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    Toyota Teacher of the Year Applications Due February 1

     | Jan 18, 2012

    The National Center for Family Literacy is accepting applications for the 2012 Toyota Teacher of the Year.

    The winner will receive $20,000 for his or her program as well as a free trip to the 2012 National Conference on Family Literacy (NCFL), which will be held from March 25 through March 27 in San Diego. This will be the 16th year for the annual award. Criteria with an emphasis on parental engagement and a doubled grant prize are both new this year.

    The application, which should be completed online at http://www.famlit.org/toyota-teacher-of-the-year-nomination-form/, is due no later than February 1, 2012.

    The winner will be chosen by a panel of NCFL family literacy specialists, who will review nominations looking for high-performing teachers with the following criteria:
    • Work for a family literacy program, Title I elementary school, preschool or community organization based in the United States. 
    • Serve parents and children with a strong intergenerational approach to helping them learn together and/or use innovative ways to engage parents in their children’s education;
    • Exhibit a record of success;
    • Have novel ideas for expanding their program to benefit families and/or reach to engage more families; and
    • Serve communities and families with high literacy and socioeconomic needs.

    The selected educator will be honored at the National Conference on Family Literacy along with receiving the grant, and one runner-up will receive a $2,500 grant for his/her program and a scholarship to the conference. The recipients will be notified by early March.

    The form must be completed by the nominee’s principal/director/supervisor, and nominee must answer the final question. Programs may nominate up to two educators but must submit a separate online nomination form for each.

    For more information and guidelines, visit http://www.famlit.org/toyota-teacher-of-the-year-award-selection-criteria/.

     

     


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    "Wheels of Change" Book Reviews

     | Jan 18, 2012

    The first month of the year is often a time for reflecting on previous years and resolving to make changes in ourselves and the world around us. Sometimes those changes start with one small act and then another, rippling outward into larger changes that eventually spawn movements and effect social change such as what happened with the civil rights movement. Sometimes the wheels of change come in the form of innovations in different areas such as transportation. Men and women use wheels to move or take to the air, and crossing an entire continent is something that may be accomplished within a day. Because they move and aren’t static, young readers are often intrigued by books that feature cars, trucks, anything with wheels that move. Books that literally feature cars and bicycles or wheels in some form or fashion are a lot more ubiquitous than you might think. For this week’s installment of book reviews, members of the International Reading Associaton's Children’s Literature and Reading Special Interest Group have amassed a fleet of books literally about wheels. In the next two installments of the book review column, we’ll review books that describe how quickly the wheels of change may turn in history or in the lives of fictional characters, often prompting them to change their minds or their actions.

    Grades K-3

    LaReau, Kara. (2011). Otto the boy who loved cars. Illus. by Scott Magoon. New York: Roaring Brook.

    Otto book cover imageThere once was a boy named Otto who simply couldn’t get enough of vehicles that move on wheels. He played car games, read car stories and even ate a car cereal, appropriately named Wheelies. He lived and breathed cars. One morning Otto awoke and found he was a car. At breakfast, he tried to say, “Pass the Wheelies,” but instead out came, “Honk-honk, HONK!” (unpaginated). Because a car is too large to fit on a school bus, Otto had to drive himself to school. Terrible traffic en route forced him to arrive quite late, and he spent the morning idling in the time out corner, waiting for recess. On the playground Otto couldn’t play with the other children because, of course, cars can’t play. He couldn’t even eat what his mother made for dinner because cars can’t eat the food mothers prepare. Otto began to realize that he couldn’t do any of the things he normally did—play, draw or read. Maybe it was time for the auto-loving boy to switch gears. Most children will laugh at this fantasy adventure and consider branching out from their own obsessions with stuffed animals, dolls, Legos or video games.
    - Deanna Day, Washington State University Vancouver

    Medina, Meg. (2011). Tia Isa wants a car. Illus. by Claudio Munoz. Somerville, MA: Candlewick.

