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  • In and out of school, young adults use digital tools and online spaces to create, collaborate, and communicate through multiple modes and mediums. But how do teachers view digital literacies and how do they integrate technology in meaningful and transformative ways in schools? Two recent studies address this question.

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    Literacy and Technology

     | Jun 20, 2013

    jen scott curwood
    by Jen Scott Curwood
    The University of Sydney
    June 20, 2013

     

    In and out of school, young adults use digital tools and online spaces to create, collaborate, and communicate through multiple modes and mediums (Curwood, Magnifico, & Lammers, 2013). For example, research by the Pew Internet and American Life Project indicates that 80% of adolescents use online social network sites, 38% share original creative work online, and 21% remix their own transformative works, inspired by others’ words and images (Lenhart, Ling, Campbell, & Purcell, 2010; Lenhart, Madden, Smith, Purcell, Zickuhr, & Rainie, 2011).

    But how do teachers view digital literacies and how do they integrate technology in meaningful and transformative ways in schools? Two recent studies address this question.  The first study below reviews a decade of research within the New Literacy Studies and examines the increased focus on digital tools and online spaces. The next study highlights the ways in which teachers’ beliefs and practices significantly shape how technology and digital literacy practices are positioned within (or absent from) the curriculum.

    Teachers’ perceptions of integrating Information and Communication Technologies into literacy instruction
    Hutchison and Reinking’s (2011) study is the first national survey to investigate literacy teachers’ beliefs and practices related to technology. Notably, nearly all teachers have access to Information and Communications Technologies (ICTs) and technology support in their schools, but “relatively few literacy teachers have moved from assimilation of ICTs within their teaching to a deeper curricular accommodation where ICTs are more central to their conceptions of what comprises literacy and literacy instruction” (p. 328). So how can ICTs be centrally and effectively used in the classroom? Another recent study helps address this question.

    A review of research on literacy and technology
    The New Literacy Studies is a line of research that began three decades ago; it conceptualizes literacy as situated within social and cultural contexts. As such, a young child’s literacy development is inextricably linked to their home and community environments. Mills (2010) reviews 90 peer-reviewed articles and outlines the growing “digital turn” in New Literacy Studies. This is evidenced by empirical studies that show how technology can support collaboration, digital media production, and online communication. For instance, the Computer Clubhouse in South Central Los Angeles offers young people the opportunity to become producers, rather than just consumers, of digital media and take part in the creative process (Peppler & Kafai, 2007).

    To learn more about literacy and technology, see the National Educational Technology Standards and the International Reading Association’s New Literacies Position Statement. Also consider how the Common Core State Standards can be met through integrating new literacies and digital tools into school-based learning.


    References

    Curwood, J.S., Magnifico, A.M., & Lammers, J.C. (2013). Writing in the wild: Writers’ motivation in fan-based affinity spaces. Journal of Adolescent and Adult Literacy, 56(8), 677-685.

    Hutchison, A. & Reinking, D. (2011). Teachers’ perceptions of integrating Information and Communication Technologies into literacy instruction: A national survey in the United States. Reading Research Quarterly, 46(4), 312-333.

    Lenhart, A., Ling, R., Campbell, S., & Purcell, K. (2010). Teens and mobile phones. Pew Internet and the American Life Project. Retrieved from www.pewinternet.org.

    Lenhart, A., Madden, M., Smith, A., Purcell, K., Zickuhr, K., & Rainie, L. (2011). Teens, kindness, and cruelty on social network sites. Pew Internet and the American Life Project. Retrieved from www.pewinternet.org.

    Mills, K.A. (2010). A review of the “digital turn” in the New Literacy Studies. Review of Educational Research, 80(2), 246-271.

    Peppler, K. A., & Kafai, Y. B. (2007). From SuperGoo to Scratch: Exploring creative digital media production in informal learning. Learning, Media, & Technology, 32(2), 149–166.


