project completed. Young fans will hope a new construction site project is being planned.
    —CA

    Rabbit Magic. Meg McLaren. 2017. Clarion/Houghton Mifflin Harcourt.

    rabbit magicHoudini the Rabbit, the most perfect assistant of all, and a gang of backstage chubby bunnies work hard to help “Monsieur Lapin Presents Heads or Tails…Feeling Lucky?” succeed. When M. Lapin injures himself onstage by slipping on a banana peel, Houdini makes sure that the show goes on—and accidentally transforms M. Lapin into a rabbit. Now the boss, Houdini creates a daring show (with allusions to feats performed by the legendary Houdini) with M. Lapin as his assistant, but it isn’t long before he realizes M. Lapin is the one who needs the spotlight more. During the grand finale of his sold-out tour, Houdini restores Monsieur Lapin to his human status. A lesson on generosity and teamwork is acknowledged by M. Lapin when his new billboard reads “Monsieur Lapin & Friends Present EVERYONE IS MAGIC featuring Houdini and the Hoppers.” The softly colored digitally created illustrations featuring portly, mustached Monsieur Lapin and Houdini, a white rabbit outlined in blue (which makes him clearly distinguishable from the large supporting cast of cute rabbits) extend the humor of this role-reversal story. Compare the front and back endpapers to visually capture the gentle moral of this magical picture book.
    —NB

    Short Stories for Little Monsters. Marie-Louise Gay. 2017. Groundwood/House of Anansi.

    short stories for little monstersThis collection of 19 short stories, presented in paneled cartoon format, invites young children to consider all sorts of things that their imaginations might lead them to ponder as they explore the world about them. What do cats see? What nightmares do snails have? Do rabbits have a secret life in their underground tunnels? The text is presented primarily in speech bubbles. Although most of the text involves conversations among children, there are also clever comments from nonhumans, such as witty banter among various species of trees in “What Do Trees Talk About?” The brightly colored, detailed artwork (done in watercolor, colored pencil, and collage) is childlike. The stories, which vary from silly to whimsical to wry, make this an engaging, thought-provoking picture book to read again and again. 
    —CA

    Ages 9–11

    Matylda, Bright & Tender. Holly M. McGhee. 2017. Candlewick.

    matylda bright and tenderSussy and Guy, best friends since kindergarten and now in fourth grade, buy a leopard gecko they name Matylda, who immediately bonds with Guy. At the end of the school year, Guy dies when he heroically saves Sussy from a dog attack. Staggering through a summer of grief, Sussy makes a deal with Matylda to keep Guy’s memory alive by finding better ways to love her. That’s when Sussy hears a voice in her head (“the stealing girl”) directing her to shoplift worms, mealies, and toys from the pet store for Matylda. After the already-ailing gecko rejects a load of stolen toys, Sussy goes into a rage, scaring the gecko so much that her tail falls off. Sussy finally realizes that Guy is truly gone and that she might also lose Matylda. When her crimes are uncovered, Sussy finds herself loved and understood by her mother and father as well as Mike, the owner of the pet store. In a brave move forward, Sussy begins fifth grade and discovers she can have a new life with new friends and a new relationship with Matylda.
    —NB

    Revenge of the Green Banana. Jim Murphy. 2017. Clarion/Houghton Mifflin Harcourt.

    revenge of the green bananaIt is the 1950s, and sixth grader Jimmy Murphy is determined to turn over a new leaf. Within a few minutes of his entry into Sister Angelica Rose’s class, his plans are dashed. He’s sure his teacher, who has a red folder detailing his past crimes, is out to get him when he is sent to the second grade to help students prepare for a production of the Green Banana play. After Jimmy reveals a plan of revenge to his friends (to murderlate his teacher at the school production where she will be introducing a new bowling alley for girls), they jump in with enthusiasm to build a weapon of destruction. In the meantime, Sister Angelica Rose enlists Jimmy to help teach her basketball skills so she can begin a girls’ team, and he realizes that she is more than just a stern teacher and nun—she is a caring person, too. Is it too late to derail the plan? Readers are bound to chuckle throughout their madcap ride with a rollercoaster turn of events at the end, in this story told from Jimmy’s point of view. A warning on the opening page states that events in the story actually happened to the author as a child.
    —NB

    Ages 12–14

    Factory Girl. Josanne La Valley. 2017. Clarion/Houghton Mifflin Harcourt.

    factory girlTo save her family’s farm from government seizure, 16-year-old Roshen leaves her Muslim Uyghur family in East Turkestan to work as an indentured servant for one year in a factory that makes uniforms in south China. The restrictive nature of life at the Hubel Workwear Company, where the Uyghur girls are not permitted to wear headscarves and must speak only Mandarin, and the harshness of conditions at the factory (long hours, starvation diets, no privacy, severe punishment for breaking rules enforced by a cruel matron, and bosses who exploit them) are physically, psychologically, and culturally damaging. Roshen, who becomes a leader among the other Uyghur girls, finds solace in writing poetry secretly and resisting the injustices they face in any way she can. An author’s note on the government of the People’s Republic of China’s suppression of the Uyghurs’ culture and Muslim religion and silencing of dissent in East Turkestan provides a context for the novel.
    —CA

    Midnight Without a Moon. Linda Williams Jackson. 2017. Houghton Mifflin Harcourt.

    midnight without moonThirteen-year-old African American sharecropper Rose Lee Carter toils long days in the fields during the summer of 1955 in the Mississippi Delta, where she lives with her grandparents (hardworking Papa and stern Ma Pearl), who are beholden to the Robinsons’ plantation for their measly wages and nicer-than-usual home. Life isn’t fair for Rose, as her lazy and light-skinned 15-year-old cousin, Queen, spends her days lounging around, and not much is expected of Rose’s not-so-bright younger brother, Fred Lee, either. Deserted years earlier by her mother and aware of the increasing numbers of racist-related murders, Rose is no stranger to hardship and death. At the same time, changes are on the horizon, and not everyone embraces them (including Ma Pearl), but Rose, who is at the top of her class, has dreams of moving up north and graduating from college one day. In August, Emmett Till, a 14-year-old African American boy, is murdered in Mississippi for reportedly whistling at a white woman. When his white assailants are acquitted by an all-white jury, the community is split between fear and activism. Rose, forbidden by Ma Pearl to return to school, is assigned permanently to the fields. When she has the opportunity to move up north, however, the consequences could be costly. For all middle school readers this historical novel can be a window for learning about the lives of those who struggled before them through segregation and Jim Crow laws and a mirror for reflecting on their own family histories during the pre–Civil Rights period of the 1950s.
    —NB

