The
April/May/June 2025 issue of
Literacy Today, ILA’s member magazine, underscores the importance of representation in children’s picturebooks.
Our guest editor for this edition, Angie Zapata, is an associate professor of language and literacies education at the University of Missouri. She is also a children’s literature researcher and teacher educator, whose extensive work focuses on the promise and possibilities of diverse literature in K–12 language arts classrooms.
“Given what can seem like competing agendas for literacy and literature learning in classrooms, it feels appropriate to center picturebooks in the hands of readers as a viable pathway toward helping students reclaim their reading lives,” she wrote in her opening note to readers.
Read on to learn more about the issue, how Zapata approached its curation, and what she hopes readers take away from it.
Tell us how you developed your vision for this issue. What were your goals? How did you choose your authors and topics?
Thanks so much for this opportunity to center better representation in children’s picturebooks in schools. My commitment to cultivating a better sense of belonging in the classroom through children’s visual storyworlds in picturebooks is both a professional and personal endeavor. I aimed to gather both US bound and international voices as well as established and fresh voices in the field who could provide interdisciplinary pathways into an issue that has plagued our field for so long. I really aimed to amplify too often overlooked pathways into our work as picturebooks curators in schools and provided directly implications for practice.
You’ve worked with preservice elementary school teachers and have a background in connecting research to practice. How does that experience inform your views on representation in children’s literature?
That bridge to practice remains essential. As a field we have a rich resource of critical content analyses and reviews of picturebooks that feature diverse sociocultural representation, Building upon that research, we must also grow our empirical body of research that examines how these books are shared in the classroom, how children read and respond, how teachers thoughtfully build collections and mediate students’ literature, experiences and the implications of this critical classroom work for students’ identities, positive school experiences, self-efficacy, and learning. What new literature practices and theories of practice and learning can emerge from deeper study of how these texts live in classrooms among teachers and their students? In today’s sociopolitical climate that incites fear and resistance to any kind of diverse representation in picturebooks, highlighting the everyday ways we lovingly, thoughtfully, and ethically share these texts and how student respond are critical.
To add, I am deeply inspired and motivated by the teachers and students who have welcomed me into their spaces as they read and respond to linguistically diverse picturebooks. The opportunity to offer direct implications for classroom practice with picturebooks featuring diverse representation through this issue of
Literacy Today is exciting as I am reminded of my time in their classroom and am inspired once again by what is possible with picturebooks and how much we must learn, both theoretically and pedagogically in picturebook classrooms.
Your opening letter mentions the importance of access to diverse stories for students. What do you think are the most pressing considerations for educators looking to select and share quality diverse picturebooks?
First, I have found that entering this process with great humility makes a significant difference in the opportunity to grow. It can be overwhelming and even off-putting to try and navigate the pressures of identifying and sharing a text with diverse representation, especially if you are not of the community represented. But the payoff of entering that process humbly and with willingness to learn pays off tenfold, especially for your classroom of students.
I also highly encourage educators to choose to share picturebooks with better representation because they want to and because they believe in the power of picturebooks to both affirm and grow students’ understanding of themselves and the world around them. I think when we observe these texts integrated in the classroom without the humility and critical lens needed, the opportunity for students to engage in the storyworlds are not as robust as they could be and that the reading falls flat. As picturebook curators who embrace the awesome responsibility of building thoughtful collections for students, we as educators can share and model that commitment of learning about new titles and processes to build collections.
To add, that kind of work is best done with a similarly interested colleagues, including voices that are different than your own. I would therefore also suggest finding fellow picturebook enthusiasts who are similarly interested in growing as a picturebooks curators. If you don’t have any in your setting, how can national organizations like ILA help you find your learning partners virtually?
What are some of the biggest misconceptions educators have about picturebooks, and how does this issue of Literacy Today aim to address them?
