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    • Putting Books to Work

    Putting Books to Work: The Weird series

    by Roxanne Davidson
     | Oct 09, 2012
    The Weird series (Free Spirit Publishing)
    Written by Erin Frankel and illustrated by Paula Heaphy
    Grades 1 through 5


    The Weird series introduces readers to Luisa, Jayla, and Sam—three girls intertwined in a bullying experience. Each story is told from their own viewpoint—the victim, the bystander, and the bully. In the first book, WEIRD!, we meet Luisa who is the target of the bullying. She endures relentless putdowns aimed at her unique style and personality. This causes her to emotionally suffer and become confused as to why this is happening and how to make it stop. She finally reveals the truth of what is going on to her mother who helps her reclaim her former self-confidence.

    In the second book, DARE!, we are introduced to Jayla the bystander of the bully problem. In the beginning, Jayla does nothing to stop Luisa being tormented because she is afraid of the bully. Readers discover Jayla was also once a victim of the girl's taunts. Author Erin Frankel shows us the danger of becoming a bystander in the second book when Jayla joins in the bullying because she feels intimidated and pressured into doing so. One day Jayla dares herself to take a stand and have courage to fight this problem. She learns to cope with her past fears by befriending Luisa and standing up for her.

    In the concluding book of the series, TOUGH!, we meet Sam who has been behind all of the bullying. But readers also discover what is underneath all of the mean behavior. Sam is exposed to television programs depicting bullying behavior, bullied by her brother at home, and has also been picked on at school. The only way she feels she can regain control is by hurting others and acting tough to cover up her own secret pain. Sam finally loses her bullying ways when a teacher intervenes and offers to help. Her anger and desire to lash out at others subsides when she begins to use kindness and compassion.

    The illustrations in this story will definitely spur discussion. It is illustrated in black and white except for the characters in each book who are in color. Two of the same pages overlap and appear in each book. Each book in the series also includes an activity guide and helpful information for adults. The Weird! series is a powerful teaching tool about bullying. It's insightful, creative, and will touch students' hearts and minds and empower them to stop bullying.

    Cross-curricular connections: Character Education, Writing, Art, Language Arts

    Ideas for Classroom Use:

    Character Study through Illustrations

    Lead a discussion around the use of color in the books. Divide the class into three groups and give them each a different book to study. Allow them to take notes on their observations by using sticky notes. On a white board, write the names of each different book and allow each group to put all of their observations under each title. Students can also take it a step further and try to interpret why they feel color was used this way.

    Some observations students should look for and discussion points:

    • The story is black and white except for the main characters.
    • The main characters are in color.
    • Luisa's colors fade as the bullying continues.
    • Jayla's colors fade as she stands by silently watching Luisa being bullied and joins in on the bullying.
    • Luisa's polka dots float away, Jayla's stars fade, and Sam wears hearts under a hoodie.
    • Luisa's polka dots come back bigger and brighter than ever.
    • Jayla's stars come back in full color.
    • Sam stops hiding behind her hooded sweatshirt and we see her hearts as we see her kindness begin to grow.
    Insightful questions:

    • What color do you feel when you are happy?
    • What color do you feel when you are bullied or when you see someone else being bullied?
    • What happens to your color when you feel powerless?
    • What happens when you are empowered?
    • How can you protect your color?
    • How can you protect other people's colors?
    As a closing activity for this lesson, have students write and illustrate their own story about bullying from their point of view. Were they the victim, bystander, or maybe even the bully? Encourage students to use color in a similar fashion as it was in the Weird! series to represent their power and how they overcame their problem. Allow students to share their stories with the classroom community. For younger students, allow them to do a drawing using colors that make them feel courageous, confident, and kind.

    Additional Resources and Activities:

    PACER
    This website contains information from the creators of National Bullying Prevention Month and The National Center for Bullying Prevention that helps promote awareness and teach effective ways to respond to bullying.
    Kids’ site: www.pacerkidsagainstbullying.org
    Teen site: www.pacerteensagainstbullying.org

    NEA Bully Free Schools
    This website provides information on NEA’s bullying prevention campaign. There are also tips and resources to help you address the issue of bullying in your classroom.