    Ages 15+

    The Truth of Right Now. Kara Lee Corthron. 2017. Simon Pulse/Simon & Schuster.

    the truth of right nowPrivileged Jewish girl Lily, who is back at school after a suicide attempt following an affair with a teacher, and Dariomauritius (“Dari”), a mysterious transfer student whose Trinidadian father is a domineering and cruel tyrant, are drawn together by their love of the arts, cynicism against the hypocrisy of their privileged high school, and repercussions of broken families. An unlikely friendship during their junior year blooms into something more while each of them fights to find meaning and truth. Lily’s and Dari’s personal stories are told in alternating chapters. Lily (speaking in first person), once popular but now shunned by friends, has cut herself off from the music she once couldn’t stay away from. With the help of her therapist, she may finally be able to journal about the disastrous events of the previous year and begin to heal. Dari (whose story is delivered in third person), who carries a sketchpad everywhere he goes and has issues with authority and institutional racism, faces a disaster that may be too big to surmount. After a horrific misunderstanding triggers a series of events that lead to tragedy, Lily and Dari must figure out if their friendship can survive.
    —NB

    Under Rose-Tainted Skies. Louise Gornall. 2017. Clarion/Houghton Mifflin.

    under rose tainted skiesSeventeen-year-old Norah suffers from agoraphobia and obsessive-compulsive disorder, and she hasn’t been out of her home for four years. Her only face-to-face interactions are with her mother and a therapist. She attends online school and lives life vicariously (on social network) through friends who have forgotten her. When she accidentally meets the cute new neighbor, Luke, while she is literally reeling in a bag of groceries from the porch—and he brings them into her home—she bravely invites him into her world. Slowly, they develop a relationship, which is difficult considering that she can’t leave her home, is terrified of germs, has no control over panic attacks, doesn’t like anyone touching her, and shoulders constant self-doubt like a palpable weight. Luke is kind, sensitive, and patient as their friendship blossoms ever-so-slowly into romance. When Norah must escape from her home during an emergency, she draws on her strength to get to Luke’s home for help and, in the aftermath, decides to finally seek alternative remedies to her conditions that she had previously turned down. A realistic portrayal of mental health and illness, this poignant novel will resonate not only with readers who suffer from some of Norah’s symptoms but also those simply wanting to understand more about them.
    —NB

    Nancy Brashear is Professor Emeritus of English from Azusa Pacific University, in Azusa, CA. Carolyn Angus is former director of the George G. Stone Center for Children's Books, Claremont Graduate University, in Claremont, CA.

    These reviews are submitted by members of the International Literacy Association's Children's Literature and Reading Special Interest Group (CL/R SIG) and are published weekly on Literacy Daily.

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    Books Too Good to Miss

    By Nancy Brashear and Carolyn Angus
     | Jan 23, 2017

    The last quarter of 2016 went by so quickly that the year ended with books still on the to-be-read stack. This week, we review some of these books we’ve been reading in January that are just too good to miss.

    Ages 4–8 

    All the World a Poem. Gilles Tibo. Trans. Erin Woods. Ill. Manon Gauthier. 2016. Pajama.

    all the world a poemPoems about poems, written from children’s points of view, describe their feelings and experiences of reading and writing them. Some of Gilles Tibo’s poetry is decidedly child friendly (“I love poems sweet and silly. / I love poems long and frilly— / All the poems dreaming on the shelf.”) and some is sophisticated (“To write poetry / is to pluck silence like a flower / and press it gently between the pages / of a notebook / made of light.”). Manon Gauthier’s collage art featuring childlike drawings of girls and boys cut out and placed on mixed-media backgrounds will draw the attention of young children to this picture book that invites them to explore the world of poetry through both reading and writing.
    —CA

    Lucky Lazlo. Steve Light. 2016. Candlewick.

    lucky lazloLazlo is in love, and he is lucky to buy the flower seller’s last red rose, which he plans to present to his lady love, who is starring as Alice in the production of Alice in Wonderland at the Peacock Theater. On the way, Lazlo has some bad luck. He runs into a post and drops the rose. A cat snatches it up, and the chase is on through the stage door and past actors, musicians, and stagehands backstage. Both the cat and Lazlo have moments on stage. The cat disrupts the Mad Hatter’s tea party scene, and once Lazlo recovers the rose that the cat drops to pursue a mouse, he steps on a ball and steals the show by wobbling on it across the stage. All ends well with Lazlo presenting the rose to his Alice (and winning a kiss) and the cat having caught the mouse. In an author’s note, Light explains theatrical superstitions shown in his intricately detailed pen-and-ink illustration that have been broken by the cast and crew and challenges readers to find them. 
    —CA

    Story Worlds: Nature. Thomas Hegbrook. 2016. 360 Degrees/Tiger Tales.

    story worlds nature“Every picture tells a story. What do you think that story is?” on the title page leads readers into this oversize volume, in which Thomas Hegbrook creates scenes from the world of nature that are wordless stories. A note on the publication page suggests how to explore this book: Observe each scene, inquire by becoming the narrator for each visual story, and wonder about the amazing animals and their behavior the scenes reveal. The arrangement of the 100 scenes vary, with a few spreads, some full-page scenes, and pages with two to five rectangular panels in different layouts on a page. After telling their own stories, readers can refer to Hegbrook’s notes identifying the animals and explaining the scenes. Readers of all ages will enjoy exploring nature in this intriguing wordless picture book.
    —CA

    Teddy & Co. Cynthia Voigt. Ill. Paola Zakimi. 2016. Alfred A. Knopf/Random House.

