Literacy Now

As teachers, if we can motivate our students to read, we have won half the battle. If we can turn them into lifelong readers, victory is ours! In the arena of motivating readers, comic books have a noticeable advantage over other forms of text.

Comic books as motivators

Kids find comic books interesting. For starters, the visual appeal grabs the attention of young readers. Enticing covers plastered with colorful artwork are enough to make anyone look twice. Then there are the characters. Most students are very familiar with the characters whose faces are depicted on the covers of comic books. Students already have connections to these characters and storylines through televisions shows, movies, and video games. Why not meet children where they are? If we want them to fall in love with reading, we need to start with what is familiar to them and build upon it.

Comic books for budding readers

Emerging readers are intimidated by a great deal of text. The task of reading a chapter book can seem too daunting for their consideration. Comic books, on the other hand, do not pose such a threat. The pages of a comic book are peppered with small chunks of text. Comic books serve as great stepping-stones to longer, more complex texts. In a comic book, readers are provided with details without the use of a lot of words.

Comic books as a comprehension aid

Comic book illustrations are not only motivating to the reluctant reader, but also instrumental in promoting comprehension. The sequential artwork is helpful for readers and nonreaders alike. I have used comic strips when teaching sequencing by cutting apart the panels and asking students to arrange them in sequential order. This is a fun activity for students, and it requires several high-level thinking skills. In a comic book, the illustrations are just as important to comprehension as the words. Students must use the details in the text and illustrations to arrange the comic panels in sequence.

When reading a comic book, students must read between the lines. This is a wonderful manner in which to teach students to draw inferences and synthesize information. Inferencing can be an abstract skill for young students. Comic books can give meaning to the use of this cognitive strategy. When students understand the purpose behind a strategy, they have more motivation to use the strategy independently in a variety of text situations. 

Comic books require readers to visualize. The action-packed writing styles of many comic writers cause readers to create vivid story-pictures in their mind. Class discussions about the art of visualization may stem from comic book text. Comic books cause readers to visualize without realizing they are using a cognitive strategy.

When reading a comic book, students must interact with both text and images, and they do so out of authentic interest in the text, not because the teacher is necessitating the process. This application of cognitive strategies is true reading. Students are self-motivated to comprehend text.

Comic books as a writing aid

Comic books contain basic story elements such as setting, characters, rising action, climax, falling action, and resolution. Each panel in comic book writing represents a paragraph. Narrative sentences are representative of topic sentences. The details appear in both the words of the characters and the pictures. Students may use these guidelines to create comic panels of their own. With the addition of details, these panels may be turned into detailed narrative paragraphs.

Why not use comic books to teach students how to use quotations marks? Each speech bubble represents a character’s dialogue, so students can be taught to use quotation marks correctly by rewriting the dialogue in story format. That beats a worksheet any day of the week!

Comic books and content area reading

A variety of comic books is now readily available. Comics are not limited to the traditional superhero characters that generally come to mind. Many classics have been rewritten in a comic book format. Several authors have taken historical and other content-rich information and reworked it into a comic book format that is as instructionally sound as it is appealing to children.

Comic books and vocabulary

Members of the general public do not consider comic books to be tools for vocabulary development. I beg to differ. My husband has a working vocabulary that has always amazed me. When I encounter a new word, I most assuredly can turn to him for a definition. What’s his secret? He attributes his expansive vocabulary to comic books. He grew up on them! Comic books offer vocabulary instruction in a high-interest context. Students learn new terms through word usage in addition to illustrative support.

Comic books may be the underdog of the literacy world, but a lot of instructional value can be gleaned from these short, powerful texts. The motivational quality of comic books constitutes an enticing appeal to reluctant readers that may serve to hook them on reading. If we can get students to read and enjoy reading, strategy instruction will become both meaningful and effective.

Melissa Barbee is a new ILA member, having joined in the spring of 2015. She has 17 years of classroom experience. She has taught at Piedmont Elementary School in Dandridge, TN, for the entire stint of her career, and she has experience in both first and third grades. She is currently a doctoral student at Carson-Newman University pursuing a degree in Curriculum and Instruction Leadership.

A teacher—particularly one in early education—is teaching more than reading, writing, arithmetic. We know it is simply human nature that we are born selfish, self-centered, and egocentric individuals, and it is a teacher’s job to gently guide students from believing that they are the center of all things and to put others’ interests before their own.

One might think that all a teacher has to do is get the students to say please, thank you, and excuse me, and they will be on their way to becoming model citizens. One would be wrong. It goes far deeper than parroting those simple, yet magical, words. Having a genuine feeling of concern for another’s well-being is at the heart of having manners. To be caring, loving, and kind individuals for society’s benefit as well as their own. One has to care about what other people think and feel. This requires building a caring classroom community.