    Choose Kind
    This is a blog inspired by R.J. Palacio’s WONDER. It contains links to anti-bullying resources and opportunities to use the novel in conjunction with efforts to get your students to “choose kindness.”

    Teaching Tolerance
    This website by the Southern Poverty Law Center offers a documentary, classroom activities, and teaching kits that promote tolerance.

    The Trevor Project
    This website is a companion to the Trevor Lifeline, a 24-hour, national crisis and suicide prevention lifeline for gay and questioning teens. The site offers teacher resources, tips, and training. The number for the hotline is 1-866-4-U-Trevor.

    Bully Free Program
    This website offers a range of tips for dealing with bullying for teachers, students, and parents.

    Claim Your Rights
    The Claim Your Rights program is designed to help everyone understand that they have the right to safer schools. This resource helps students, parents, and teachers report incidences of bullying, particularly when schools deny that bullying exists.

    Roxanne Davidson has been working as an elementary school counselor since obtaining her Master's Degree in Education in 2005. Bibliotherapy has always been a passion of hers as she has witnessed the healing power of books in her students' lives. She has made it her mission to help teachers, children, and parents find contemporary books to help them address the many issues kids currently deal with in the classroom and at home. This inspired her to start the popular book review blog, Books That Heal Kids. Besides writing for her blog she enjoys running, reading and spending time with her husband and daughter.

    © 2012 Roxanne Davidson. Please do not reproduce in any form, electronic or otherwise.
    The Weird series (Free Spirit Publishing) Written by Erin Frankel and illustrated by Paula Heaphy Grades 1 through 5 The Weird series introduces readers to Luisa, Jayla, and Sam—three girls intertwined in a bullying experience. Each story is...Read More
  • Daylight Saving / After Eli
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    Young Adult Book Review: After Eli and Daylight Saving

     | Oct 09, 2012

    by Judith Hayn

    Hogan, Edward. Daylight Saving. Somerville, MA: Candlewick, 2012.

    Rupp, Rebecca. After Eli. Somerville, MA: Candlewick, 2012.

    Daylight SavingTwo teen boys both named Daniel struggle with loss, and two different stories chronicle the journeys. Daniel Lever is an overweight, troubled lad whose Dad forces him on a week long holiday at Leisure World. Daniel’s mother has left them for another man, and the son is convinced he caused the break-up when he reported seeing her with the family doctor. His depression has led to bursts of anger and defiance at home and school while Dad drinks himself into a nightly stupor. At the resort, Daniel meets Lexi, a girl whose inexplicable injuries worsen at each encounter as her watch ticks backward. Is she real or just another hallucination so Daniel can hide his self-hatred? The climax occurs as Daylight Saving adds another hour; the tension and sense of doom are almost visceral as the author leads us to redemption for Daniel and his parents.

    After Eli

    Daniel Anderson’s older brother Eli was killed in Iraq, and his death has ripped the family apart. His mother wallows in grief, seldom leaving the house while his dad demands more and more of Danny to replicate the success of the heroic son who is gone. Danny’s old life no longer makes much sense to him either; he compiles a Book of the Dead to force himself to look at others who died without much cause. He falls for a neighbor girl who is in town for the summer and befriends the high school dork Walter. His brief infatuation and new relationships threaten his status with the popular crowd at school, but somehow he moves on—aided by memories of Eli’s tutoring him in the art of living and surviving.

    Both books, although occurring in two different locations (Great Britain and the United States), are tributes to the resiliency of the human heart when faced with unbearable hurt.

    Dr. Judith A. Hayn is an associate professor at the University of Arkansas at Little Rock.

    This article is part of a series from the Special Interest Group Network on Adolescent Literature (SIGNAL).

    by Judith Hayn Hogan, Edward. Daylight Saving. Somerville, MA: Candlewick, 2012. Rupp, Rebecca. After Eli. Somerville, MA: Candlewick, 2012. Two teen boys both named Daniel struggle with loss, and two different stories chronicle the journeys....Read More
  • Dana Grisham and Jill Castek
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    TILE-SIG Feature: What the NAEP 2011 Writing Assessment Means for Technology Use in Schools

     | Oct 05, 2012
    Dana Grisham
    Jill Castek

    by Dana Grisham and Jill Castek

    Results of the 2011 National Assessment of Educational Progress (NAEP) computer-based writing assessment, administered to students in grades 8 and 12 throughout the United States, are now available. The NAEP assessments have occurred since 1969 and provide a reliable snapshot of educational progress in the U.S.