I think there has long been assumption of picturebooks as easy to read, simple narratives that don’t demand much preparation on our end when shared as read alouds. For example, how often have we quickly pulled a book off the shelf for a quick read aloud and then just as quickly realized we should have taken more time to thoughtfully prepare for the reading event? I hope this issue reawakens our habits of ‘slowing down’ with picturebooks readers to savor the richness of visual storyworlds.
Time to ‘slow look’ visual storyworld, as Dr. Pantaleo reminds us
in her essay, is essential practice, and I believe it to be even more so with picturebook collection that feature a diversity of lives, languages, and literacies. There is so much to uncover in the visual designs and choices made by the illustrator and the intellectual demand of reconciling both the illustrated and print narrative is significant. Time to do the work of being a picturebooks reader is so important. It can feel radical to claim the need for more time for picturebooks in today’s reading achievement climate, but the depth and opportunity to model and practice meaning making with print and illustration is tremendous.
Monica Kleekamp’s article, “Humanizing Neurodivergence,” presents guiding tenants that educators can use when selecting stories that humanize neurodivergent characters and is “nuanced in its presentation of a character’s lived experiences.” Why did you find this an important topic to feature?
Dr. Kleekamp truly helps us slow down and prioritize the neurodivergent experience from the perspective of those who live with these abilities. Too often, picturebooks have been written from the perspective of caregivers and siblings. Although important, collectively these perspectives have not allowed us to consider subtleties of a neurodivergent experience. Dr. Kleekamp wisely helps us widen our lens when selecting and sharing these texts and provides practical guidance that humanizes the communities featured.
Jon Wargo’s article, “History Out Loud,” states that children’s picturebook biographies about famous LGBTQ+ figures can help “amplify and strengthen messages of [intersectional] justice.” What stood out about this topic that inspired you to include it in this issue?
I always appreciate Dr. Wargo’s expertise and passion for centering LGBTQ+ perspectives through children’s literature. In today’s sociopolitical climate that continues to demonize LGBTQ+ experiences in literature, we are failing to recognize the wide and limiting reach such a stance imposes on our society. There is such an opportunity through nonfiction picturebooks to both humanize and reveal the significant contributions of LGBTQ+ figures, and contextualize both historical and contemporary moments to learn from.
Mengying Xue’s article, “Seeing the World From Different Perspectives,” examine postmodern wordless picturebooks that allow young readers an opportunity to engage with “complex topics and social issues from unexpected viewpoints.” Can you expand a little upon your choice to include this discussion?
I believe postmodern picturebooks offer an exciting initial entry point for nurturing picturebook readers in the classroom and can be an incredible bridge for readers trying to do the work of navigating multiple perspectives in one narrative. This is a foundational experience as readers and as citizens in a national and global society. I’ve observed four-year-olds do this with great ease and weave their own narratives with the perspectives they encounter to create new imaginaries. What might it mean to scaffold students into the work of navigating multiple perspectives through wordless picturebooks first? I appreciate Dr. Xue taking time to reconnect us to this genre.
What do you hope readers will take away from this issue of Literacy Today, and how do you envision it sparking further conversations about representation in picturebooks?
I do hope readers of this issue will feel reinvigorated in their practice as classroom picturebook curators and feel supported when choosing to share picturebooks with diverse representation. Too often, the onus is on the individual teacher to do it all and to figure out how to teach by themselves or have to teach mandated scripted curriculum. I hope interested readers do not feel alone in their commitment for a better world and feel motivated to reach out and grow their picturebook practice. I hope this issue inspires readers to connect with one another and dig deep into any of the articles to directly impact students’ positive reading experiences in schools.
Angie Zapata, an ILA member since 2002, is an associate professor of language and literacies education at the University of Missouri. Through collaborative inquiry partnerships with K–12 practicing teachers, her research highlights teacher and student interactions with picture books featuring diverse racial, ethnic, and linguistic representation, as well as how translingual and transmodal literacies are produced through those literature-based experiences.
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