Putting another’s interests before one’s own, sharing, and waiting one’s turn is extremely hard for most pre-K students. Children need to see a purpose or reason to do these unnatural acts of kindness. This can and must be taught in pre-K, as it lays the foundation for all subsequent grades that follow.

Model good manners

As a pre-K teacher, I model respect for others. On the first day and every day through to the end of the year, I use please, thank you, and excuse me when talking to my students. I tell them when you say these words, you are using good manners and showing others that they are important to you. When I speak to my aide, I always say “yes ma’am” or “no ma’am” because it shows I have respect for her, and I make note of that for my class. I cannot emphasize enough the importance of modeling good manners for students every second of every day. Students imitate what they see, and this is how they make the learning their own.

Manners matter in Room 2

Because my students and I have discussed the magic words from the first day of school, I can show them how important using good manners really is in our room. Every time I hear polite words or see kind deeds, that student places a pom-pom in a cup—The Kindness Cup. The small, soft balls can be found at any craft store in sizes from very small up to three inches across. We refer to the pom-poms as our “warm fuzzies” because of how good it feels inside to do something nice for a friend. The best part is that when the cup has 10 warm fuzzies, the whole class wins a sticker. The children love being the ones responsible for earning rewards for their friends. I usually read the picture book Warm Fuzzies by Cathie Brown when I introduce the idea, and then we make a warm fuzzy to give to someone we care about.

Maria and Tito

The first week of school, Maria and Tito visit our room. Maria is my look-alike puppet, and I tell the students she is my sister, but she doesn’t know she is a sock. Tito is her best friend and cousin. The puppets interact with funny skits about rules, being nice, and what it takes to be a good friend. Maria often uses catchphrases the children can remember and use themselves, including, “I’m always happy to help,” “It feels so nice to be nice,” and “When a friend is in need, be a friend indeed.” At the end of the minilesson, I encourage the students to ask Maria and Tito questions, which opens up a discussion.

The red paper heart

At the beginning of the year, I cut a large red heart out of construction paper. I tell students it is my heart and that when they are kind to one another and listen to me, my heart is so happy it dances. But when they say unkind things to each other, it hurts my heart and it tears a little (I tear the paper). I go on, explaining that mean words said in anger to a friend crushes my heart—“Words hurt!” (I crumple the paper). Then I try to smooth it out. I ask the students, “Can those words be unsaid? Can this paper ever be the same?” After that, I cut the heart in two and I give each student a colored bandage to help put the heart back together. I tell them you can use words to help your friends feel better, but when you do, say “I’m sorry” and really mean it. I tell students to be careful of the words they use when speaking to friends. I refer to the heart often throughout the year.

Any part of character education must include teaching students self-control. Stating expectations from the first day of school is imperative for my students to be successful. I avoid any frustration on my part, or for my students, when I show them what they need to do for each activity of the day. Immediately before we go to centers or sit on the carpet, I go over what is expected of students. I simply say that this is what successful students do to learn. My aide and I then proceed to model polite talk and good manners in a funny skit in front of the class. Before talking about rules, I always read No, David! and David Goes to School by David Shannon.

Parent communication

Bringing the parents on board to help reinforce what the students learn at school is essential for success. Parents need to see why character education is important. Many parents tell me their children don’t listen to them at home, and the children do whatever they want. Reinforcing my lessons with their child at home will benefit both the parent and child. To stress how important this is to me, I use a section in my weekly newsletter to state what we are working on, with a note to parents: “Please help at home.”

In my pre-K class, I want children to go beyond just saying polite words. I want them to sincerely mean them. Basically, I am teaching each student to be a good person, I hope these strategies help you do the same.

Mary Van Bibber is a pre-K teacher at Heritage Elementary School in San Antonio, TX.

Few books affect my professional life, but Out of My Mind, by Sharon M. Draper, changed my thoughts on inclusive reading and teaching. In the story, Melody is a wheelchair-bound student frustrated by her inability to express herself. When the “world” discovers what Melody is thinking, through an electronic device, the “world” changes. Draper tells the story from Melody’s point of view, challenging (or reminding) every reader to look at life through a different lens.

I did, as did a paraprofessional I work with, Nicole, after she read the book. Nicole works in our school’s version of room “H5.” She worked in my class supporting a student with autism in the afternoon. During the morning, Nicole worked with Diane in H5, also wheelchair-bound, and with no speaking capacity. She’s a fifth grader by age but a preschooler in size. She communicates through a few hand gestures to signal emotions, such as “I’m happy” or “That’s funny,” when not sticking her tongue out at people or untying shoes for attention.

