Literacy Now

Students come to us with a wide variety of background information and “knowns.” We can’t control what we get sent to us, but we can control what we do with it. There is no other grade responsible for the amount of growth that kindergartners are expected to make, there is also no other grade more misunderstood. Kindergarten is the best and worst of education today. To see a child make their first connection in a kindergarten classroom is unforgettable and “the best moment” can come in the form of writing their name, matching letters, determining rhymes or reading stories. It could also be a smile, an attempt, or a choice made carefully. Consequently, kindergarten is also littered with “the worst moments.” In today’s era of pacing guides and continuums developed to complete a set number of skills in a set number of meetings—regardless of developmental milestones—kindergarten teachers are faced with the ongoing internal debate of what is appropriate for 5-year-olds and what is expected. Regardless, we cannot use the excuse, “They can’t do it, they are just kindergartners.”

Seriously! Just kindergartners? What does that even mean? Are we just teachers? No, we are the most important people in the lives of school children and we can determine who they can become. Just kindergartners? Nothing makes me crazier than when teachers, administrators, and so-called specialists give the excuses for children not performing BEFORE they give the children the tools they need to achieve.

As a veteran kindergarten teacher, I presented a workshop on emergent writing at the Virginia State Reading Association Conference several years ago. The workshop offered attendees several methods for teaching writing, ideas for editing, lessons for mechanics, and rubrics for assessment. The key to teaching writing to emergent learners is the same as it is for teaching any other skill: strategic well-planned lessons with consistent modeling and ample practice. Using what they know (letters, letter/sound associations, word wall activities) takes away the fear of writing. They can be taught to rely on themselves and refrain from asking “how do you spell that?” Teaching the beginning basics of mechanics can be as easy as a song and practice. Using student friendly rubrics can provide students with the skills to self-correct and self-monitor their writing. I provided work samples and student products showing compositions of four, five, six sentences and more. I showed journals with concise stories containing a beginning, middle, and end and some even contained a surprise ending, demonstrated voice and used inspired word choices. After the presentation several attendees came up to talk about my ideas and see the student’s work samples up close. Many were taking pictures and asking questions. An administrator from a struggling school system came to me and started the conversation by saying, “I think you are lying.”

“Excuse me?” I was stunned and even confused.

“I don’t think these are kindergarten samples,” she continued.

“Excuse me,” I repeated. “Who are you?” I asked.

“I am ABC from XYZ Schools and kindergartners can’t do that. Writing isn’t tested in this state until fifth grade, so why would you start ‘teaching’ (she said with air quotes) kindergarten students to write. They can’t do it.”

Well, as you can imagine, I was taken aback. First, she had questioned my honesty, but most importantly, she had questioned my students. Not a good plan.

“You don’t know me and you don’t know my students, but these are, in fact, their products from good teaching. Don’t tell me kindergartners can’t do that! You may not have faith in kindergarten students, but if you teach them, they will write.”

This was the most blatant assault on my integrity I have ever encountered. But more importantly, she had doubted my students and that hurt. My students work hard every day and don’t doubt their ability. In fact, they don’t know failure is an option, because it isn’t. Lessons are carefully crafted with success in mind.

I offered the administrator an open invitation to my classroom. She was welcome any day and any time. She declined. When the conference was over, I emailed this administrator, again inviting her to my classroom. I told her I would put her name on the guest list through the end of school and I asked her to come unannounced. She did not return my email and she never visited.

 

Don’t tell me kindergartners can’t do that!

Giving kindergartners the tools, the practice, and the confidence to write will open their eyes to a new avenue of exploration. They will want to write stories. They will want to edit their writing to make it better. They will want to write to entertain, inform or persuade their audience. It is an achievable goal for everyone.

I tried to conduct myself as professionally as I could with her. But my internal conversation wasn’t so professional. I truly believe one of the biggest struggles of her school system is her. She didn’t believe in her teachers or the students in her system. How can students be expected to be successful on any writing test if they aren’t taught strategically and consistently from the earliest stages of learning? You can tell me the teachers aren’t educated on how to teach kindergarten students. You can tell me the school system isn’t providing adequate professional development on how to teach kindergarten students. You can even tell me your expectations for kindergarten students are set too low. But don’t tell me kindergartners can’t do that!

 

Cathy Collier is a reading specialist at Great Bridge Primary School in Chesapeake, Virginia with an additional 15 years as a kindergarten teacher. She has her B.S. in Special Education, a master’s degree in Special Education and a certified reading specialist. She is the immediate past president of the Virginia State Reading Association

photo credit: Jagrap via photopin cc

Each semester, when I announce to my students that they will be in writing groups, I see the same fearful eyes and frustrated faces.