    Tia Isa book cover imageLiving in the city without family members or access to the beach is hard. Tia Isa knows that it is important to save money to bring the rest of their family to the United States, but still, she longs for a used car, and she knows exactly what kind of wheeled vehicle she wants. She dreams of one that is as green as the ocean she longs to see, the ocean that reminds her of her island home and the family members she misses. While her brother scoffs at the idea of Tia Isa ever being able to amass enough money to reach her goal, her niece is inspired by the project and takes on chores for the neighbors so that they can save money faster. Once they have enough money, Tia Isa finds a used car—green, of course--that is big enough to take the whole family wherever they want to go. Before they head off to the beach, they tape a photograph of the family on the car’s dashboard. In a positive, endearing fashion this story reminds readers that some things are worth the wait and that dreams aren't as ridiculous as others might say. The pencil, watercolor, and ink illustrations are drawn in soft hues, creating a sentimental artistic quality to a story that reminds readers of the freedom a car of one's own affords and the necessity of setting goals.
    - Barbara A. Ward, Washington State University Pullman

    Ransome, James E. (2011). New red bike! New York: Holiday House.

    New Red Bike book cover imageAfter opening the cover of this picture book, readers will be captivated by the first end page with a shiny new bike with a red bow attached to the handlebars. In the next pages Tom, the owner of the new red bike, practices riding his brand-new red bike with his helmet on. He rides up and down the street. He rides around in circles. He zooms down hills, around curves and then returns home. He is so excited about his new present that he travels to his friend Sam’s house. When he turns his back to knock on the house, his new bike disappears. Tom looks everywhere. He looks around the house and under it. He looks up, down, behind and all around. All of a sudden he hears WHIZZZ. Guess who is riding Tom’s shiny new bike? They end up taking turns, sharing the new red bike. The last end page continues the story as Tom and Sam ride off together. Clearly, while two wheels can make better friends than none, four wheels and two bikes with two boys present plenty of possibilities. This straight-forward book could easily inspire children to write their own new present stories and remind them to share what they have with their friends.
    - Deanna Day, Washington State University Vancouver

    Rinker, Sherri Duskey. (2011). Goodnight, goodnight, construction site. Illus. by Tom Lichtenheld. San Francisco: Chronicle Books.

    Goodnight, Goodnight Construction Site book cover imageWho knows what it is, but there’s something about big trucks and construction sites that fascinates youngsters. This picture book written in rhyming text describing the work that occurs at a construction site will intrigue them and require multiple readings. Construction sites are busy places, filled with plenty of action and noise, but eventually even machines need to cease their labor. As the day winds down, the trucks complete their final tasks. The crane truck raises and places one last beam. The cement mixer pours out one last load. The story follows the big trucks typically found on a construction site, including the ever-fascinating dump trucks, bulldozers, and excavators, as they shut down for the day, satisfied with a job well-done. After all that labor, the machines certainly deserve a rest. The large wax oil pastel illustrations create a peaceful setting as night approaches that contrasts vividly with the motion-filled illustrations of the trucks in motion throughout the day. The cover with the excavator gently cradling the moon is particularly effective in personifying the monstrous machines. Young readers won’t be the only ones who enjoy reading this book about vehicles with very big wheels.
    - Barbara A. Ward, Washington State University Pullman

    Stein, Peter. (2011). Cars galore. Illus. by Bob Staake. Somerville, MA: Candlewick.

    Cars Galore book cover image“Black car, green car, nice car, mean car. Near car, far car. Whoa! Bizarre car!” (unpaginated). The rollicking verse in this colorful picture book will delight anyone who loves moving vehicles. There are fast cars, slow cars, big cars and small cars. And, of course, there are tall cars, short cars and fun-filled fort cars. All of the automobiles are traveling on dark black asphalt roads that crisscross the book’s pages, inviting young children to trace and follow the vehicles with their fingers. One double page spread resembles rush hour traffic with “Cars and cars and yet still MORE cars! (unpaginated). Another page notes rusty, dusty, hunk-of-junk cars that sometime stink and smell. One humorous illustration displays, “Jazz car, soul car, rock’n’roll car. Blues car, song car. Sing-along car!” (unpaginated). In conclusion, a car with a family including a young child takes off on a, “Fun drive, sun drive, gotta-run drive! Dream drive, cool drive…Someday you’ll drive!” (unpaginated). Young readers will enjoy this vivid, vicarious road trip.
    - Deanna Day, Washington State University Vancouver

    Sweet, Melissa. (2011). Balloons over Broadway.