    The 2011 writing assessment is the first one that has used technology as part of the assessment. Because of this, new scales and achievement levels were established, which means the findings cannot be directly compared to past years’ results. Preliminary findings suggest however that students in 8th and 12th grades have a similar pattern of achievement as revealed in the past by pencil and paper tests. At both 8th and 12th grades, only about 24% of students assessed scored at the “proficient” level. About half the students scored at the “basic” achievement level.

    A Closer Look at the NAEP Writing Assessment

    The types of writing required of students on the NAEP assessment aligns with the Common Core State Standards and stresses the reinforcement of three writing capacities: persuasion, explanation, and conveying an experience. Scores on the NAEP assessment were based on six performance ratings and scored as “first drafts” rather than polished writing samples. The full set of ratings and results may be found in the report.

    Writing prompts were displayed on a computer screen divided vertically like the pages of a book (see figure 1). The left half contained the prompt with specific types of multimedia, including an audio prompt at 8th grade and a video prompt at the 12th grade. For 12th graders the technology was a little more sophisticated, as the prompt included video as well as audio. Adhering to the principles of Universal Design for Learning, there were a number of digital tools that students could elect to use as they word-processed their response. Students who used the tools available (cut/paste, text-to-speech, spell check, thesaurus) scored higher than students who did not use these tools.

    Figure 1. The 8th grade writing prompt included an audio file (on the left). On the right, students word processed their responses. Digital enhancements included the text-to-speech function, spell check features, and copy and paste, and thesaurus).

    Figure 1

    Implications

    For all educators, there is an urgent need to embrace technological tools for communication and composition in our homes and schools. Questionnaires were given to teachers of 8th grade students completing the NAEP writing assessment. The survey asked how frequently they had students using computers to write and revise drafts.Only 44% reported using technology regularly to further writing instruction. Students of these teachers scored higher than those whose teachers did not use technology as often in writing instruction. Both 8th and 12th grade students who said they used a computer more frequently to edit their writing scored higher than students who did not.

    Luckily, there are an increasing number of resources for learning about and using technological tools in the classroom. See for example, the Literacy Beat blog, Transforming writing instruction in the Digital Age: Techniques for Grades 5-12, and The Digital Writing Workshop.

    Recommendations

    Given the results of the NAEP writing assessment, we have ventured to suggest some recommendations for educators.

    Teachers need to:

    1. Find ways to incorporate technology into their classrooms with the tools (however limited) that they already have.

    2. Argue on behalf of technology, using the research evidence at hand—such as the 2011 NAEP Writing Assessment outcomes.

    3. Seek workshops and professional development opportunities to develop their own expertise in technology use.

    Administrators need to:

    1. Support teachers’ use of technology in the classroom.

    2. Argue at the district level on behalf of technology use.

    3. Seek workshops and professional development opportunities for themselves and their teaching staff.

    Teacher Educators need to:

    1. Work collaboratively within the university to distribute technological use across the teacher preparation programs instead of relying on  “Ed Tech” courses.

    2. Seek workshops on technology use for themselves.

    3. Where possible, seek student teaching placements for teacher candidates where technology is being used productively.

    Dr. Dana L. Grisham (dana.grisham@gmail.com) is Certified Core Adjunct Faculty of National University, is noted for her research on teaching, particularly the intersection of literacy and technology. Jill Castek (jill.castek@gmail.com) is a Research Assistant Professor at Portland State University working with the Literacy, Language, and Technology Research Group.

    This article is part of a series from the International Reading Association Technology in Literacy Education Special Interest Group (TILE-SIG).




    by Dana Grisham and Jill Castek Results of the 2011 National Assessment of Educational Progress (NAEP) computer-based writing assessment, administered to students in grades 8 and 12 throughout the United States, are now available. The NAEP...Read More
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    • In Other Words

    Reading, Not Rules

    by Annie Barrows
     | Oct 04, 2012
    I have problems with authority. Which is a pretty funny thing for an author to admit.