I know that many of them have worked in writing groups in infrequent, sporadic ways and received feedback limited to grammar and surface-level comments. Because of this, they view peer editing only as a proofreading exercise and often do not trust their peers to provide meaningful feedback. Needless to say, writing groups are not always an easy sell to my students.

They were not always an easy sell to me either. In my secondary classroom, I had students “partner up” to read final drafts. Then, when I enrolled in an English education doctoral program, I was introduced to semester-long writing groups of three to four students in a pedagogy course required of first year composition instructors at the University of North Carolina at Chapel Hill.

This pedagogy course taught me how to value the insight of fellow writers who have vastly different backgrounds and interests. As the semester progressed, I realized the ways in which their feedback improved my work. The “partner up” activities I had my students do could have never led to the substantive revisions that the sustained, semester-long writing group did.

Through participating in a meaningful writing group in my pedagogy course and facilitating them in my own first year composition courses, I have come to value the power of writing groups and believe they can work from the primary to the secondary to the college writing classroom.

One aspect a lot of teachers question is how writers with different ability levels can help one another. But the truth is, writers can learn from both effective writers and ineffective writers. In addition, writers who do not have substantive content knowledge can still offer meaningful feedback. Lastly, writing groups emphasize the social aspect of writing.

Here are some simple strategies for how to incorporate writing groups into your writing classroom:

Start small. Don’t feel that you have to create year-long writing groups from the get-go. Try them out for a unit or one writing assignment that will go through many drafts. Solicit responses from your students and reflect on how it went. Make changes as you go forward.

Be random. One question that often arises is how to organize students into writing groups. Some instructors take inventories of their students and observe students during the first few class meetings so as to make writing group decisions. My writing group placements are mostly random, and I generally have three to four students in a group.

Model what soliciting effective feedback looks like. Effective feedback leads to substantive revision. Writers who ask meaningful questions to their peers often receive better feedback, which improves the quality of their writing. Not preparing students to solicit effective peer feedback minimizes the effects of feedback and often results in students doing simple grammar edits of each other’s papers. Ask students to create 2–3 specific questions before engaging in the peer editing sessions. These questions should not be “yes” or “no” questions.

photo credit: Room 216 via photopin cc

Model what effective feedback looks like. To prevent students from just providing comma edits, they need to be taught how to give effective, substantive feedback that will lead to revisions. After students are arranged in their writing groups, select a model paper and model how to answer a writer’s questions. Help students see how you provide solutions to problems in the writer’s piece so as to help the writer make more meaningful revisions. Participate in your students’ writing groups sometimes so as to model the types of conversations peers should be having with one another.  

Help students understand they do not need to take all feedback. Writers need ownership of their writing. Help students understand that they do not have to take all of the feedback that you or their peers provide. Design a minilesson around helping student writers find a balance between maintaining their own voices and ideas as writers and incorporating peers’ feedback.

Have students reflect on their feedback. Ask students to reflect on whose feedback they used and what kind of feedback was most helpful. Use these comments anonymously during a minilesson to help your students understand the kind of feedback that helps your community of writers.

Do not assess students’ drafts Even though I often provide students feedback in addition to their writing group members’ feedback, every once in a while I have the students peer edit their drafts without me looking at the drafts. Students are still tempted to take only what you say about their writing. So step aside during some writing workshops so as to help your students value their peers’ feedback and to show them that you value the feedback they provide to one another.
But perhaps the best ways to answer the whys and hows of writing groups is to participate in a writing group yourself. It was not until I participated in a sustained writing group that my own anxieties about the practice began to fade. Sharing your experiences in writing groups with your students will also give you credibility as you facilitate your students’ writing groups.

Kathryn Caprino (kcaprino@live.unc.edu) is a Ph.D. candidate in Education at the University of North Carolina at Chapel Hill. Her research interests are English education, writing pedagogy, technology in the secondary English classroom, and young adult literature. She teaches an English methods course and has taught first year composition. She has also been a teaching assistant in a children's/young adult literature and middle grades methods course. She supervises student teachers and is the social media coordinator for the Adolescent Literacy Alliance adolescentliteracyalliance.ning.com.

I will be forever grateful to Danny Dog for motivating many of my first grade friends to want to read and write.