    This post was invited by the IRA Literacy Research Panel. Reader response is welcomed. Email your comments to LRP@/

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  • professional readingSummer provides a time for teachers to catch up on a lot of things, including books about topics that seem interesting or provocative.
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    Professional Reading Book Reviews

     | Jun 19, 2013

    professional readingNot only does summer provide time for teachers to catch up on sleep and devour books that they might like to use in their classrooms, but those more leisurely days and nights often give them a chance to seek out books about topics that seem interesting or provocative. Sometimes staying abreast of pedagogical trends and literacy research can be challenging during the regular school year because of the many responsibilities placed upon teachers. Now that the previous year’s grading, meetings, and classroom management concerns lie far behind us and the first days of school in August seem so far away, this is the ideal time to explore some of those professional books colleagues have been discussing or find new approaches to teaching practices. Written by members of the Children's Literature and Reading Special Interest Group, these book reviews on professional texts may encourage changes in thinking about education and they might even prompt some readers to write their own professional books. In addition to the books featured in this column, teachers might want to check out three highly recommended titles reviewed in earlier columns:

    • Bullying Hurts: Teaching Kindness through Read-alouds and Guided Conversations by Lester L. Laminack and Reba Wadsworth (Heinemann, 2012)
    • Both The Poetry Friday Anthology for Common Core Grades K-5: Poems for the School Year with Connections to the Common Core (Pomelo, 2012)
    • The Poetry Friday Anthology for Middle School, Grades 6-8: Poems for the School Year with Connections to the Common Core State Standards (CCSS) for English Language Arts by Sylvia Vardell and Janet Wong (Pomelo, 2013)

    Whether read alone or with a teacher study group, these titles offer much academic food for thought. Teachers may be interested in reading about the Professional Development opportunities at ReadWriteThink.


    Calkins, Lucy, Ehrenworth, Mary, and Lehman, Christopher. (2012). Pathways to the common core: Accelerating achievement. Portsmouth, NH: Heinemann.

    Noted literacy educator Lucy Calkins and her colleagues from the Reading and Writing Project at Teachers College, Columbia, University, provide an accessible introduction and pathway to understanding the new Common Core State Standards. In their introduction they state, “This book … is written for educators who are eager to embrace the responsibilities of implementing the Common Core, who see schools as centers of professional study, and who believe that teaching well means engaging in a continual process of studying students and their work in order to strengthen teaching and learning.” The introduction cleverly goes on to question the approach and attitude that educators use when starting on this pathway – as curmudgeons or finding the gold standard? The book is divided into three main sections: Reading Standards; Writing Standards; and Speaking/Listening and Language Standards. The content of the book begins with an overview of the standards and a “nuts and bolts” look at what the standards do and don’t do for reading comprehension implementation for literature and nonfiction. From there, each standard is discussed one by one with chapter headings that include: Literal Understanding and Text Complexity; Reading Literature; Reading Information Text. Moving on to the writing standards, chapter headings continue with: An Overview; Composing Narrative Texts; Composing Argument Texts; Composing Information Texts. Concluding with the speaking/listening standards chapter headings are the Overview and the CCSS-Aligned Assessments Fuel Whole-School Reform. The detailed index makes this a useful and handy tool for implementation by teachers, literacy coaches, administrators or professional learning communities. Teachers can watch students interacting with these techniques in several videos found at The Reading & Writing Project website or listen to Lucy Calkins talk about this book at the vimeo website.

    - Karen Hildebrand, Ohio Library and Reading Consultant

     

    Kelley, Michelle & Clausen-Grace, Nicki. (2012). Reading the whole page: Teaching and assessing text features to meet K-5 common core standards. Gainesville, FL: Maupin House.

    As stated in the title, this book is geared for elementary students and concepts that teach them to use text features not only in their reading but also guiding them to use text features within their own writing. Logically, chapter one opens the book with the importance of text features, how they help students, stressing the importance of teaching specific features and continuing with assessment ideas. Chapters 2, 3, and 4 offer a plethora of mini-lessons that include specific features on the use of titles, headings and subheadings, bold print italics, captions, pronunciation guides, bullets, sidebars, photographs and drawings, insets, cross-sections/cutaways, diagrams, maps, timelines, graphs, tables, tables of contents, index and glossary features. Chapter 5, the final chapter, offers ways to integrate all these text features with activities like a scavenger hunt, using them in morning messages, flap books and interviews to name just a few. The appendices (A through F) that make up just less than half the book, offer reproducible activities, a chart of the Common Core Standards relevant for student reading, charts, sort cards and more. This book is definitely a “hands-on/use tomorrow” kind of guidebook for teachers who want to get started with new ideas that are standards-based for elementary students. The book includes a CD with interactive reproducible ideas. Educators can take a look at Appendix F available on the CD in this downloadable list of resources available from the publisher’s website.