    Balloons Over Broadway book cover imageUp, up, high in the sky go those enormous, colorful balloons during the annual Macy’s Thanksgiving Day parade in New York. Young readers will be intrigued to learn that the balloons haven’t always been a part of the parade. In fact, these floating, "upside down marionettes" (unpaginated) first appeared in 1928, the innovation of a brilliant puppeteer, Tony Sarg, who came up with the idea to have balloons replace the zoo animals who once rode in cages on wagons in the city streets, often frightening the children along the parade route. The goauche, collage, and mixed media illustrations are filled with a vibrancy that attests to life’s joys and extraordinary detail, providing readers with the perfect bird's eye view of the parade. Some illustrations make it seem as though residents of the city’s high rises can nod at the balloons as they float right outside their windows. At some points, it's hard to decide whether the balloons have a mind of their own and are in charge of their handlers or if their handlers are actually controlling them. Additional information about the book’s artwork and the man responsible for this popular parade innovation can be found in the back matter.
    - Barbara A. Ward, Washington State University Pullman

    Viva, Frank. (2011). Along a long road. New York: Little, Brown Books for Young Readers.

    Along a Long Road book cover imageUsing Adobe Illustrator, the author/illustrator of this picture book has created a continuous thirty-five-foot-long piece of art that comprises the book’s pages as well as drawing by hand the display type for its text. A cyclist travels upon an orange path laid out against a black background, along a very long road, that moves across the countryside. At first, the road is fairly straight, moving through stands of trees, but then it winds up and down, around a town, and through a tunnel. The bicyclist pedals unwaveringly along his route, moving slowly and quickly, by turns, passing through urban and rural settings, at one point, even crossing a bridge. Of course, he encounters a bump or two along the way, but after a brief rest, he climbs back on and pedals off. The illustrations show some of the sites he passes along the trip (amusement parks, clothing on a clothesline flapping in the breeze, passersby waving him on his way), but for this rider, the pleasure of the ride seems to be what matters. Young readers will surely love following the strip that marks his journey. Once they reach the book’s final pages, they’ll want to start their journey all over again, just as the rider does.
    - Barbara A. Ward, Washington State University Pullman

    Grades 4-5

    Atinuke. (2011). The no 1 car spotter: Best in the village—maybe in the world! Illus. by Warwick Johnson Cadwell. Tulsa, OK: Kane Miller.

    The No 1 Car Spotter book cover imageOluwalase Babatunde Benson—better known as No. 1—lives close to a busy road where many cars drive past his village in an unnamed country “on the continent of Africa” (p. 7). His hobby is spotting cars. As a baby he stayed with his grandfather under an iroko tree watching the road. Grandfather taught him the ABC’s, 123’s and how to spot cars such as the Peugeot, Passat and Porsche. Somehow, No. 1 can even spot cars before he sees them. From the sound of their engine, running sweet or backfiring, he knows them. In this brief novel with only four chapters, young readers will learn how wheels improve village life and make a difference in the lives of No. 1’s family. For example, an abandoned Toyota Corolla, with four good tires, is converted into a cart to help his family transport baskets of yams, oranges, mangos, plantains and dried fish to sell at the Saturday market. Two wheelbarrows help No. 1’s Papa begin a new business of carrying people’s goods from one place to another. And, lastly, No. 1 notices when tourist buses travel on the main road. He tells Mama Coca-Cola, who then begins frying akara, a blend of beans, onions and chili peppers, to sell to the hungry passengers when they stop. Simple ink drawings illustrate the different turns and moves in No. 1’s unique and car-filled life.
    - Deanna Day, Washington State University Vancouver

    Grades 6-8

    Blackwood, Gary L. (2010). Around the world in 100 days. New York: Dutton.

    The ambitious son of adventurer Phileas Fogg, Harry, is all too aware of his father’s feats of daring, and he accepts a bet that he can drive The Flash, his steam-powered motorcar, around the world in only 100 days. In the tradition of the Jules Verne classic, this 1891 high-speed adventure will have readers throttling their engine as the car races across several continents and bodies of water to the finish line in London. When the book begins, Harry has been arrested for reckless driving. To his father’s dismay, he enjoys driving almost as much as he enjoys tinkering with car engines with his talented mechanic friend Johnny. With his father’s financial backing, Harry sets off on his journey, knowing that this is one bet he must win since losing means he must bow to his father’s dictates and take up a more suitable profession for a gentleman. Racing off with Johnny and two other companions, both of whom may not be trustworthy—Charles Hardiman who comes along to make sure he follows all the bet’s conditions, and Elizabeth, a reporter—Harry must race against time but also against possible sabotage from within. Around the world they go, frightening many pedestrians who have never seen a car before. Harry and crew have all sorts of adventures and humorous moments along the way, but they are ever mindful of the goal of reaching London in time to win the bet.
    - Barbara A. Ward, Washington State University Pullman

    Macy, Sue. Wheels of change: How women rode the bicycle to freedom (with a few flat tires along the way. Washington, D.C.: National Geographic.