The Danny series, published by MaryRuth Books, was one of the best investments our district purchased as an intervention/motivating choice for my first grade classroom library. When I saw these books at the 2013 IRA conference in San Antonio I knew I needed them. At the time I had no idea what kind of lifelong impact these books (and Danny) would have on my heart.

A little background: The Danny books are written by Mia Coulton, a former reading recovery teacher. These books are filled with real pictures of Danny and his friend Bee, and tell of their many adventures. The full-color photographs work with appropriately spaced text to enhance word recognition for emerging readers. Each book uses high frequency words and natural oral language—making it a top choice of reading specialists and their students. Who couldn’t resist the silly antics of Danny,a beautiful yellow lab?

I started the year off with Danny songs, shared Danny read-alouds, Danny interactive writing, big Danny reading charts, etc. I decided Danny would be my beginning of the year theme. I had leveled Danny books from A-H so all students could have a chance to share in our Danny discussion. Everyone fell in love with Danny, especially some of my most struggling readers. They found they could be successful reading and writing about these books.

I also decided to purchase the Danny stuffed dog. He was a very popular friend to read with at read to someone time. We all took turns getting to read with our stuffed Danny. Kids were so motivated and engaged with these books that many kids did not want to stop as we would end our reader’s workshop.

One of my most at-risk students—socially, emotionally, behaviorally, and academically—due to family adversity clung on to our Danny stuffed animal like a lifeline. She couldn’t believe the stuffed Danny Dog was the same Danny in the books from which she was learning to read. She was at a Pre-A level at the beginning of the year and struggled to write her name. She was in a sight word intervention, as well as a letter naming and sounds intervention, and everyday she read Danny books in a small guided skill group as well as receiving one on one reading time. One of her interventions was to have a para pro just sit and read to her. Her book box was filled with Danny books and she even had a Danny writing journal. This student’s courage and resilience was beyond belief and inspired me to continue on the Danny path.

She was finding great success in reading the Danny books and by the middle of the year she had moved up to a level F. She was able to write about Danny and could express herself through pictures and words. She was always at the area where the Danny Books were kept. I kept them near my small table area so that I could always easily access them to add to student’s book boxes.

I attended a conference for three days in January and when I returned my little friend called me over and said she needed to tell me something important. I have taught my students that if there is something in the classroom that they feel like they need, they can’t just take it because that would be like stealing. Instead they need to just ask me to borrow it and I will let them and then they can return it. Well, my little friend said, “Mrs. Duncan while you were gone I had to borrow Danny because I needed a friend at home. I brought him back and he is fine.” I was so proud of her and so thankful to have something in the classroom that she considered a friend that could make her feel safe and secure at home.

Every day she grew more confident as a reader and writer. She was going through some rough times at home and what normally would have been acting out at school turned in to wanting to read more Danny books.

I was very sad to find out that this friend would be moving. She was very sad to leave us, too. She was also worried about leaving Danny and all of the wonderful Danny books behind. I knew the moment she told me she was going to miss Danny that I would be giving her our stuffed Danny to take with her. I will never in my life forget the look of awe and thankfulness in her eyes when I told her she would be taking Danny with her to keep forever!

We secretly slipped Danny in to her backpack at the end of the day. She asked if she could take some Danny books with her when she moved. I already had them in a baggie with a special note. She hugged me so tight and thanked me the most sincere, heartfelt thank you I have ever felt. I had to fight back the tears. I smiled and said,“Danny will be there to always remind you what a smart, beautiful reader and writer you, and that you have a teacher who loves you and is very proud of you!” Danny truly helped lay a foundation of reading and writing for this courageous and resilient little friend.

I was so touched by the power of this reading intervention that I called MaryRuth Books to share the entire story. I thanked them for sharing their beautiful yellow lab, and their reading recovery expertise. A few days after my phone call with MaryRuth Books, I received a box from them in our office. I immediately opened it and there was a new stuffed Danny Dog, ready to read and make a difference to motivate my eager, first grade friends.

 

JoAnne Duncan (jduncan@eburg.wednet.edu) received her master’s degree in elementary reading and literacy from Walden University. She teaches first grade at Mt. Stuart Elementary School in Ellensburg, WA. She is an advocate of best literacy practice for students and teachers, which includes using a workshop model to help differentiate instruction.

After recently finishing another round of standardized testing, as well as too many district-required assessments that mimic the standardized tests, I am inclined to look for additional ways to make assessments more meaningful and engaging for my students. Why? Because I struggle to watch some of my students sit through a multiple-choice test. Some of my students come to school after witnessing horrific crimes, after not eating breakfast, after engaging in fights (at home or on the street), and I have to get them to concentrate on—let’s just say it—a boring test that lasts way too long.