    These two authors collaborated on a project and study guide for IRA entitled, “Comprehension Shouldn’t Be Silent; from strategy instruction to student independence.” The study guide is available as a download from /.

    - Karen Hildebrand, Ohio Library and Reading Consultant

     

    McGregor, Tanny. (2013). Genre connections: lessons to launch literary and nonfiction texts. Portsmouth, NH: Heinemann.

    Author Tanny McGregor (Comprehension Connections, 2007; Comprehension Going Forward, 2011) has returned with a very user-friendly book for classroom teachers to invite the study of genres in today’s classroom emphasizing using concrete and abstract objects. In the opening chapter, McGregor describes the why and how of explaining genre including “launching the sequence” (p.3) to create experiences to understand and learn about genre. This same chapter explains the Concrete Experience to make genre real and moves on to the Sensory Experience featuring art and music. Chapters 2 through 8 deal with the specific genres of Poetry; Adventure and Fantasy: Beyond Realistic Fiction; Historical Fiction; Drama; Image Reading; Biography, Autobiography and Memoir; Informational Text. Within each chapter she has laid out the pattern for each genre instruction with the steps: Launching Sequence; Noticing and Naming the Genre on Their Own; Sensory Exercises; Quotations About …; and Time for Text.  From McGregor’s opening, “There are dozens of genres on the continuum between narrative (story) and expository (informational); this book will explore but a few. Any genre could be launched using the model in this book, for example, realistic fiction, mystery, or technical writing. Teachers can use the seed ideas suggested in this volume with a genre of your choice and see how it grows!” (p.2). Teachers may want to listen to the author discuss her book in an interview on EduTalkRadio.

    - Karen Hildebrand, Ohio Library and Reading Consultant

     

    McLaughlin, Maureen, & Overturf, Brenda J. (2013). The Common Core: Teaching K-5 students to meet the Reading Standards. Newark, DE: International Reading Association.

    Not a minute too soon, teachers can learn about the background behind the sudden appearance of the Common Core State Standards that seem to have threaded their way into state and national requirements and daily lesson plans. In the book’s two sections, the authors explain the CCSS’s key points and then suggest effective ways to use the standards in instruction. Examining the standards vertically within each grade level as well as horizontally across grade levels will help teachers understand grade level expectations. The authors even devote a chapter to assessment, discussing how formative and summative assessment connect to the CCSS, and providing examples of simple types of formative assessment such as discussions or Tickets Out that teachers can use. Using five guiding questions, they examine each College and Career Readiness Anchor Standard for Reading and its related CCSS for grades K-5 Standards. They provide examples of teaching practices and activities that teachers can incorporate as well as discussing links to technology. Although the authors admit that designing student-centered lessons that are based on the CCSS is challenging, this book provides plenty of support and encouragement for teachers to do so. The book is thorough and best understood by reading a chapter or two at a time and then digesting its contents or discussing them with a colleague.

    - Barbara A. Ward, Washington State University, Pullman

     

    McLaughlin, Maureen, & and Overturf, Brenda J. (2013). The Common Core: Teaching students in Grades 6–12 to meet the Reading Standards. Newark, DE: International Reading Association.

    As they do so effectively in their earlier title focused on earlier grades, the authors painstakingly explain the CCSS’s key points of the CCSS and provide tips on how to use the Standards effectively in literacy instruction in grades 6-12. The book is divided into two sections with the first part containing six chapters, and the second one containing ten. Chapters in the first section include “How Can Teachers Effectively Use the Standards?” “Assessment and the Common Core,” “Implementation of the Common Core Standards,” “Beginning Readers, the Teaching of Reading, and the Common Core,”  “English Learners, Students With Disabilities, Gifted and Talented Learners, and the Common Core,” and “Reshaping Curriculum to Accommodate the Common Core and the Teaching of Reading.” While exploring assessment, implementation, and curriculum, the authors also look at some of the implications of the Common Core for English language learners, students with disabilities, and gifted and talented students. One entire chapter offers suggestions for teaching students how to use disciplinary strategies to engage, guide, and extend their thinking. The second section of the book examines carefully each of the College and Career Readiness Anchor Standards for Reading, along with practical guidance on how to use those Standards to teach your middle school and high school students. Teachers will find the classroom applications and student examples particularly helpful in familiarizing them with the CCSS.