    I learned this about myself while I was writing IVY AND BEAN MAKE THE RULES, the latest installment in the Ivy and Bean series. It was a very difficult book for me to write, not because of the subject, which is childhood camp, or the storyline, which is about my girls, Ivy and Bean, setting up their own camp, but because—as I discovered—I am not mature enough to write a book about camp that doesn’t advocate total mayhem.

    It’s not rules that bother me. I adore rules. Rules of punctuation—love those! Rules of etiquette? Great! I am a big fan of rules of the road (How many miles per hour when crossing a railroad track? Fifteen!) and safety rules (Mostly). As a parent, I have rules galore, and as a child, I followed my parents’ rules on many, many occasions.

    What put me in a snit are rules dressed up as fun. Rules that organize, militate, and regiment fun, particularly kids’ fun, cause me to behave very badly. They always have. This is an enormous character flaw, because everyone knows that you can’t have a good game without rules. Where would baseball be without the Infield Fly Rule? Okay, that’s a bad example because I have no idea where baseball would be without the Infield Fly Rule.

    Let’s take card games, let’s take Scrabble, let’s take Monopoly. I can’t stand any of them. I was one of those kids who knocked over the board in the middle of the game because I couldn’t bear it any more. I used to rob the bank in Monopoly so the game would just END already. Nowhere do rules and fun coincide more oxymoronically than at camp. Every camp, from the three-weeks-of-fresh-air-and-dirt camps of my youth to the five-day, four-hundred-dollar Gourmet Groupies camps of today bill themselves as big fun. Maybe educational, but also fun. Fun, fun, fun! More fun than a barrel of monkeys! Just look at all the smiling kids in the brochure! You never saw so much fun in your life!

    And yet, once the kids actually get to the camp, there are lots and lots of rules. There are safety rules and instructions about how to do things. Usually, there are lots of group activities and everyone has to do them, plus tasks and clean-up, not to mention rousing songs that you’d better learn or you won’t get to participate.

    And I am inside my tent, plotting a revolution.

    Actually, I am not, because I never went to camp. (Also, I would hate a revolution. So noisy.)

    I never went to camp because, no matter what the grownups said, I knew that if I went, they’d make me follow rules. They’d make me join. They’d make me sing. They might even make me play games. I’d be part of the gang, part of the team, part of the big, happy family. Yuck.

    I refused. And what kind of wild, ungoverned behavior did I engage in while everyone else was in camp? I read. I read and read and read. Every once in a while, my mom would take the book out of my hand and tell me I had to run around the block, but that, thankfully, was rare.

    Reading, to me, was—and is—perfect freedom. Sure, there are a few rules: left to right, and you’ll probably get more out of it if you hold the book right side up. I can’t think of anything else. Once you know how to read, you don’t need an adult’s help to do it. You don’t have to negotiate with anyone. You get to find out stuff on your own. You get to have your own experience. You decide when to do it and when to stop doing it. It’s not competitive. There’s no show at the end. It is absolutely unlike camp.

    This is why I am an advocate of Free Reading, Drop Everything and Read, Sustained, Silent Reading, whatever you want to call it. I call it reading. More than anything else, I want reading to be a rule-free zone for kids. In my perfect world, kids would be able to read and run. They’d be able to read any book, at any lexile level, on any subject (okay, almost any subject) they desired. There would be no tests, no notes, no questions, no reading logs, and no response journals, nothing at all that regulated, militated, or organized the experience for them. Without all these mediations and interruptions, maybe reading would regain its status as a freedom, rather than a task, for kids.

    I bet you’re asking yourself why, if I am a reading liberationist, did I write a book about camp? Why, you ask, didn’t I write a book about reading? Well, I did. Of course, a book in which nobody does anything but read is going to be a tad dull, so I transplanted the act of interpretation, which is the essence of reading, to the subject of camp. Bean and Ivy, bless them, are giving their free-verse rendition of the idea of camp, with accompanying good times. Their version, Camp Flaming Arrow, is their reading of “camp,” and their reading of “camp rules” is the most glorious possible: none at all.