Once, on my regular visits to H5, I noticed Diane sitting on the floor, part of her physical therapy routine. I wondered, If she has to sit up for physical therapy, why couldn’t she sit with our class during a read-aloud so she could have, at least, exposure to reading and interaction with mainstream peers?

Nicole and I put our heads together about what prevents Diane from listening to and thinking about a story. After a discussion with our H5 staff, Nicole began bringing Diane into class for read-alouds, a modest inclusionary step.

When Diane began reading with us, she remained in her wheelchair, which we thought would be inconspicuous. Diane proved us wrong, immediately! Right in the middle of a humorous part, some of the kids giggled, but Diane broke out in a deep laugh. Perhaps she laughed because of the content, perhaps she laughed at the way I read. Neither Nicole, nor me, nor the class, realized she had the capacity to show such expression, let alone over reading a book! (At the time, we were reading Rump by Liesl Shurtliff.) We were awestruck. Reading and listening had that much power? As Diane enjoyed the reading more, the whole class seemed to take deeper interest in the read-aloud.

In time, we started integrating Diane’s physical therapy into our read-aloud by having her join us on the carpet in our reading area. The class sat along the perimeter; Diane sat in the center with a few kiddos around to embrace her as part of the class. This took time and more books (cue Lester Laminack). Diane slapped legs, untied shoes, and “blurted out.” None of us could contain our laughter! Then Diane would laugh and repeat her actions. She would rub her belly or tap her shoulders, an indication of her pleasure. (Of course she was pleased—she’d become the center of attention!)

Nothing humbled me, Nicole, or the students more than Diane’s expression of thanks. Normally, Nicole picked up Diane and placed her back in her wheelchair. However, in assisting Nicole one day in light of her pregnancy, I picked up Diane. I placed her on my hip, like a toddler. Diane threw her arms around my shoulders and laid her head on my shoulder, which startled me. Then, suddenly, she picked her head up and kissed me on the cheek. After I placed Diane in her wheel chair and put on her seatbelt, Diane again gestured how happy she was. I didn’t think a read-aloud would make that much of a difference. Instead, our read-aloud gave Diane a reason to be happy.

Nicole and I knew we made the right choice.

The pièce de résistance came to pass during the waning days of school on RIF (Reading is Fundamental) Day. I strolled Diane out of H5 and assigned a student to read with her. The student read aloud tentatively, as two others scooched in to share the limelight. Nicole ended up reading, with Diane’s eyes transfixed, intensely listening. Within moments, more kids migrated towards Diane with RIF books. Soon, the entire class enveloped Diane as Nicole read aloud without prompting. Total participation. Total acceptance. Staff from H5, the RIF volunteers, and I observed this phenomenon unfold.

Afterward, beyond excited, several students demonstrated a new hand gesture Diane taught them to indicate she wanted a book read to her (rubbing her hands together and opening them, like releasing a dove). The kids felt the blessing of speaking their peers’ enchanting language—communicating with one another about reading.

This year, our reading workshop will be revolutionized by Diane’s full inclusion! Like last year, Diane will join us for read-aloud. In our sharing circles, classmates will be responsible for her well-being and “on-task behavior.” (This means Diane can’t take her shoes off to entertain the class.) Every day, Diane will be assigned a new partner for independent reading. The pair will read picture books (fairy tales and myths) that allow the reader to explain to Diane what the text means and how pictures relate to text. After all, Diane is entitled to the gift and pleasure of reading.

Diane will never know the same freedom we have or hope for all of our readers; it’s unlikely she will ever be able to take on reading alone. Instead, Diane and her peers can share in the gift of reading and the emotional and spiritual gift of sharing time and space together. She enhances our class all together, not because of her disability, but because we learn to enjoy her membership in class and experience the value of reading. This year, we shared in her joy and passion for reading, one that we desire for all readers.

Reading provides a lens to see the world in color. Diane may not speak, but she can think. Through reading, she gets to learn about struggles characters face, compassion, ethical decisions, and love. Diane is able to be a part of a reading community. What we learned about Diane is that she sees the world in color and she learns just like you and I.

I encourage you to consider who you can invite into your daily read-alouds. If books bring the world to us or allow us to escape to another world, shouldn’t every child be allowed this opportunity? Nicole and I will never know what the reading does biologically for Diane. What we do know is how immensely happy she is to be in our classrooms listening, laughing, and learning with her peers and fellow readers.

Justin Stygles is a sixth-grade language arts teacher and IRA Advisory Committee of Teachers (ACT) committee member based in Norway, ME. He also serves as the state’s Maine Reading Association coordinator.