    - Barbara A. Ward, Washington State University Pullman

     

    Kucan, Linda, & Palincsar, Annemarie Sullivan. (2013). Comprehension instruction through text-based discussion. Newark, DE: International Reading Association.

    With a free PDF and an accompanying DVD that provide a guide for professional development meetings or teacher educators and suggested informational texts for classroom discussions, this excellent teacher resource provides tools for discussion that is text-based, allowing teachers to adhere to the Common Core State Standards for English Language Arts that encourage elementary teachers to use more informational texts and promote engagement with text that “builds knowledge, enlarges experience, and broadens worldviews.” The authors provide several suggests for how to build on what students already know by supporting their understanding of the ideas they encounter as they read. After discussing the theoretical support for quality discussions based on texts that are intended to enhance comprehension, the authors explain thoroughly lessons that will help teachers know how to analyze text, plan and initiate discussions, and support students as they work with texts. There are six chapters, four of which focus on planning and discussing “Harnessing the Wind,” “Black Death,” “Coral Reefs,” and “Jade Burial Suits.” These chapters are terrific models of how teachers can stretch their students and enliven their own instructional practices with simple changes.

    - Barbara A. Ward, Washington State University Pullman

     

    Martinelli, Marjorie, & Mraz, Kristine. (2012). Smarter charts: K-2: Optimizing an instructional staple to create independent readers and writers. Portsmouth, NH: Heinemann.

    Although commercially-produced charts have a place in the classroom, many teachers want to make sure that the charts they use are meaningful for their own students and will enhance learning. The authors have written a helpful book that shows teachers how to create their own charts while also providing examples of charts they have created. After discussing the importance of visual literacy and the appeal of advertising, the authors provide a field guide to literacy charts, including routine, strategy, process, exemplar, and genre charts. For instance, a process chart is intended to break an important skill into a series of steps (p. xxi). The authors even show teachers how to draw a pencil on a chart and include transcripts of how teachers use their charts with their students. While the charts can be excellent instructional tools, they also can provide ways to assess student progress. Ultimately, as the authors write in the conclusion, “Charts help to make our teaching explicit and clear by providing step-by-step directions and key tips and strategies for how to do something” (p. 86). Since students can use the charts to self-assess and set their own goals, the experience becomes empowering and leads to independence. After reading this book, teachers will never look at classroom charts in the same way. They’re far more part of creating a visually-appealing classroom.

    - Barbara A. Ward, Washington State University Pullman


    Yopp, Hallie Kay, & Yopp, Ruth Helen. (2013). Literature-Based reading activities: Engaging students with literary and informational text. Sixth Edition. Upper Saddle River, NJ: Pearson.

    This updated version of an ever-popular resource for teachers provides useful tips on how to use literature in the classroom. The book contains five chapters, one of which gives a rationale for using literature in the classroom. Chapters Two, Three, and Four offer 15 prereading, 15 during-reading, and 13 post-reading activities, and Chapter Five explores writing and bookmaking activities. After explaining what each activity is, the authors have provided examples of each activity so that teachers can easily create their own for use in their classrooms. For instance, as part of the preparation for reading, teachers might choose to design an anticipation guide, an opinionnaire/questionnaire, book box, book bits or pull out character quotes to encourage students to draw on and build their background knowledge about a topic or issue as well as motivate them to read. During-reading activities might include literature circles, strategy cards, character perspective charts, and character blogs, among others, all designed to encourage personal responses and deepen comprehension. Intended to help students make connections and to promote reflection, post-reading activities include sketch to stretch, dramatic responses, book trailers, Venn diagrams, and book charts, among others. The final chapter contains creative activities such as pop-up books, accordion books, mini fold-up books, baggie books, and digital responses to literature. Chockfull of activities that students will enjoy immensely, the book also contains a list of Internet resources and the College and Career Readiness Anchor Standards for the Common Core State Standards. For teachers searching for a way to add excitement to their approach to literacy, this book is a must-have.