    Wheels of Change book cover imageThis is an incredibly informative book that makes history—er, herstory, in this case—a treat to read while pointing out that even the seemingly smallest of innovations in transportation can make a huge difference in lives. Macy shows how the invention and subsequent popularity of the bicycle led to more freedom for men and women. Suddenly, women in particular gained the mobility they had lacked and were able to move from place to place on their own. That increased mobility resulted in a need for more freedom, often in the form of less restrictive clothing so that riding a bicycle was not hampered by clothing that became caught in its wheels. Macy reports these historical developments with great glee, writing as though the events she is describing from the 1880s and 1890s happened yesterday. She even includes detours, details about record-setting women cyclists, and some of the comments made by those who opposed the bicycle because of its tendency to encourage girls along sinful pathways. The book contains photographs as well as trading cards, advertisements, magazine covers, song lyrics, and newspaper clippings about bicycles. Back matter includes a graphic in the shape of a wheel showing the history of cycling and women's history. Obviously, many women rode their bikes to freedom, and this book shows how that happened. Readers may enjoy watching a two-minute clip about how bicycles helped women wheel their way to increased independence at the author’s website at http://suemacy.com/.
    - Barbara A. Ward, Washington State University Pullman

     

     

     

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    Teaching Tips: Grammar Games to Deliver Fun and Confidence

    by Mary Cotillo
     | Jan 17, 2012
    ThinkstockPhotos-179222616_300pxFor most of my early adolescent students, writing is a four letter word. It’s something they dislike and look forward to with the enthusiasm I reserve for root canals and tax season. Ask them to write an essay and you might as well be asking for them to voluntarily abstain from their Xbox for a whole weekend. For most of them, anxiety arises from a basic lack of confidence; they don’t understand how to craft complete, never mind interesting, sentences. Sure, a teacher could correct this issue with a few days of basic grammar review, but the challenge is taking such a dry topic and making it interesting enough for the student to bother to learn it. Toward this end I’d like to share two mini-lessons with which I’ve had success.

    Sentence unscrambling

    English teachers know the difference between phrases and clauses; we can even tell you the difference between a subordinating and coordinating conjunction. But can our students? And, more importantly, do they need to? Do they need to know the names, or is it enough simply to understand how these elements function within effective sentences? For those who believe use is more important than labeling, this mini-lesson is for you.

    Survey the texts you plan to teach but have not yet read, and choose three or four impressive sentences. The examples in this mini-lesson come from “The Landlady” by Roald Dahl. After all, she was not only harmless—there was no question about that—but she was also, quite obviously, a kind and generous soul. Now break that sentence into pieces. If you plan to continue instruction into phrases and clauses, you can break the sentence into phrases and clauses. Keep punctuation and capitalization. Mix up the order of the pieces and present them in list form.

    there was no question about that–
    a kind and generous soul.
    but she was also
    she was not only harmless–
    quite obviously
    After all,

    Students should be tasked with then “unscrambling” the sentence and attempting to re-construct the original. Because the students haven’t read the story, they have to pay attention to the way parts of sentences fit together to complete the job. I usually allow students to work on the first sentence in small groups. After a few minutes of struggle, discuss with the whole class which pieces go in which order, and how they knew. Then give them a more challenging sentence. Lather, rinse, repeat.

    This example is what I call “intermediate.” It’s great because it provides an opportunity to discuss how to use semicolons.

    to stay in.
    in a place like this,
    Animals were usually a good sign
    a pretty decent house
    and all in all,
    Billy told himself;
    it looked to him
    as though it would be

    Animals were usually a good sign in a place like this, Billy told himself; and all in all, it looked to him as though it would be a pretty decent house to stay in.