    teddy &coIn a magical community, the lives of lost toys (a deep-thinking paraplegic teddy bear, two charming pigs, a hungry snake, an elephant who bakes, and a hermit penguin) revolve around baked muffins and gentle (a picnic at the beach) and not-so-gentle (a dangerous trek that reveals they live on a small island) adventures until a rabbit, who is not what he seems, washes up on shore followed by the arrival of a bossy, beautiful doll who declares herself queen—and demands a castle. These distinct characters with childlike personalities slowly meld into a community, with some of them evolving a little, and others a lot, in their individual journeys of self-discovery. All the toys learn that it is OK to be who they are as long as they respect one another’s differences. The short chapters, complemented by black-and-white illustrations, can serve as stand-alone stories perfect for reading aloud in one sitting.
    —NB

    Ages 9–11

    The Dog, Ray. Linda Coggin. 2016. Candlewick.

    the dog rayTwelve-year-old Daisy dies in a tragic car accident and finds herself in an afterworld job center. Although she is assigned to return to Earth as a dog, she still thinks like the human Daisy. Beginning her new life as Misty, she is adopted and mistreated by a boy named Cyril but escapes from her collar after being abandoned by him at a park. Driven to locate her paralyzed father who, she reads in a newspaper, survived the accident, she longs to be reunited with her parents. After meeting Pip, a runaway boy, who renames her Ray and who is also looking for his father, they join forces and are assisted by a kind elderly woman in locating Pip’s father. After surviving a string of unfortunate events, Daisy realizes that her human memory is quickly fading while her dog nature takes over. Although Daisy’s dreams don’t come through in the way she first imagined, Pip’s do. This is a heartfelt story for readers who will appreciate the authentically voiced first-person girl/dog points of view.
    —NB

    Time Traveling With a Hamster. Ross Welford. 2016. Schwartz & Wade/Random House.

    time traveling with a hamsterThe novel begins with “My dad died twice. Once when he was 39 and again four years later, when he was 12.”On his 12th birthday, Al Chaudhury receives a letter from his dead father with a mission to go back to 1984 to prevent the go-cart accident that will lead to his death at 39 (when Al is 8). However, life for Al has changed. His mom is remarried, his stepfather tries to relate to him through sports (which Al hates) and gives him a hamster named for a sports hero for his birthday, and a stepsister doesn’t like him at all. Al must get to his former home, circumvent the current families living there, and locate a time machine hidden in a bunker. Concerned about him, Grandpa Byron teaches Al the Indian Memory Palace method to keep him rooted to present times. As Al travels to the past several times to carry out his father’s instructions, he uses his hamster to help keep track of when he is and the Memory Palace to keep track of what he is doing. If he can’t prevent his father’s childhood accident, or if he runs into his (younger) grandfather in the past, will Al even exist? This complicated time-travel story ends with a quick twist that will surprise readers. 
    —NB

    Ages 12–14

    League of Archers (League of Archers #1). Eva Howard. 2016. Aladdin/Simon & Schuster.

    league of archersTwelve-year-old Ellie Dray’s mother sent her to the local nunnery and then was hanged. Orphaned Ellie and her friends, members of the League of Archers (a kind of Robin Hood fan club), meet up to hunt in secret. Imagine her horror when a stranger she meets one night in the woods is shot by a poisoned arrow and dies shortly after she drags him back to the convent—and he turns out to be Robin Hood. Imagine her surprise when her beloved abbess (who turns out to be Maid Marian) is arrested and sentenced to death by the nefarious Baron. Imagine her shock when, as the scapegoat, she is charged with the murder, and the villagers turn against her. Ellie ends up on the run, with the League helping her to free Maid Marian and find the murderer of Robin Hood. As the League of Archers learns that some of the actions of their hero and his Merry Men had serious repercussions that ended in his death, they vow to fight the Baron’s injustices and care for the villagers, just like Robin Hood did.
    —NB

    Merrow. Ananda Braxton-Smith. 2016. Candlewick.

    merrowTwelve-year-old Neen, an orphan who lives on Carrick Island in the Irish Sea, seeks to learn who she really is. She knows that people consider her different because she suffers from a scaly-skin disease, and they whisper behind her back that her mother, who mysteriously disappeared after Neen’s father’s death, was a merrow, or mermaid, who returned to her people under the sea. If that is true, is Neen a merrow, too? Her stern Auntie Ushag, with whom she lives, never speaks of the past, and Neen suspects she knows more than she is telling her. Neen gathers every clue she can, including revelatory information from Skully Slevin, the blind fiddler, and when she explores a local cave, she is more confused than enlightened. After an earthquake cleaves the cliffs and exposes unexplored territory, the answers it brings Neen aren’t the ones she expected. The beautifully written prose, sometimes with a raw edge, in this historical fantasy will resonate with readers who are also trying to discover their own identities in this confusing world.
    —NB

    Ages 15+

    The Door That Led to Where. Sally Gardner. 2016. Delacorte/Random House.

    the door that led to whereAlmost-17-year-old Londoner AJ Flynn failed major exams so he can’t qualify for college, but he has been offered a job as a junior clerk at a law firm where others know more about him, his dead father, and his mother than he does. After overhearing a conversation between two men (one of whom is found dead the next morning), finding a mysterious key with his birthdate on it, and learning more about his family history from an eccentric professor, AJ’s life makes a 180-degree turn. When he opens a door with the key, he steps into 1830 London, discovers the missing son of a neighbor, and unexpectedly meets the love of his life, Esme. On subsequent trips to the past, he takes along two troubled childhood friends who have fallen on tough times. In a dangerous turn of events, they help him solve mysteries involving murder and smuggling to clear AJ’s family’s name before deciding to make the 1830s their home. Free to return to the law firm, AJ must choose the century he wants to live in, with, or without, Esme. This time-travel mystery will intrigue thoughtful readers. What happens in 1800s doesn’t always stay in the 1800s!
    —NB

    Heartless. Marissa Meyer. 2016. Feiwel and Friends.

    heartlessIn this prequel to Lewis Carroll’s Alice’s Adventures in Wonderland, Marissa Meyer tells the story of Lady Catherine (Cath) Pinkerton, whose love of baking and dreams of opening her own shop with her maid are at odds with the intent of her mother, the Marchioness of Rock Turtle Cove, to have her become the Queen of Wonderland. In Meyer’s fantasy, many of the characters from Carroll’s classic tale, including the Cheshire cat, the Mad Hatter, the March Hare, and the Jabberwock, have roles to play as Cath’s abhorrence of the bumbling King of Hearts’ courtship intensifies after she falls for the king’s new court jester, Jest. The subsequent adventures, or rather misadventures, of Cath in Wonderland reveal how she becomes the tyrannical and heartless “off with their heads” Queen of Hearts.
    —CA

    Nancy Brashear is Professor Emeritus of English from Azusa Pacific University, in Azusa, CA. Carolyn Angus is former director of the George G. Stone Center for Children's Books, Claremont Graduate University, in Claremont, CA.