    - Barbara A. Ward, Washington State University Pullman

     

    These reviews are submitted by members of the International Reading Association's Children's Literature and Reading Special Interest Group (CL/R SIG) and are published weekly on Reading Today Online. The International Reading Association partners with the National Council of Teachers of English and Verizon Thinkfinity to produce ReadWriteThink.org, a website devoted to providing literacy instruction and interactive resources for grades K–12.

     

     

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  • From the time of Gregorian Chants to the origination of the blues, lyrics have spread messages and served as oral language foundations for cultures for thousands of years, across the globe. Music from “Horace the Camel” to “Hey Mr. Tally Man” have been staples of music class in primary grades. By the intermediate grades, lyrics and music seem to start vanishing from instruction.
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    (Re)Introducing Lyrics to the Classroom

    by Justin Stygles
     | Jun 18, 2013
    From the time of Gregorian Chants to the origination of the blues, lyrics have spread messages and served as oral language foundations for cultures for thousands of years, across the globe. Music from “Horace the Camel” to “Hey Mr. Tally Man” have been staples of music class in primary grades. By the intermediate grades, lyrics and music seem to start vanishing from instruction.

    p: Ashley Rose via photopin cc
    Yet lyrics play such an integral part as children transition to independent readers. They are immersed in lyrics via YouTube, iTunes, and American Idol (what ever happened to the Walkman?). Lyrics since the advent of pop music have consistently resonated with listeners. From lyrics inserted into love notes (authentic writing) to roadside tragedies (you know, the mix CDs that are flung out the car window after a breakup), students up through adulthood are actively trying to capture the messages contained within.

    I hear teachers lament the loss of oral language. Language transforms and language is often coded. Lyrics (good lyrics) are always coded. Isn't that why people insert lyrics into love letters—to give the recipient something to think about, or woo them with (someone else’s) eloquent writing? What about the blues? Or country? How many songs do we sing out loud, expressing heartache, depression, or courage?

    Lyrics contain the words, the language, we look for to express our feelings. When we connect to the lyrics, our communication becomes clearer, more expressive.

    Music and lyrics deserve (re)consideration in the classroom. The right song, or CD, with the right purpose can take a learner miles. Linking short text lyrics to literature, be it chapter books or short stories, builds schema and creates curiosity. Using lyrics from Paul Kennerley's album WHITE MANSIONS is particularly useful when dealing with the Civil War; it can help teach concepts such as states’ rights and perspectives. Provide students with lyrics, read the song, and practice the “Fab Four” (Oczkus, 2010) strategies before discussing potential meaning locked within the text. After establishing working background knowledge, engage in shared reading with primary and secondary sources. From these in-class readings, student will discover answers to their questions, clarify interpretations, and gain deeper meaning behind historical concepts, such as the “Old South” or class structure.

    Songs do not need to make perfect alignments to books. Some lines should be ambiguous or unrelated. This only helps the reader sort relevant information or invites them to ponder alternate perspectives. In a sense, when considering text-dependent questions or close reading, lyrics steer learners away from the “right there” question/answer and encourages synthesis of multiple texts and schema because lyrics do not outright explain ideas, like a text might. Allowing student to engage in such “out-of-the-box” thinking encourages creativity and widens comprehension.

    Using lyrics in isolation works, too, depending on purpose. I prefer to model and practice reciprocal teaching with lyrics, particularly as a scaffold into content studies or theme-based instruction. If you use “Cherokee” by the famed hair-band Europe to introduce the Trail of Tears, students obtain the gist of the historical event and generate questions that will propel them into nonfiction reading. More specifically, students can glean from the lyrics that Cherokees were forced from their homes and moved on to reservations. They’ll likely ask questions such as “What promises were lies?” and “What does walked for many moons mean?” Encourage students to look and locate material that discusses the tumultuous relationship between the US Government and the Native Americans during the 1600–1800s, as part of in-class and independent readings. You may also invite kids to consider the time span of the march and the figurative meaning of “many moons”—a great invitation to literature discussions.