    This example is definitely a challenge!

    forcing him to stay where he was
    compelling him,
    staring at him through the glass,
    Each word was like a large black eye
    and the next thing he knew,
    and reaching for the bell.
    holding him
    to the front door of the house,
    he was actually moving
    across from the window
    climbing the steps that led up to it,
    and not to walk away from that house,

    Each word was like a large black eye staring at him through the glass, holding him, compelling him, forcing him to stay where he was and not to walk away from that house, and the next thing he knew, he was actually moving across from the window to the front door of the house, climbing the steps that led up to it, and reaching for the bell.

    The next step is writing. Students should write a sentence of their own that is modeled after the newly unscrambled sentence. Where the original sentence includes a prepositional phrase, students should write a prepositional phrase, a gerund for a gerund, etc. Whether they know the name “prepositional phrase” is irrelevant; they will construct their own meaning by thinking about how the pieces function as a part of the whole. They can write about whatever they like—the sky’s the limit.

    (Modeled after the “Animals are usually a good sign” sentence above.)

    A sense of humor is a good quality in a girl, Billy told himself, and truth be told, it looked to him as though she would be a pretty enjoyable date to the dance.

    Taking this writing step provides your students with the opportunity to compose interesting, complex sentences, and it will provide you with a foundation for the rest of your writing instruction. Share sentences aloud; post the most original and creative. Reference them often during future lessons. Having successfully created two or three well-crafted sentences, students will be more confident during later writing assignments.

    Manipulatives

    For those of you who believe it is important for students to be able to identify sentence parts by name, this strategy will help. Our math teacher colleagues have closets full of dice and plastic teddy bears and tiny cubes, but when is the last time you used a manipulative in a lesson? So many of my students struggle to understand the structure of different types of sentences, so I’ve made manipulatives to make the ideas a little more concrete.

    Before students can use manipulatives, you need to establish a common vocabulary. I focus my instruction on simple, compound, complex, and compound-complex sentences, so I teach the following vocabulary: subject, verb, independent clause, subordinate clause, subordinating conjunction, coordinating conjunction. Just simple definitions and examples are all I’ve found necessary for pre-teaching.

    Then I give each student an envelope containing the following:

    three slips of paper saying “subject”, three saying “verb,”
    two slips with the words “coordinating conjunction,”
    one slip with the words “subordinating conjunction,” and
    two slips labeled “comma.”

    I'll then ask the students to arrange the slips of paper in the correct order for a simple sentence. They should be able to come up with:

    Subject Verb


    Then I ask them to make me a compound sentence. I'm looking for:

    Subject Verb Comma Coordinating Conjunction Subject Verb


    If I ask for a complex sentence, I'll dictate whether or not I want a comma in the sentence. I'm looking for either this (with a comma):

    Subordinating Conjunction Subject Verb Comma Subject Verb


    Or this (without a comma):

    Subject Verb Subordinating Conjunction Subject Verb


    Eventually we work our way up to compound-complex:

    Sub. Conj. Subject Verb Comma Subject Verb Comma Coord. Conj. Subject Verb


    Once they get the gist, I start timing them. They get to the point where they can put the pieces in the right order in a matter of seconds.

    Once they reach a point where they know the components of the sentence, I assign each student a role. Troy might be a coordinating conjunction and Marissa might be a verb. Then I shout out types of sentences and they have to match up with the appropriate peers to create that sentence. It’s chaotic, for sure. But dull? No way!

    Of course, this cannot be the end of the instruction. Now we must put actual words to the names of the sentence parts. This can also be fun and silly. I like to let the students keep the manipulatives on their desks when first adding words. They can lay out the sentence in front of them and add words one by one until they arrive at the end product. Then, when they feel comfortable, I assign each student a word. Now Troy might be “yet” and Marissa might be “sing.” Call out types of sentences and have students meet up with peers to compose sentences. Sometimes the sentences work; sometimes they don’t, but the ones that don’t work make wonderful opportunities for editing.

    The Payoff

    Both the sentence unscrambling and manipulative strategies have game-like qualities to them, so students will learn without realizing they’re learning. After they have written long, intricate sentences using the sentence unscrambling model, and they can name the parts of and types of sentences after using the manipulatives, their confidence will be much improved. Sure, they’re not going to turn cartwheels when you assign an essay, but they’ll have the tools necessary to tackle the job with the self-assurance that heralds success.