    These reviews are submitted by members of the International Literacy Association's Children's Literature and Reading Special Interest Group (CL/R SIG) and are published weekly on Literacy Daily.


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    Books to Add to Any Collection

    By Carolyn Angus
     | Jan 16, 2017

    I live in a teeny-tiny apartment, so in anticipation of new releases that will be arriving, one of my end-of-2016 tasks was to go through the many books I read during the year and decide which ones I would add to my personal collection of children’s books. My goal was to keep only 10 books from 2016. Here are reviews of the 10 including notes on why I chose them. You’ll notice, however, that I cheated a bit by including a few pairings of a chosen book with other 2016 releases—in one case, getting eight picture books in one volume.

    Ages 4–8

    Curious George (75th Anniversary Ed.). H.A. Rey. 2016. Houghton Mifflin Harcourt.

    curious george 75-2George, the good but curious little monkey, gets into a great deal of trouble between the time of his capture by the man with the yellow hat in Africa and his arrival at the zoo. Curious George,a picture book favorite from my childhood, will be shelved next to the new 2016 young readers edition of Louise Borden’s The Journey That Saved Curious George: The True Wartime Escape of Margret and H.A. Rey, originally published in 2005, which tells the story of how the Reys escaped Paris with the manuscript for Curious George in 1940, and Justin Martin and Liza Charlesworth’s Keep Curious and Carry a Banana: Wisdom From the World of Curious George (2016), a small book of pithy words to live by paired with illustrations from the original Curious George books.

    My Very First Mother Goose (20th Anniversary Ed.). Iona Opie (Ed.). Ill. Rosemary Wells. 2016. Candlewick.

    my very first mother goose 20In the introduction, folklorist Iona Opie refers to Rosemary Wells as Mother Goose’s second cousin, a believable relationship for those who share this oversize collection of nearly 70 well-loved and lesser known traditional rhymes with young children. Wells’s whimsical watercolor illustrations feature her signature lovable animals (bunnies, cats, pigs, mice, and more, as well as an occasional human) taking on the roles of such characters as Jack and Jill, Little Boy Blue, Wee Willie Winkie, and the brave old duke of York. On its 20th anniversary, My Very First Mother Goose remains the perfect volume for introducing young children to the rhythms and words of Mother Goose. It will stay on my bookshelf until it becomes a baby gift.

    Tomi Ungerer: A Treasury of 8 Books. Tomi Ungerer. 2016. Phaidon.

    a treasury of 8 booksThis beautifully formatted collection of eight of Tomi Ungerer’s picture books presented in a slipcase is indeed a treasure. After reading the eight books—The Three Robbers, Zeralda’s Ogre, Moon Man, Fog Island, The Hat, Emile, Flix, and Otto—readers new to his work will recognize Ungerer’s ability to craft picture book stories (some with unexpected choices of characters such as weapon-wielding robbers and ogres with an appetite for children) that are witty and thought provoking. Ungerer does not talk down to children even when his stories deal with important issues such as prejudice, social injustice, and war. The collection is introduced with a personal letter to readers from Tomi Ungerer. An appended “Behind the Scenes” section includes a conversation between Ungerer and his Phaidon editor about each of the books, along with preparatory sketches, storyboards, and photographs for the book, and a brief biography of the author. While serving on the United States Board on Books for Young People’s Hans Christian Andersen Award committee several years ago, I read as a widely as I could on the work of previous award winners. I learned that Ungerer, who won the Hans Christian Andersen Award for Illustration in 1998, had written more than 100 books, but I had access to only a few in English. How delighted I am to now have this treasury of Tomi Ungerer’s books to add to my children’s book collection.

    Where, Oh Where, Is Rosie’s Chick? Pat Hutchins. 2016. Simon & Schuster.

    where oh where is rosie's chickRosie, the clueless hen who goes for a walk and unknowingly escapes from a fox again and again to arrive safely back home in Rosie’s Walk (1968), is once more meandering through the farmyard, this time searching for the newly hatched chick that she has lost. As the patterned illustrations in bright, fall colors show, Rosie, who is unaware that her chick (with half of the shell covering its head) is following her, unwittingly saves the chick from danger again and again. All ends well as the other hens inform Rosie that the chick is right behind her, and Rosie and her little chick go for a walk together. My copy of Rosie’s Walk now has the perfect companion.  

    Ages 9–11

    A Celebration of Beatrix Potter: Art and Letters by More Than 30 of Today’s Favorite Children’s Book Illustrators. 2016. Frederick Warne.

    a celebration of beatrix potterThirty-two children’s book illustrators join in creating a celebration of the 150th anniversary of the birth of beloved children’s book author–illustrator Beatrix Potter. Introductory notes and excerpts of nine of Potter’s tales (presented chronologically by publication date) from The Tale of Peter Rabbit (1902) to The Tale of Mr. Tod (1912) are followed by original reimagined portraits of characters from the books by some of today’s favorite author–illustrators and reflective notes on early experiences with Beatrix Potter’s little books and how she inspired their work. Seeing which character the various illustrators selected to portray is interesting. My favorite entry: Tomie dePaola’s portrait of elderly Beatrix (Mrs. Heelis), who dePaola describes as resembling “the lovely, slightly cranky Mrs. Tiggy-Winkle,” having tea with the hedgehog laundress. This book is special to me because it includes the artwork of many of my favorite contemporary children’s book illustrators celebrating Beatrix Potter, whose books were my childhood favorites—and remain so to this day.