    As Common Core challenges us to bring short text into the classroom, I find lyrics allows us to use short and complex text to help students acquire reading skills and motivate them to read “new” or “interesting” material.

    Justin Stygles is a fifth/sixth grade language arts/humanities teacher in Norway, ME. He is an avid music fan an regularly uses lyrics to teacher literacy skills and comprehension in class. Tweet him at @JustinStygles (#closereadinglyrics).

    © 2013 Justin Stygles. Please do not reproduce in any form, electronic or otherwise.


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  • stephanie thompsonStephanie Thompson, winner of the 2013 IRA Award for Technology and Reading, uses creatively designed literature circles and digital literacy centers in her classroom.
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    TILE-SIG Feature: Award Winner Engages Students Through Social Networking, Mobile Devices

     | Jun 14, 2013

    by Tammy Ryan

    stephanie thompson
    Stephanie Thompson

    Moving students to read “outside their comfort zones, beyond fiction to texts of all kinds, while increasing motivation and engagement in learning” are goals of many teachers. Topping that off with the question, “How can I use digital texts to critically engage learners to become socially and globally conscious of the plight of others in the world?” deepens the challenge. Stephanie Thompson, the 2013 winner of the International Reading Association (IRA) Award for Technology and Reading, accomplishes these goals and more while enriching the literacy experiences of her intermediate students. Her work exemplifies innovative ways teachers use social networking systems, mobile devices, and multiliteracies to motivate today’s students.

    Through creatively designed literature circles coupled with digital literacy centers, her classes' learning experiences balance reading, writing, speaking, listening, viewing, and representing through various forms of reading print and digital texts online. Embedded are important digital literacy skills students need to participate in a global society.

    students
    Critiquing and Discussing
    Print and Digital Texts

    students
    Becoming Questioners and
    Producers of Technology


    students
    Using Mobile Devices to
    Explore a Topic


    Each experience focuses on a topic or critical issue relevant to adolescents. Topics have ranged from the impact of war on children around the world, with a special emphasis on child soldiers, to media’s impact on body image that often results in low self-esteem, health problems, and eating disorders. Importantly, students control how to approach a topic, manage learning, communicate understandings, and connect with others beyond the classrooms using the class Ning or blog.

    Using mobile devices at digital literacy centers, students navigate to YouTube, podcasts, and web-based videos to gather information, data, analyze, and evaluate a topic. Learning is demonstrated through culminating projects that engage others to foster change. Past projects have included digital stories, essays, digital poetry, graphic novellas, digital docudramas, and music videos designed using PhotoStory, MovieMaker, Animator DV, Xtranormal, ComicLife, Bitstrips, Glogster, Wordle, and Scrapblog. One specific topic centered on controversial advertisements and commercials with embedded hegemonic messages. Students critically analyzed these messages through a discussion forum. Then, students gathered data and information at digital literacy centers before creating e-magazines to promote positive body images, self-expressions, identifies, and healthy living. During the topic War on Children students shared their learning at a school assembly to raise awareness about the impact of war on children around the world. They also raised and donated money to rescue Child Soldiers through War Child Canada.

    Stephanie truly exemplifies ways digital experiences support her important teaching and learning goals to “prepare youth to become responsible, productive citizens” while tapping “into the digital media that is so much a part of their lives outside of school.”

    Read more about Stephanie, learn more about TILE-SIG, and apply for next year’s IRA Award for Technology and Reading online.

    tammy ryanTammy Ryan is from Jacksonville University, Jacksonville, Florida.


    This article is part of a series from the International Reading Association Technology in Literacy Education Special Interest Group (TILE-SIG).