I never cared about those tests growing up. I specifically remember putting effort into maybe the first five questions on standardized tests and then bubbling in whatever because I just didn’t care. It wasn’t relevant to me.

Zoning out didn’t mean I didn’t understand what I learned or read—it just meant I didn’t care enough to pay attention. Daydreaming was just so much better. That being said, if I was assigned a project in grade school, I couldn’t STOP thinking about how I was going to make my project the best. Most of us can remember those projects where we pretended to be a president, or designed a commercial (basically what we would now call “performance tasks” minus a few of the critical elements).

Performance tasks seem to present problems for multiple reasons, including the time it takes to create one as well as design a rubric to match. There are also a lot of rules to designing performance tasks. And engaging performance tasks seem even harder to design for reading. I also need buy-in from my grade-level team so that we can look at the data and use it to guide further instruction.

Yet, even with all these obstacles, we must push on in order to gain meaningful data from our students.

So do you have to reinvent the wheel? No! Use the resources you have and think outside the box! Think of all the activities you create in the classroom and tweak them. For example, I recently read “Brain Powered Strategies to Engage All Learners” by LaVonna Roth. This book is full of strategies designed to engage the learner by reinforcing connections between the student and the subject matter without a worksheet.

After utilizing these strategies in my classroom, I began to adapt some of the activities into assessments. One strategy in particular I love to use as a form of assessment is called “That’s a Wrap.” In this strategy, students create their own study guide through a process that mimics an interview. My students were given an article from Scholastic’s about the new water slide opening in Kansas City, called Verrückt (German for “crazy”). After reading the article, students had to write down questions they had about the waterslide.

Little did they know they all had very similar questions, validating that their questions were probably important ones: Is this ride safe? What if the riders fall out? Can they go down without a raft? How tall is it? Even crazier is that all of the questions they asked were answered in the text but after one read they weren’t picking up on those important details.

I typed up all of the students’ questions and told them their task. Students were going to pretend to work at this park and be interviewed by the local media regarding the opening of this new water slide. They had to be prepared to answer the reporter’s open-ended questions. They needed supporting details to justifythe important points they were going to make. Where would the answers come from? The text, of course.

The possibilities here are really endless. You can tie in criteria for research and technology and encourage students to find videos and more articles related to the topic. This task could include speaking and listening standards as well as be used for almost any topic in all content areas. Imagine interviewing a hurricane for science! Another option: rather than have students create or fill in a timeline of someone’s life, they could be interviewed and discuss those moments in chronological order with an interviewer.

Here are some additional ideas for using performance tasks in the classroom:

• Ask students to create a restaurant menu for pets based on information they read in an article related to pet food. Have them create menu items based on a specific animal’s diet.This will show you that students are able to compare and contrast the diet of certain animals through the organization of their menu and whether or not they understood what they read.
• Invite students to create a Facebook page (using a template—there are tons of free options online!) for a book character, well-known historical figure, or a person in current events. Students could be required to read multiple sources of text and even watch videos.Depending on your teaching focus, examples of the criteria could be the following.
  • Include four written status updates that represent how the character’s feelings change throughout the story.
  • Include the character’s hometown.
  • Include two status updates for setting changes.
  • Include four friends of the character.List two people who were declined a friend request. (A writing piece could be added by having students provide a rationale for their friend choices and those who were denied.)

Wiggins and McTighe offer a great tool to assist in the creation of performance tasks in their book, “Understanding By Design,” using the acronym GRASPS (Goal, Role, Audience, Situation, Performance and Standards.) Here are some important things to remember as we design performance tasks:

• A performance task usually involves presenting students with a real life problem, where they develop a product or perform for an identified audience (real or simulated).
• Tasks should be relevant, relatable, and developmentally appropriate to the grade level and student.
• Engaging does NOT always mean it is effective.
• Teachers must set the learning outcomes first and be clear about the intended performance results!
• Think: what is the evidence we need to measure a student’s understanding?
• Collaborate with other teachers! We learn most from each other, so open up those doors and start talking to one another.
• Use the Internet to take advantage of so many great ideas already online. Check out Pinterest, TeachersPayTeachers, Facebook pages, and blogs.You may just find an idea you want to tweak.