    Find the Constellations. H.A. Rey. 2016. Houghton Mifflin Harcourt.

    find the constellationsIn Find the Constellations (first published in 1954), H.A. Rey uses a clear, accessible text and labeled diagrams and sky view maps to present a step-by-step guide on recognizing how groups of stars are arranged to form constellations and locating these constellations in the night sky. Sections of the book have been revised to include updated information on the solar system (including why astronomers now identify Pluto as a dwarf planet), and the Planet Finder chart now covers the years 2017–2026. Find the Constellations and Rey’s The Stars: A New Way to See Them (1952), which also has a new 2016 edition, remain the best introductions to astronomy for young people (and, in my opinion, for people of all ages).

    Under Water, Under Earth. Aleksandra Mizielińka & Daniel Mizieliński. 2016. Big Picture/Candlewick.

    under waterWith brief text and detailed mixed-media cartoon illustrations with labels and captions, diagrams, and cross sections, this oversize volume takes readers on journeys of exploration of the worlds below the surface of our planet. As pages of Under Water are pored over, readers learn about the variety of creatures that inhabit the Earth’s lakes and oceans; properties of water related to underwater exploration such as buoyancy and pressure; special features such as coral reefs, sinkholes, underwater chimneys, and the Mariana trench; and the history related to diving suits, submarines, and other inventions that make underwater exploration possible. Each page takes readers deeper and deeper until the Earth’s core is reached. Then, flipping the book over to Under Earth, readers take a journey deep inside the Earth, exploring underground features, both natural and manmade, such as caves, tunnels, pipes and cables; creatures as varied as worms, ants, and burrowing mammals; archaeological and paleontological finds; mining operations; and explanations of tectonic plates, volcano and geyser formation, and the Earth’s layers. Under Water, Under Earth is too big to fit on a bookshelf, but it has a place nearby so that I (and inquisitive guests) can continue exploring below the Earth’s surface.

    Ages 12–14

    The Book Thief (10th Anniversary Ed.). Markus Zusak. Ill. Trudy White. 2016. Alfred A. Knopf/Random House.

    the book thief 10-2Death, the narrator, introduces The Book Thief as a story about a girl, some words, an accordionist, some fantastical Germans, a Jewish fist fighter, and quite a lot of thievery. The girl, Liesel Meminger, picks up her first book, The Gravedigger’s Handbook, in a snowy graveyard following the death of her younger brother, who has died while they are traveling to a foster home placement near Munich in 1939 Nazi Germany. Learning how to read with the help of her foster father, Hans Hubermann, is the beginning of Liesel’s love of words and her book thievery. This elegant 10th anniversary edition of Australian author Markus Zusak’s beautifully crafted novel includes a new introduction, excerpts from notebooks, handwritten notes on the manuscripts, and his original sketches for illustration, in addition to a Q&A. The “Anniversary-Edition Bonus Material” section at the end of this 2016 edition, which adds a wealth of information related to Zusak’s crafting of the book, left me looking forward to my next rereading of The Book Thief.  

    The Boy in the Striped Pajamas (10th Anniversary Ed.). John Boyne. Ill. Oliver Jeffers. 2016. Alfred A. Knopf/Random House.

    the boys in the striped pajamas-2Oliver Jeffers’s illustrations add haunting visual images to this historical fable that explores the horrors of the Nazi death camps through the eyes of naïve 9-year-old Bruno, who moves in 1942 from Berlin to Auschwitz, where his father is the new Commandant. In his introduction to this 10th anniversary edition of The Boy in the Striped Pajamas, John Boyne references his interest in writing about “the manner in which war affects and destroys the experience of childhood, which is supposed to be a happy and carefree period, and what it means for a child to be thrust into an adult situation far ahead of time.” Boyne does this beautifully in his writing of The Boy in the Striped Pajamas and in The Boy at the Top of the Mountain (2016), the story of a young boy living in Adolf Hitler’s Austrian retreat. 

    Ages 15+

    Scythe (Arc of a Scythe #1). Neal Shusterman. 2016. Simon & Schuster.

    scytheIn a post–Age of Mortality world, death has been conquered. No one dies from hunger, disease, aging, or accidents. To control overpopulation, professional scythes (or reapers) “glean” citizens randomly following a set of commandments, the first of which is “Thou shalt kill.” In this first book in the Arc of a Scythe trilogy, 16-year-olds Rowan Damisch and Citra Terranova are chosen by Honorable Scythe Faraday to be apprentice scythes. As the two teens are pitted against each other in their training (only one will become a scythe; the other will be gleaned), they become aware that all is not perfect in MidMerican Scythedom. Scythe is a dark, disturbing thriller that raises moral and ethical issues for readers to ponder as they wait for the next book in the series. I’m keeping Scythe on my bookshelf, knowing I’ll want to reread it before I read the second book in the Arc of a Scythe series.

    Carolyn Angus is former director of the George G. Stone Center for Children's Books, Claremont Graduate University, in Claremont, CA.

    These reviews are submitted by members of the International Literacy Association's Children's Literature and Reading Special Interest Group (CL/R SIG) and are published weekly on Literacy Daily.


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    On Books and Reading

    By Nancy Brashear and Carolyn Angus
     | Jan 09, 2017

    A common theme of this week’s titles is a well-told story revolving around books and reading to take readers on imaginative adventures, to whet the appetite for more books, and to kindle the desire to share the joy of reading with others. As book lovers, we know the power of books, but these works of literature bring home that belief and will inspire others.

    Ages 4–8

    Book Uncle and Me. Uma Krishnaswami. Ill. Julianna Swaney. 2016. Groundwood/House of Anansi.

    book uncleNine-year-old Yasmin considers Book Uncle’s Lending Library on the corner of St. Mary’s Road and 1st Cross Street to be the best library in all of India. His sign reads, “Books. Free. / Give One. / Take One. / Read-read-read.” For Yasmin, who intends to read one book every day, forever, Book Uncle’s motto, “Right book for the right person for the right day” is perfect. And so, when the mayor shuts down Book Uncle’s bookstand for not having a permit, which he can’t afford, Yasmin knows she must do something. Inspired by the old Indian folk tale that Book Uncle selected for her, she enlists her friends, neighbors, and the entire community in what becomes a political campaign to oust Mayor S.L. Yogaraja (Mayor SLY) and elect a new mayor sympathetic to the importance of Book Uncle’s library to the town. This short chapter book offers a gentle lesson on how the initiative of one child may be an influence for change in a community.
    —CA