Students communicate and acquire information in new and complex ways. With extraordinary advances in technology and a growing emphasis on creation and innovation, the educational needs of 21st-century learners are constantly evolving. As a result, traditional definitions of reading, writing, and communication are being redefined to include new multimodal literacies. Pedagogical practices are being reinvented as well as reimagined to best support students’ rapidly changing needs. Teacher education programs play a critical role in preparing preservice teachers with the knowledge, skills, and experience needed to integrate these new literacies and digital technologies into instruction.

In order to support students’ ongoing literacy needs, teacher educator programs must create contexts and learning spaces that enable preservice teachers to examine their beliefs regarding use of technology in teaching. Though programs often strive to connect technology and curricular content in practice, they are often challenged to develop instructional pedagogies employing new literacies that can adapt as quickly as technology changes. Programs face numerous barriers to effective preparation in the area of multimodal literacy.

Many preservice teachers enter education programs with deeply held belief systems regarding uses of technology in literacy instruction following their many years as students of conventional teaching practices. Often viewing literacy as a print-bound process, preservice teachers exhibit reluctance in using technology for educational purposes and formal teaching practices. Understanding the predictive powers of self-efficacy and positive attitudes toward technology, programs commonly create stand-alone technology integration courses that model use of multimodal formats and authentic, hands-on learning experiences. Though these courses are designed to show construction of knowledge in the area of technology integration, they are often presented in isolation, unable to demonstrate the importance of incorporation of practice across the curriculum and throughout content areas.

Programs can work to bridge the gap between knowledge and instruction in the area of multimodal literacy and integration of digital technologies. By infusing innovative practices that prioritize exploration of an increasingly textual world across all areas of coursework, teacher education programs can prepare preservice teachers to inspire inquiry and transform learning in their future classrooms.

The following ideas are offered as shifts of practice that teacher education programs can consider in preparing pre-service teachers to integrate multimodal literacies into instruction.

Provide distributed practice

Programs that extend learning past stand-alone technology courses can demonstrate the transformative power of new literacies in learning. By offering meaningful practice with digital technologies throughout all courses of study, teacher education programs provide authentic modeling of multimodal literacy integration across the curriculum. Preservice teachers can be empowered to explore and design their own paths to understanding across contexts and connected experiences. Offered as standards of practice, these infused methodologies have the potential to extend and enhance the learning of preservice teachers and also can serve as frameworks for instruction in their classrooms of the future.

Design collaborative learning spaces

Learning space design can act as a catalyst to support sustainable change in teaching and learning. By reexamining the landscape of the classroom and methods of instruction, teachers education programs can promote engagement and afford opportunities of networked collaboration. New pedagogies focused on student-centered practices and active participation evolve the role of the teacher from distant lecturer to facilitator of learning. Shifting roles of teachers and students can allow everyone to be a part of the exchange of ideas and sharing of knowledge. Together in a technology-supported learning space, everyone can explore as curators and composers of multimodal literacies.

Focus on the verbs

Teacher education programs seeking to prepare preservice teachers for classrooms of the future can positively affect practice by shifting focus from the ever-changing “nouns” of education to the actionable “verbs” of discovery. Empowering students to engage and create and connect and explore can guide real-time instructional decision making in selection of materials and methodologies. Interest-driven projects that prioritize student voice, creativity, and choice of delivery can allow preservice teachers to connect theory to practice in powerful and personalized ways.

Encourage inquiry and investigate the world

By asking students to seek solutions to problems of global significance, teacher education programs can encourage preservice teachers to engage in deep learning through a process of inquiry and investigation. Meaningful topics with profound disciplinary and interdisciplinary bases can provide opportunities for students to think critically. Preservice teachers can use multimodal literacies to examine problems, gather information, and communicate decisions. Through this process of inquiry, preservice teachers can employ digital technologies and move along a continuum of technology integration. The creation of digital artifacts can offer transparency of perspectives and sharing of solutions, and the learning can inspire change that is relevant and significant.

Support self-efficacy through reflection

Dedication of time and thought for discussion can place focus on metacognitive thinking and reflection. Teacher education programs can promote self-efficacy of preservice teachers by encouraging innovation, inspiring curiosity, and providing safe opportunities for taking risks through exploration of ideas. Preservice teachers can be invited to explore together deeply held belief systems and discover ways to weave multimodal literacies into practice to enhance learning and expression of perspectives. Together, teacher education programs and preservice teachers can redefine instructional practices to inspire collective change on their quests to make a difference in classrooms of today and of the future.

Jennifer Williams is the cofounder and lead program developer for Calliope Global. Calliope Global works with schools, universities, and organizations from around the world.