    Mary Cotillo is an 8th grade ELA teacher at Horace Mann Middle School in Franklin, MA. Mother to two children, she enjoys engaging in light saber battles and hanging out on soccer fields. She earned her National Board Certification in 2009.
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    TILE-SIG Feature: Making the Professional Development Shift

     | Jan 13, 2012

    Creating “Our Space” and Putting Technology into “Their Hands”

    by Terry S. Atkinson

    During the past year, several colleagues and I have spent time in elementary, middle, and high school classrooms observing teachers identified by principals as “exemplary” for their effectiveness with technology integration. Routinely, we have observed little of what the NETS-T and NETS-S standards suggest in terms of facilitating and inspiring student learning and creativity through the modeling of collaborative knowledge construction. In defense of teachers who are striving to integrate tech tools into their current teaching as best they can, most teach the way they were taught, dispensing knowledge while seeking to meet an array of testing and accountability mandates. Based on our observations, there is a serious lack of focused professional development (PD) fostering shifts from the lecture-laden model of “what has been” to “what might be.” This means that technology typically resides in the hands of teachers, rather than students. So what might a transformative PD model involve?

    Jill Castek, post doc scholar at Berkeley, is currently involved in a university team/school partnership team piloting the use of iPads in Middle School science classrooms to examine the potentials and possibilities for teaching disciplinary literacy. To test ideas, she and project colleagues co-teach lessons involving a range of iPad apps. A member of the university team designs an iPad delivered lesson and implements instruction together with the teacher. Over the course of two to three days, the teachers become more comfortable/confident and gradually take on more responsibility for the teaching. Early pilot findings report that the most effective lessons involved the students actively engaged with the iPads (as opposed to demonstration by the teacher and target/limited use of the digital device).

    Based on this pilot project’s example and the standards set forth in NETS-T, NETS-S, and NETS-A for administrators, adhering to several key professional development guidelines has the potential to foster huge shifts in literacy learning through technology. First, PD opportunities modeling collaborative student/teacher knowledge construction can morph classrooms formerly defined by teachers as “my space,” into “our space.” Additionally, aligned commitment to putting technology into the hands of students is key if we ultimately hope to transform classrooms into hotbeds leading to collaborative innovation, creativity, and leaps in both student achievement and teacher growth (for more about the “my space”/”our space” dichotomy, read Jill McClay and Margaret Mackey’s Chapter 9 in Assessing New Literacies).

    Terry S. Atkinson is an Associate Professor in the Department of Curriculum and Instruction at East Carolina University, Greenville, NC.

    This article is part of a series from the Technology in Literacy Education Special Interest Group (TILE-SIG)

     

     


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  • Have you ever been stuck in a professional development workshop, rolling your eyes, listening to someone who thinks they know it all, but really has no idea what teaching in your first grade classroom is like? You struggle to pay attention, but very little of what's being said is applicable to your classroom teaching. That is what professional development has looked like for me in the past.
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    In Other Words: Harnessing the Educational Power of Twitter

    by Karen Lirenman
     | Jan 12, 2012
    Have you ever been stuck in a professional development workshop, rolling your eyes, listening to someone who thinks they know it all, but really has no idea what teaching in your first grade classroom is like? You struggle to pay attention, but very little of what's being said is applicable to your classroom teaching. That is what professional development has looked like for me in the past.

    Then there is Twitter. Twitter is a 24-hour, seven-day-a-week professional development opportunity. The topics discussed are endless, and you can easily pick and choose what is relevant to you and your classroom setting. If you don’t like what you’re reading, you can close the link and move on. If you want to learn more about a specific topic, you can post a question and other like-minded educators will respond by providing you with relevant links and information.

    But how do you get started with Twitter? At first, Twitter seems innocent enough. You log on and create an account. But then what? Twitter’s power is in the people and the hashtags (word preceded by the # symbol) you follow. But when you don’t know anyone on Twitter, it’s really hard to know who to follow. So what’s this about hashtags?

    The hashtag is a universal Twitter symbol that helps keep posts organized. As people post to Twitter, they can direct where their posts will go by adding a # with a key word or label. If someone is posting something that is specifically relevant to a math topic, they may add the #mathchat tag to their tweet. Typically all tweets found under a specific hashtag are relevant to the hashtag’s topic. If you’re interested in following posts on elementary education, you search the #elemchat stream.