    Dragon Was Terrible. Kelly DiPucchio. Ill. Greg Pizzoli. 2016. Farrar Straus Giroux.

    dragon was terribleA chatty unseen narrator tells the tale of a “super terrible” (but, as the cartoon illustrations show, cute rather than fearsome) dragon, whose behavior in the kingdom becomes so intolerable that the king finally declares, “Enough!” and posts a reward for taming the terrible dragon. As knights and then “ordinary blokes and lassies” from the kingdom fail, the dragon becomes even more terrible (popping birthday balloons, painting graffiti on the drawbridge, and burping in church) until a young boy comes up with a clever dragon-taming plan involving a good book. His reward: a new friend—“A nice dragon, of course.”
    —CA

    Madeline Finn and the Library Dog. Lisa Papp. 2016. Peachtree.

    madeline finn and the library dogMadeline Finn does not like to read, especially out loud, because “sometimes the sentences get stuck in my mouth like peanut butter.” Although she desperately wants a star from her teacher for being a good reader, she gets only “Keep Trying” stickers. One day at the library, she meets Bonnie, a big white dog who encourages Madeline to patiently keep practicing. When she’s stuck on a word, Bonnie puts her big paws in Madeline’s lap and lets the young girl pet her until she figures it out. Every Saturday, Madeline returns to read to Bonnie. One day, when her teacher asks her to read aloud in class, Madeline pretends that she is reading to Bonnie, and she earns her first star. The realistic illustrations, rendered in watercolor, pencil, and digital coloring, capture the emotions of Madeline as she gains in experience and confidence through sharing stories with a library dog.
    —NB

    The Summer Nick Taught His Cats to Read. Curtis Manley. Ill. Kate Berube. 2016. Paula Wiseman/Simon & Schuster.

    the summer nick his cats to readNick loves to read. He wants his cats, Verne and Stevenson, to read with him, but they won’t. He even makes word flashcards to hook them. It’s only after Nick prints “Fish” that Verne is interested, practices reading words every day, and even gets his own library card. When Nick finds Stevenson’s secret stash of drawings, Verne and he write the narrative for a pirate story, The Tale of One-Eyed Stevenson and the Pirate Gold, and Stevenson becomes a reader, too. Wanting to have someone read aloud to him, Nick says to his cats, “Maybe I should teach you how to speak…How hard could that be?” Expressive, gently humorous illustrations, rendered in ink, Flashe paint, and acrylic paint, catch the spirit of Nick, his cats, and the joy of reading.
    —NB

    Wanted! Ralfy Rabbit, Book Burglar. Emily MacKenzie. 2016. Bloomsbury.

    wanted ralfy rabbit book burglarRalfy, a prolific reading rabbit, “borrows” most of his books from people’s homes while they are sleeping. When he takes young Arthur’s favorite book, The Biggest Book of Monsters Ever, something must be done. After using his surveillance kit to catch Ralfy in action, Arthur reports the robbery to Officer Puddle only to be met with laughter until Ralfy pops up later in the officer’s home looking for more books. After identifying Ralfy in a hysterically funny lineup, Arthur comes up with a solution: They become book buddies at the public library, where books can always be borrowed (but must be returned). The cartoonlike artwork and clever wordplay (“Officer Puddle…told him he had caught the culprit read-handed!”) of this humorous picture book will delight young readers.
    —NB

    Ages 9–11

    A Child of Books. Oliver Jeffers. Ill. Sam Winston. 2016. Candlewick.

    a child of booksA young girl sitting aboard a raft reading a book identifies herself: “I am a child of books. I come from a world of stories.” She floats across a sea of words (lines from classic stories such as The Voyages of Doctor Dolittle and Gulliver’s Travels) to arrive at the home of a boy, who she invites to join her in an adventure around the world, scaling  mountains, discovering treasure in a dark cave, playing in forests of fairy tales, escaping monsters in haunted castles, sleeping in clouds of lullabies, and shouting in outer space before finally ending in an explosion of colorful objects and characters from stories as they spin on a globe. She ends with an invitation to explore the imaginative power of reading books. The titles of all the books that are used in the typographically created landscape the children travel through are listed on the endpapers. 
    —CA

    The Evil Wizard Smallbone. Delia Sherman. 2016. Candlewick.

    the evil wizard smallboneIn this unusual hero cycle story, 12-year-old Nick runs away from his cruel uncle and cousin and right into Evil Wizard Smallbone and his magical bookstore, where he becomes an unwilling apprentice who grudges through each day doing anything but magic. After failed attempts to escape from Smallbone, Nick forms a bond with the bookstore and teaches himself magic by reading the books it systematically nudges his way. He realizes that there is something desperately wrong in Smallbone Cove—with breaches in its magically protected boundaries by Smallbone’s archrival, the Evil Wizard Fidelou—and comes up with a solution. There is a magical twist, however, that will keep readers on the edge of their seats until the last word of this satisfying fantasy. 
    —NB

    Sophie Quire and the Last Storyguard (Peter Nimble Adventure #2). Jonathan Auxier. 2016. Amulet/Abrams.

    sophie quire and the last storyguardTwelve-year-old Sophie Quire, who lives a quiet life repairing books in her father’s bookstore, is worried about upcoming Pyre Day, on which Inquisitor Prigg intends to rid the town of Bustleburg of “nonsense” by burning all storybooks, when a strange blindfolded boy, Peter Nimble, and his furry, enchanted companion, Sir Tode, show up with a mysterious book, The Book of Who, in need of mending. Following clues from the magical book, Sophie and Peter, pursued by Inquisitor Prigg and his henchman, Torvald Knucklemeat, set out to find the book’s companion volumes (The Book of What, The Book of Where, and The Book of When). This fast-paced, action-packed adventure, in which Sophie must find and protect the books that contain all the magic that ever existed and use them to save stories and the world, ends with the promise of more adventure as she leaves a note on her work bench: “My tale is not yet told. I will return. Fondly, Sophie Quire, the Last Storyguard.”
    —CA

    Ages 12–14

    The Most Frightening Story Ever Told. Philip Kerr. 2016. Alfred A. Knopf/Random House.