In order for anyone to want to do anything, it has to hold value. Assessments must be meaningful as well. It’s hard for students to find little, if any, value in our standardized tests these days because the meaning lies within comparing schools, districts and states, as well as holding teachers accountable. But where is the value for the student? Where is the connection for the students? We want them to be creative, collaborative, and able to communicate. Bubbling in answers doesn’t allow for any of that.It’s not the content of these traditional tests that is bad; it’s the form and authenticity of them.

This is something we can change in our classrooms. As teachers, we have the power to make our students’ faces light up. We have the power to make their creativity come alive. We have the power to help them understand what real learning and problem solving looks like in the real world.

We are teachers. We not only have the power to make these changes, we have the tremendous responsibility to do so—and fast.

Karen Jackson is a third grade teacher in Tampa, Florida. She has been a classroom teacher for over 12 years. She holds a Master’s Degree in curriculum, instruction and assessment. She is a professional development writer and trainer and owns an educational resource company that supplies resources and professional development for teachers around the country. You can find Karen at www.sharpenyoungminds.org.

If you're a fan of Reading Today Online, you will recognize this name. Barbara Ward has been coordinating the weekly K-12 book reviews from the International Reading Association's Children's Literature and Reading Special Interest Group (CL/R SIG) for about three years. In this Member of the Month interview, we learn about Barbara's path from a journalist to a middle grades educator to a professor, from Tennessee to New Orleans to Washington State, all the time reading and sharing a love of literacy with those around her. 

You're quite a bibliophile. Describe your relationship to reading. 

I’m an avid, passionate, daily reader. If I’m not reading something for pleasure each day, I actually start to feel grouchy. My eyes and brain crave that form of mental and physical exercise.

How did you begin your career, and what led you to your current position?

I have been a reader, writer, and actress pretty much all of my life. Since I grew up on a farm in East Tennessee, I didn’t have a lot of playmates other than my younger brother, Mike, during my formative years. I loved where I lived with all those woods and pine trees, and my parents encouraged me to fill my time doing the things I enjoyed. I discovered characters that were similar to me in the books I read while also learning about experiences foreign to me. Reading and writing took me to different places, places far beyond those lovely mountains that surrounded me, and I dreamed of seeing what was on the other side of them once I grew up. I always knew that I would be a writer someday, and my first career in journalism allowed me to accomplish that dream. My second career as a middle grades language arts teacher in New Orleans gave me the opportunity to share my passion for literacy with youngsters who had no idea that they could get lost—or found—in a book. Teaching, whether as an eighth grade teacher or as a university professor, lets me build community, and rekindle the love for reading and writing in my students. I affectionately call them “born-again readers” because that is exactly what they are—readers who have lost the way and no longer enjoy reading. I blame the current focus on high-stakes testing and the use of reading programs that require students to regurgitate trivial facts rather than encouraging deep discussion and exploration of those important ideas and big questions that good books can raise. I also think that there are many purposes for reading. Reading for enjoyment or relaxation is usually a different experience than reading for information or for test items.

Although I loved teaching middle grades and high school in New Orleans, I always knew that I wanted to teach at a university at some point. I thought that the methods and passion for literacy that I shared with my students might transfer well to a university setting. When Hurricane Katrina destroyed my home and all my possessions in August 2005, Dr. April Whatley Bedford, one of my doctoral committee members, shared my dramatic survival story with Dr. Terrell Young at Washington State University, and he helped bring me to Washington State University to teach literacy courses in Tri-Cities, the branch campus, and later, in Pullman, the main campus. It’s interesting how connections influence where we end up working.

What are you reading (personal, professional, or even children's/YA)?

As you know, I’m always reading. My list of books from last year consisted of 1,476 titles. It was a great reading year. I like to read several books at the same time since I feel rather depressed when a book comes to the end, and the characters I have come to care about are no longer part of my life. If I have several reading relationships going on at the same time, I can stave off the depression. I’m reading Lies My Girlfriend Told Me by Julie Ann Peters and Reign of Error by Diane Ravitch, and I’m wading through a nice stack of picture books. I just finished Peter Brown’s My Teacher Is a Monster! and hooted all the way through. My passion is young adult literature, probably because I relate so strongly to the characters and their experiences. I jokingly tell my students that I am probably thirteen emotionally.

You have been the CL/R SIG president for several years. How did your interest in children's literature develop?

Books have always provided me with the answers I seek about life’s mysteries and offer me hope. Children’s literature is simply amazing because today’s writers are tackling tough and important issues and telling stories that have often been left out of history books. To be succinct, these are the books that speak most powerfully to me and provide an accessible way to raise questions about important issues or themes that matter to me. For instance, Eve Bunting’s Fly Away Home and Barbara O’Connor’s How to Steal a Dog challenge assumptions about homelessness. I can’t think of an issue that can’t be addressed in some way through a picture book or chapter book.