    Obviously, there are lots and lots of kids who have a great time at camp. They like being part of the gang, on the team, one big happy family. Ivy and Bean, being reasonable human beings, don’t want to change those kids. They don’t want to rain on anyone’s parade. They want to live and let live. That is the one rule they follow at their camp, and it’s the one that’s the hardest for all of us grownups to learn.

    Maybe there should be a camp for that.

    Annie Barrows is the author of the Ivy and Bean children’s series, which has sold over 2 million copies, as well as of THE MAGIC HALF. She is also the co-author, with her aunt, Mary Ann Shaffer, of THE GUERNSEY LITERARY AND POTATO PEEL PIE SOCIETY.

    © 2012 Annie Barrows. Photo: Annie Frantzeskos. Please do not reproduce in any form, electronic or otherwise.
    I have problems with authority. Which is a pretty funny thing for an author to admit. I learned this about myself while I was writing IVY AND BEAN MAKE THE RULES, the latest installment in the Ivy and Bean series. It was a very difficult book...Read More
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    QUIET! Teacher in Progress: Focus on the 'How'

    by Mrs. Mimi
     | Oct 03, 2012
    QUIET! TEACHER IN PROGRESS
    BY MRS. MIMI
    Oct 6, 2012
     
    Being a teacher means embracing constant change. Yet all too often, teachers are told when, how and why to change. In this monthly column, Mrs. Mimi takes on creating change for herself by rethinking old practices and redefining teaching on her own terms.

    This week marks the 30th anniversary of Banned Books Week!

    Okay, I’ll be honest with you. Banned Books Week wasn’t exactly on my calendar. But when a little birdie told me that my column was scheduled to appear right smack in the middle of this celebration, I turned to my friend and yours, Google.

    Banned Books Week celebrates the freedom to read what you choose and draws attention to the problem of censorship. I spent some time looking at lists of the top 100 most challenged titles from the last two decades. And you know what? I’ve read about half of them.

    What made me really stop and take notice was when I realized that one of the series books that I regularly read aloud to my little friends made the list: Junie B. Jones. Seriously? Did I miss the one where she joined a cult or something?

    Once again, I turned to my friend Google to see what was what. Evidently, people object to Junie’s incorrect grammar and impetuous nature. Um, hello? Isn’t that sort of the appeal of Junie? That she speaks in a way that is typical of many five year olds (it’s called voice, people) and has problems that a large number of young readers can relate to (like being impetuous). Personally, I know a lot of teachers don’t care for the series, but the idea of banning it from the library all together seems a bit extreme, don’t you think?

    Methinks there are some people out there with too much time and an anger problem.

    photo: nataliesap via photopin cc
    Regardless, the entire situation got me thinking about what we decide to read to our students and how we decide to read it. Do you know what I realized? It’s not so much the what as it is the how.

    Let me explain. I’m sure you’ve heard the words “text complexity” kicked around your school a time or two this year. With the introduction of the Common Core State Standards and its assertion that all students must engage with grade-level appropriate texts, we have become obsessed with the what. What are we going to read? What is considered grade-level appropriate? What is considered complex?

    Yet, I think the more important question is the how. How are we going to make these text selections work for all students? And, my personal favorite, how are we going to encourage students to become critical readers of text? How do we push our students to think critically about what is being said and what is not being said?

    You see, if we shift our focus to how we would like our students to interact with text regardless of its subject matter or complexity, then the what starts to matter less.

    Now, don’t get carried away here. Please do not run into your classrooms with 50 SHADES OF GREY screaming, “It’s the HOW that matters!” Because in that situation, I think the what may very well take center stage.

    Mrs. Mimi is a pseudonymous teacher who taught both first and second grades at a public elementary school in New York City. She's the author of IT'S NOT ALL FLOWERS AND SAUSAGES: MY ADVENTURES IN SECOND GRADE, which sprung from her popular blog of the same name. Mimi also has her doctorate in education from Teachers College, Columbia University.

    © 2012 Mrs. Mimi. Please do not reproduce in any form, electronic or otherwise.
    QUIET! TEACHER IN PROGRESS BY MRS. MIMI Oct 6, 2012   Being a teacher means embracing constant change. Yet all too often, teachers are told when, how and why to change. In this monthly column, Mrs. Mimi takes on creating change for herself...Read More
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