    the most frightening story ever toldTwelve-year-old Billy Shivers, recovering from a car accident, spends his days at the Hitchcock Public Library until he discovers the creepy Haunted House of Books and its thematic rooms rigged with spooky traps. Billy soon convinces the owner, eccentric Mr. Rapscallion, to take him on as an unpaid apprentice. When Billy accompanies him to a conference, a child psychologist proposes that Mr. Rapscallion read a terrifying old manuscript to children at his bookstore so she can study how they respond. He agrees to combine this experiment with a midnight reading of the scariest-story-ever-written-in-the-whole-history-of-the-world contest as publicity for his bookstore and chooses five children (with Billy as one of them) to compete to win $1,000. After four of the contestants scurry out during the night, Billy is declared the winner. With the bookstore saved, Mr. Rapscallion attempts to deliver the prize money to Billy only to uncover an unbelievable secret. Young readers will be intrigued by short, scary stories that are interspersed throughout the novel.
    —NB

    The Reader (Sea of Ink and Gold #1). Traci Chee. 2016. Putnam/Penguin.

    the reader sea of ink and goldSefia has been on the run with her Aunt Nin since her father was murdered. When her aunt is kidnapped, Sefia goes on the hunt for her and the truth about her father’s death, with only a knapsack holding a wrapped package, a book. Unbeknownst to her, she is pursued by assassins working for a secret society that wants the book returned at any cost. Sefia frees an imprisoned mute boy, and surviving brutal circumstances, they become a team. Although she grew up in a society in which literacy is banned, Sefia teaches herself to read the book, and finds herself caught up in complex stories of pirates and others she doesn’t understand. As she reads to the boy, Sefia eventually discovers they are in a just-in-time magical story that is unfolding before her eyes (literally). In this multilayered novel with three shifting time frames and things that are most likely not what they seem, Sefia learns secrets about her parents, herself, and her world as she negotiates through a dystopian landscape where forbidden words control the future.
    —NB

    Ages 15+

    Every Exquisite Thing. Matthew Quick. 2016. Little, Brown.

    every exquisite thingPrivileged senior Nanette O’Hare is a college-bound dutiful daughter, straight-A student, and soccer star, but after she reads the mysterious cult classic The Bubblegum Reaper that her favorite teacher, Mr. Graves, gives her, she changes her life 180 degrees and becomes a rebel misfit. When her relationships with her parents, whose marriage is failing, and friends, from whom she alienates herself, spiral out of control, Nanette seeks out the author, Nigel Booker, for answers to questions the book has aroused in her. He won’t answer them but instead points her toward other writers. He also introduces her to a troubled young poet, Alex, with whom she falls in love. Together Nanette and Alex, along with a young boy they befriend, attempt to solve the mystery of why Booker wrote the book in the first place. Twists and turns in the labyrinth of self-discovery lead to tragedy, guilt, and, ultimately, to Nanette discovering her authentic self and what it is that she wants in her future.
    —NB

    Nancy Brashear is Professor Emeritus of English from Azusa Pacific University, in Azusa, CA. Carolyn Angus is former director of the George G. Stone Center for Children's Books, Claremont Graduate University, in Claremont, CA.

    These reviews are submitted by members of the International Literacy Association's Children's Literature and Reading Special Interest Group (CL/R SIG) and are published weekly on Literacy Daily.


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    Starting the Year With Fresh PD Reading

    By Carolyn Angus and Nancy Brashear
     | Jan 02, 2017

    Educators don’t have just literature on their shelves. They also have books that help readers understand and appreciate books and their creators; books that serve as guides to the selection and use of literature in classrooms and libraries; and books that remind us of the importance of reading and the joy that books can bring to the lives of readers of all ages.

    Comics Confidential: Thirteen Graphic Novelists Talk Story, Craft, and Life Outside the Box. Leonard S. Marcus (Ed.). 2016. Candlewick.

    comics confidentialAccording to Leonard Marcus, writer and historian of children’s literature, the influence of comics is stronger than ever. In an introductory short history of cartoons and comic books, he describes the rise of the graphic novel to its current status as a 21st-century comic. This fascinating documentary includes interviews in a Q&A format with 13 creative and diverse graphic novelists and artists accompanied by a sample of a work in progress and an original graphic short treatment about “the city” created for inclusion in Comics Confidential. My favorite interview is with Gene Luen Yang, who was born in 1973 in California to Chinese immigrants. Geeky as a child and adolescent, he graduated from UC Berkeley with a degree in computer science and a minor in creative writing. Creating satirical stereotypes in his first book, American Born Chinese (2006), Yang addressed issues of racial identity and immigration while he played with new elements of visual story narrative. In his subsequent books and projects, he has continued to develop his art technique, research procedure, and storytelling narrative strategies. He created “Berkeley, California” as a short comic for this book. Comics Confidential is an informative and inspiring book for anyone who wants to learn more about the creative process of this revolutionary mode of visual storytelling.
    —NB

    Every Young Child a Reader: Using Marie Clay’s Key Concepts for Classroom Instruction. Sharan A. Gibson & Barbara Moss. 2016. Teachers College.

    every young child a readerBeginning in the early 1970s and continuing after her death in 2007, New Zealand’s Marie Clay, a developmental psychologist and literacy development expert, has transformed how young readers are taught through applications of her transformative literacy processing theory via Reading Recovery and other programs. Gibson and Moss revisit Clay’s four essential principles: literacy processing is complex, there is a reciprocal relationship between reading and writing, continuous text exposure is essential to reading development, and experiencing diverse text complexity is necessary for the development of higher level literacy skills. The authors present differentiated teaching applications for individual learners within whole-class, small-group, and occasional one-on-one instruction, along with examples such as a detailed description of an interactive read-aloud with teacher questioning. They discuss the importance of integrated cross-disciplinary literacy instruction, exposure to informational texts, participation in thematic units, and the conducting of research projects in the building of knowledge by students. An epilogue challenges teachers, as educational leaders, to take action based on Clay’s principles to build comprehensive literacy programs to develop children who are strong readers and writers.
    —NB

    Excellent Books for Early and Eager Readers. Kathleen T. Isaacs. 2016. American Library Association.