    For me as a grade one teacher in Surrey, British Columbia, I follow hashtags that are relevant to me. I follow #1stchat because it is a place where grade one teachers post their favourite blog links and/or ask questions to be answered by other grade one teachers. I also follow #sd36learn which is my school district’s feed. It helps me stay on top of the great things happening in my school district. I follow #bced (my provincial feed) and #elemchat (a more global feed) too.

    There are many different hashtags just for educational purposes. Jerry Blumengarten (@cybraryman on Twitter) has created a list of many of these educational hashtags. You can find his list as well as links to other educational hashtag lists at http://cybraryman.com/edhashtags.html. The power of Twitter is in finding hashtags that are relevant to your teaching and learning.

    Now that you understand how the hashtag works, you still need to find people to follow. The best place to find people is to see who is posting in the hashtag feeds that are relevant for you. For me, I found many of the people I follow in the #1stchat feed. Once you have a few people to follow, you can look at whom they are following. If you see people that interest you, you can follow them, too.

    I like to check profile information because it usually tells me enough about a person to determine whether I will follow them or not. Your profile is like your business card, so it is important that you make one that describes you well. It is also a good idea to get rid of the Twitter egg picture that accompanies all new members and add a personal photo. Most people won’t follow “egg heads.”

    Now that you understand hashtags and how to find people to follow, what's next?

    When I was brand new to Twitter I was trying to do all my reading and tweeting from the web-based Twitter program. Believe it or not, it is actually poorly designed for educators who want to follow specific hashtag feeds. A much better website to use is called HootSuite. HootSuite allows you to save your specific hash tag streams separately. What this means is that instead of reading your home feed (which is where all posts of the people you follow go) you read tweets by the hashtags that you have specifically chosen to follow. It is the separation of hashtags by topics that really helps keep tweets organized and makes Twitter a lot less overwhelming. This separation by hashtag and the specific tweets found in each hashtag is where the learning for educators really takes place.

    So, what have I learned so far? Through Twitter I have learned about (Kidblog), which is a really safe platform to have students blog. Now my grade one students have their own blogs to do their own writing on.

    I have also learned about ways I can integrate my one class iPad into my teaching program, so it’s being successfully used all day long. And I have learned about using Twitter hashtags to motivate my students with their writing. My grade one students created a hashtag, #santasec2011, and we posted secrets about Santa and invited other classrooms to join us—which they did.

    What's really cool about everything I have learned on Twitter is that if I have a question about what I’m reading, I can easily ask the author by tweeting them my question. Twitter is interactive and it works two ways. People share their thoughts and ideas through their tweets and/or the links they post. They also read your links and posts and they answer questions you have posted. It does not matter where you are in your teaching career; what you have to say matters. People will listen and respond to you, too. This interactive aspect of Twitter is where so much of its power lies.

    Which brings me to another valuable aspect of Twitter—the chat. Many of the educational hashtags have chats associated with them. If you follow one long enough you will soon figure out when the chat takes place. I have been taking part in a Twitter chat with other grade one teachers using the #1stchat hashtag. This chat takes place most Sundays at 8 pm EST. Our topics of discussion have included integrating technology into our classrooms, classroom management systems, writing strategies, reading strategies, morning routines, etc.

    While you may Google search these topics to find new ideas, during the chats real teachers are sharing their real ideas. If you have a question about something being shared you can ask and get an instant reply. Google searches are good for finding information, but Twitter searches are better because you can interact with the person providing the information. With Twitter you don't have to wait for specific chat times to post your questions. You can post questions 24 hours a day, seven days a week, and typically an educator will provide answers for you. You can't do that with Google!

    Twitter is an extremely powerful tool for professional development. Educators all around the world use it to share their knowledge. It can introduce you to amazing educators who can easily become part of your professional learning network. It is an unlimited source of information. If you haven’t signed up yet, what are you waiting for? You’ll be amazed by what you’ve been missing.

    Happy tweeting!

    Karen Lirenman (@klirenman) is a grade one teacher in Surrey, British Columbia, Canada. She has been teaching for 20 years and discovered Twitter for educational purposes in July 2011. Her interests include utilizing technology, improving her teaching, and sharing with others. Karen spent the 2009 school year teaching in Melbourne, Australia. She loves to travel and is a five-time Ironman finisher. Karen's professional blog can be found at LearningandSharingwithMsL.blogspot.com.

    © 2012 Karen Lirenman. Please do not reproduce in any form, electronic or otherwise.
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