I wrote my first “novel” in third grade for my hero, my teacher Mrs. Kovacs. (May her memory be forever a blessing!) She had read aloud to us from Black Beauty, and I was stoked. There was no turning back. The sound of the text had addled my brain, kept me up at night, and made me swoon. My title was “Thunder: The Story of a Horse” and the colon was my centerpiece, the cornerstone of my masterpiece, the first time I had ever used one. The “book,” if you could call it that, was illustrated by the great Edward Krupman. Well, I should say, great to all those who know him, my uncle, my father's buddy, and my personal great guy. (Prior to “Thunder,” his claim to illustration greatness was drawing Snoopy on the back of a napkin for us nieces and nephews.) 

It was, quite literally, a third-grader's copy of the first chapter of Black Beauty itself (picture a swap-out of all the key names and details; the star horse was now burnished copper rather than black, and the human characters' names were changed, but words like dappled and meadow were laced prodigiously through this triumphant first chapter). I was hooked on Anna Sewell. She lived in my brain. 

Rather than dismiss my tome as a mere imitation, Mrs. Kovacs read my opus voraciously in one sitting (it was around four pages long, stapled together, and that may have included Uncle Ed's cover page). She turned to me and said in a voice rich with delight and awe: “You sure were inspired by Anna Sewell!” Without a hint of accusation, Mrs. Kovacs knew the truth: I had fallen in love with language, thanks to Ms. Sewell.

The profound power of children’s literature is that it teaches us how to live, not just how to read. The stories and information that children read changes them by challenging, nurturing, inspiring, and allowing them to discover and explore the world. Children breathe in the big ideas, people, places, and facts and breathe out their own ideas, theories, and opinions in response. Beyond that, reading great children's books can become a touchstone for how our children communicate themselves to the world through how they master language itself. They can read through the lens of writing and be stunned by the author's craft of language, and then they can do the same to craft their stories so others might know them too.

The reading/writing connection is beyond language. The integration of both enriches and enlivens the world of a child's mind and thinking.

Having a pen and pack of notecards or a notebook or a tablet or any device within arm’s reach can inspire a child's reading life, not bring it down. Model for students during the daily read-aloud how you are inspired by language of our great authors by showing your students how powerfully text affects your writing life. Model jotting a short quote that stands out in the text, or noting a question that you want to go back to and think about at the end of a chapter. In the middle of a read-aloud, do a “Stop and Jot” and then invite students to a one-minute reflection with a partner off their “S and J”s. Have students keep a notebook or tablet for lines or snippets that move them, make them laugh, and inspire them. They can go back to these lines later to use to inspire their own writing. They can study those lines to see the uses of punctuation, white space, and form. Then they can practice these in their own work.

While the feelings and impressions of the story or article are fresh in students’ mind, give them time to unpack and digest with a short free-write or quick talk, structured around the prompts: “I am thinking about…”, “I wonder why...”, “I am interested in...”, “I noticed that...”, “I love how the author...”.

Black Beauty was one of many books that marked my childhood, took my breath away, and made me feel like a writer. I was breathing in language, story, word beauty, and the worlds of my passions for animals and landscapes and I was breathing my first baby steps into the world of language mastery and the joy of a perfectly chosen word (or colon!). I was very fortunate that my teacher Mrs. Kovacs recognized this, and I honor that to this day by sharing with teachers around the United States and the world that children's literature is a great teacher of writing, and more, how to love language and tell the stories that matter most to a child.

Pam Allyn is the founding director of LitWorld, a global literacy initiative serving children across the United States and in more than 60 countries, and LitLife, a cutting-edge consulting group working with schools to enrich best practice teaching methods and building curriculum for reading and writing. She has written more than 20 books, including Your Child’s Writing Life, What To Read When, Best Books for Boys, and Core Ready, and is a spokeswoman for BIC Kids, championing BIC’s 2014 "Fight For Your Write" campaign. She received the 2013 Scholastic Literacy Champion Award for her work both nationally and globally bringing literacy to underserved communities and was chosen as a W.K. Kellogg Foundation Fellow in April 2014, focusing on racial healing and equity and has appeared on NBC News, CNN, and Al Jazeera as a thought leader on equity, standards, and literacy in public education.

Allyn will appear twice Sunday, July 19, at the ILA 2015 Conference in St. Louis, MO, July 18–20. First at “Be Core Ready: 10 Ways to Transform Teaching and Learning for the New Era So We Can Meet the Needs of All Students”, then at “Taming the Wild Text: Cultivating Fearless Readers & Writers.” Visit the ILA 2015 Conference website for more information or to register.