    books for early and eager readersYoung, eager readers read at an early age, employ multiple reading strategies, may develop unique reading interests, read three to four times more than most children, and are most likely to become voracious lifelong readers. Isaacs considers ways in which teachers, librarians, and families can help these children overcome two major challenges: to find enjoyable and interesting reading materials that meet their special reading interests and to select books that are developmentally appropriate. Isaacs offers an informative look at her research, describes how she chose the books she recommends, and explores the topic of “What Makes a Good Children’s Book and What Makes a Good Book for a Young Reader?” Through conversations and interviews with parents, booksellers, teachers, and librarians, Isaacs gathered information about early and eager readers—their similarities and differences and their reading preferences. Her findings resulted in this book, in which she recommends a mix of 300 old and new titles for eager readers from ages 4 to 10. Each chapter focuses on a specific topic such as “Talking Animals and Tiny People” and “Witches and Wizards and Magic,” and entries contain information about interest levels and Lexile levels (independent reading levels which encourage reading development) and annotations with interesting insights. Isaacs’s book is an excellent resource for those seeking books that encourage, challenge, and support already excellent young readers.
    —NB

    Lit Up: One Reporter. Three Schools. Twenty-Four Books That Can Change Lives. David Denby. 2016. Henry Holt.

    lit up“How do you establish reading pleasure in busy, screen-loving teenagers—and in particular, pleasure in reading serious work?” Reporter David Denby set out to answer this when he spent the 2011–2012 school year observing an ethnically and economically diverse 10th-grade English class in Beacon School, a magnet public high school in New York City’s Manhattan  borough. On the first day of school, teacher Sean Leon discussed what the class would be reading under the year’s “individual and society” theme—“You are going to read books that make you uncomfortable”—and what would be expected of them. Denby read all the literature that the students read throughout the year including Kurt Vonnegut’s Slaughterhouse-Five,Fyodor Dostoevsky’s Notes From Underground, Jean-Paul Sartre’s No Exit, and other challenging books. He comments on the books, Leon’s guidance of discussions, and the students’ involvement in the books read throughout the year. During the following school year, Denby visited both an inner-city 10th-grade English class in New Haven, CT, in which students had a common reading list as well as some choice between pairs of books, and a school in an affluent Westchester County, NY, community in which students made independent reading choices in addition to doing the core reading. From his experiences, Denby concluded that, under the guidance of passionate, committed teachers who are free to develop their own curricula, teenagers can become serious readers who take pleasure in reading.
    —CA

    Picture This: How Pictures Work (Revised and Expanded 25th Anniversary Edition). Molly Bang. 2016. Chronicle.

    picture thisThis guidebook explores an intriguing question: How does the structure of a picture—or any visual art form—affect our emotional response? To illustrate her points, Bang begins with examples related to artwork for “Little Red Riding Hood.” Using a think-aloud strategy, she analyzes how geometric shapes, colors, placement, and so on engage a reader’s emotional interpretations and connections to the narrative. Bang presents 12 principles (e.g., “smooth, flat, horizontal shapes give us a sense of stability and calm”) through simple art and explanations. Using her picture book When Sophie Gets Angry—Really, Really Angry (2004), Bang describes how she created artwork to portray Sophie’s feelings of fury, sadness, expectancy, contentment, and contemplation. Through an illustration from her book, Dawn (1983), an adaptation of “The Crane Wife,” a Japanese folk tale, she encourages readers to analyze how this artwork affects their feelings, and then invites them to create, revise, and analyze their own scary picture using colored cut-paper art. Bang includes a list of further art exercises so readers can apply what they have learned. In this revision, she has fine-tuned her layouts and accompanying descriptions and analyses of examples for readers of all ages who want to produce art and/or understand it and how it affects the human spirit.
    —NB

    The View From the Cheap Seats: Selected Nonfiction. Neil Gaiman. 2016. William Morrow/HarperCollins.

    the view from the cheap seatsNeil Gaiman describes this book as “a motley bunch of speeches and articles, introductions and essays,” and it does include his nonfiction writing on a wide range of topics, issues, and people who matter to him. It also gives readers a look at Gaiman’s life story, including his love of reading at a young age and the authors he credits with making him the writer he is today:
    C.S. Lewis, J.R.R. Tolkien, and G.K. Chesterton, and his appreciation for all the arts and the people who make them. Throughout the book, Gaiman communicates his belief in the importance of reading: “I hope we can give our children a world in which they will read, and be read to, and imagine, and understand.” He speaks to readers in a conversational tone that is witty, wise, and thought provoking. Each entry is worth reading again and again and leaves readers with books to add to their I-want-to-read-or-read-again booklists.
    —CA

    Young Adult Literature: From Romance to Realism (3rd Edition). Michael Cart. 2016. American Library Association.

    from romance to realismThis revised, updated, and expanded third edition of Michael Cart’s survey of young adult literature, which began with the publication of From Romance to Realism: 50 Years of Growth and Change in Young Adult Literature in 1996, is essential reading for anyone who wants to be current on the field. Maintaining the “That Was Then” and “This Is Now” format of earlier editions, Cart presents the history of young adult novels by decades, beginning with the 1960s and then shifting to a consideration of changes and trends in young adult literature in the 21st century, ushered in with the announcement of the first-ever winner of the Michael L. Printz Award at the American Library Association Midwinter conference on January 12, 2000. Cart states that the winning book, Walter Dean Myers’s Monster, and the four honor books “exemplified the newly literary, innovative, and diverse nature of young adult literature,” heralding the revival and renaissance of young adult literature. He covers a range of topics including genre fiction, teen demographics (Cart doesn’t shy away from presenting statistics), and the marketing of YA books (including the expanded audience for young adult books). He offers a balanced consideration of issues and their treatment by contemporary authors in addition to hot topics such as “the new nonfiction,” the boom in audiobooks, and the rise of new literacies in the age of change in technology. Cart leaves readers with thought-provoking comments on the promising future of young adult literature.
    —CA

    Nancy Brashear is Professor Emeritus of English from Azusa Pacific University, in Azusa, CA. Carolyn Angus is former director of the George G. Stone Center for Children's Books, Claremont Graduate University, in Claremont, CA.

    These reviews are submitted by members of the International Literacy Association's Children's Literature and Reading Special Interest Group (CL/R SIG) and are published weekly on Literacy Daily.


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