What is your favorite theme for the CL/R SIG's book reviews on Reading Today Online?

I love many of the themes used in our weekly book reviews, but my favorite one has to be “Books That Make Us Linger.” There are thousands of books published each year, and while each one of them has someone who enjoys reading it, I am drawn to those rare books that stay with me long after I reach the final page. It could be that I want to linger with a book because of how it ends or because I have fallen in love with a character or because the author has raised issues that I know I will need to continue to explore. As a writer, I relish the idea that something I have written stays with a reader for a while, maybe even returning to haunt him/her days, weeks or years later. I prefer books that make me think and don’t offer me all the answers. If an author leaves me pondering questions or wondering about what I might do or trying to resolve complicated issues, then I am happy.

Are there any stellar new books that you'd recommend to students (and teachers) who don't like the "classics" traditionally used in classrooms?

My list of favorites would be far too long for this column. The CL/R SIG provides weekly reviews centered around one theme each week that offer recently-published titles that teachers may want to read and/or share with their students. While I love much of the classic children’s literature that I read as a child and know it has a place in today’s classrooms, I would encourage teachers to branch out and read books that are hot off the press as well. I once thought that everyone needed to read the same books for class discussions, but now I like to choose a theme and offer my students several choices of books dealing with that theme. For instance, we may explore through reading “What Are the Many Ways to Love?” or “How Is Disability Explored in Children’s Books?” and my students choose from six or seven books for that week. When they come to class having read different books, their definitions of disability or culture, for instance, have expanded greatly, and the subsequent class discussion allows their definitions to expand even more. That’s a powerful, life-changing experience.

What are your favorite lessons to connect literature with reading and writing skills?

I love to use mentor texts so that my students learn to read like writers. By examining the craft of writing through published books, they learn to recognize good writing and try similar writing techniques for themselves. I also love to use what my colleague and former CL/R SIG president Carolyn Angus calls “Perfect Pairs.” I like to identify two books dealing with the same theme or topic and have my students read both books and then critique them. What do they notice about each book or how the author approaches the topic? What does one book include or omit that the other one does not?

What do you consider to be your proudest career moment?

I’ve had many great moments—and hope to have a few more. Receiving my doctorate was a great achievement since I went back to school for that advanced degree late in life. I loved every moment of my doctoral journey and worked with some terrific professors, including Dr. Patricia Austin and Dr. Wilma Longstreet of the University of New Orleans. I am proud to have received the Celebrate Literacy Award from the Washington Organization for Reading Development as recognition of my passion for literacy. I was honored to receive the Excellence in Teaching Award from the WSU College of Education and have a lovely plaque attesting to that award on my office wall. Finally, I am thrilled whenever I receive a card or email from one of my students thanking me for teaching them and helping them fall in love with reading again. Just the other day I had an email from a student that I taught fifteen years ago when I was in New Orleans. She thanked me for teaching lessons that mattered to her, lessons that are still with her, and relying on class discussions to tackle issues. I was blown away—and you can bet that I kept that email. My office door at WSU is covered with cards, letters, and photos that attest to how I have made a difference in my students’ lives. It is very humbling. 

What do you believe is the biggest challenge in literacy education today?

I worry that for many students today reading as a chore and not something that can be pleasurable. Reading really should be the love of a lifetime, and I hope that more individuals will come to realize that the romance between readers and the texts they choose need never wane.

How long have you been a member of IRA? How has membership influenced your career?

I’ve been an IRA member for 13 years. Being a member keeps me aware of current research and teaching practices, and it has given me the chance to expand my intellectual horizons. I love the publications and enjoy the conferences. In fact, I’ve met many dear friends through IRA, including Dr. Deanna Day, Dr. Nancy Hadaway, and Karen Hildebrand.

What do you like to do when you're not wearing your educator hat?

I think I’m always wearing that educator hat and suggesting books and teaching strategies to everyone I meet. But I love to travel and chat with friends. I waste a lot of time online too, searching for stories about strange happenings.

What's the best advice you could offer someone new to the profession?

You may find your “tribe” or the group of individuals with whom you connect most strongly through professional organizations such as IRA. Make the most of those opportunities, and don’t be afraid to share what matters to you with others. Make reading a daily habit. Becoming a reader is not negotiable, and we teachers must be reading and writing models for our own students. Above all, develop a sense of humor, and don’t take yourself so seriously all the time.