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  • I know how reluctant teens can be to immerse themselves in history because I was one of them (perhaps surprising to admit for an author of historical fiction!). In the Scottish education system, at around 13 years old you’re given the choice of studying either geography or history. I chose geography. Why? Because history seemed irrelevant and stuffy—date-laden text illustrated with grainy photographs.
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    Bringing History to Life: Introducing Teens to History through YA Literature

    by Elizabeth Ross
     | Jun 13, 2013
    I know how reluctant teens can be to immerse themselves in history because I was one of them (perhaps surprising to admit for an author of historical fiction!). In the Scottish education system, at around 13 years old you’re given the choice of studying either geography or history. I chose geography. Why? Because history seemed irrelevant and stuffy—date-laden text illustrated with grainy photographs. The curriculum itself felt dusty and uninspired: coal mining and the industrial revolution, the First World War and so on. It wasn’t for me…or so I thought.

    p: Xavier Donat via photopin cc
    Even though I shied away from history lessons in school, I did love the idea of time travel when I was young. As a child my parents took our family to Scottish castles and country houses in the way that a North American kid might visit national parks. These castles have rooms preserved as they would have been used at the time, containing furniture, fabrics, clothes and objects from everyday life. Experiencing these details, I wondered how a girl my age might live as a Laird’s daughter, playing piano in the music room or as a scullery maid toiling in the kitchens. That was when history was fascinating for me— when my senses and my imagination were engaged.

    My historical novel, BELLE EPOQUE, is set in Paris the year the Eiffel tower was under construction (1888-89). I was inspired to write the book when I read a short story by Emile Zola. “Les Repoussoirs” (“Rentafoil” in English) is about an agency of unattractive women rented out as accessories to rich socialites to make them appear more attractive by comparison. It wasn’t my intention to write a novel set in turn of the century Paris. Rather, it was my desire to know what it felt like to be an ugly girl for hire that led me to write the story. I had a visceral reaction to the Zola tale, and couldn’t stop imagining what it would feel like to be in the shoes of one such beauty foil—it was the “what if” moment that led me to write a novel.

    The connection I made with the historical context of the Eiffel tower came later. I knew I wanted to set the book during la belle époque. Aside from the fitting irony of the name—the age of beauty—it was a time of peace, prosperity, and a blossoming in art, music, and technology. But as I researched more about the period I was surprised to learn just how unpopular Eiffel’s (now infamous) tower was at the time. Considered a monstrosity, an eyesore, I realized it was the perfect metaphor for my main character, Maude. Unlike the rest of Paris, she is impressed by Eiffel’s iron construction, and finds some comfort in its unique appearance. “Maybe something unrefined can also be beautiful,” she reflects.

    “Only connect,” said E.M. Forster in his novel HOWARD’S END. That’s been my mantra towards fiction writing in general, but I think it resonates in particular for historical fiction. Thinking back on my process for creating BELLE EPOQUE, I found my character before I discovered the world events framing her story. And here lies the key to making history come alive—the human connection. As a writer, if my interest is piqued when I discover the person (real or fictitious) behind historical events, this is the same for young readers.

    To write a historical novel, the writer’s task is to make history breathe, to make it feel tangible—it’s a feat of world building. In researching BELLE EPOQUE, I brought history to life in different ways—through art, music, novels, poetry, photography, and even food. I researched facts about 1889 French society, of course, but my Paris of 1889 is also the Paris of my imagination. And I was inspired by everything from period film scores to Toulouse Lautrec’s poster art.

    I made many discoveries during the process of writing a novel set at the turn of the century, but what fascinated me most in comparing life then and now, weren’t the stark differences in technology, class divides, or gender inequalities—but the similarities to our present world. The experience my main character, Maude, goes through is so resonant for teens today—particularly girls. Who manages to escape adolescence without feeling ostracized at some point?

    Paris was a society obsessed with beauty, with an explosion of advertising and self-improvement where women were encouraged to attain some impossible physical ideal. What delighted me in writing the novel was when I could draw a parallel between our world and that of belle époque Paris. What is history, then, if not a lens through which to see ourselves? Like science fiction, it is our world yet different. We engage with history when we recognize ourselves.

    I write what I’m curious about. And I think teens will devour historical fiction (and history lessons) if their curiosity is peaked and their imaginations are engaged—and most of all, if they can see themselves reflected in the past.

    Elizabeth Ross studied French and film studies at university in Scotland. She lives in Los Angeles, California, where, when she isn’t writing, she edits feature films. Her debut novel, BELLE EPOQUE (Delacorte, 2013) was published earlier this week. You can visit her at www.elizabethrossbooks.com and follow her on Twitter @RossElizabeth.

    © 2013 Elizabeth Ross. Please do not reproduce in any form, electronic or otherwise.


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