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  • Students’ interest in reading starts with less teacher control. I can teach reading, I can guide reading, and I can offer opportunities to read in the classroom. I cannot control or take possession of my students’ reading lives.
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    • In Other Words

    Losing Control to Gain Readers

    by Justin Stygles
     | Mar 06, 2014

    As I look back on my reading life, I was lucky. For some reason, I possessed a natural ability to read. (Have you read research on this argument? Some people are natural readers?) However, I read about as often as I saved my paper route money. Yet, for some reason, I was in the highest reading group. Essentially, I owned my reading life from the start. Do our students?

    As a teacher, I see many readers are learning to read and they have to work at it. This is dangerous ground, truth be told. As some students have to learn to read, watching other readers read seemingly naturally is very frustrating. Confining these learning readers, I have found, only disenfranchises them more. So, I release control, sort of.

    Students’ interest in reading starts with less teacher control. I can teach reading, I can guide reading, and I can offer opportunities to read in the classroom. I cannot control or take possession of my students’ reading lives.

    So, I let students manage their reading. Of course, they need to learn how to manage their lives and they need to learn to be sensible about their reading. Creating and modeling such boundaries is important to their success. Read for 30 minutes a night is a rule, a dictation, not a boundary. Aim to read a chapter book a week or 40 books a year is a boundary that can be surpassed with praise and acclamation.

    p: CarbonNYC via photopin

    First, I invite students to explore books they have no interest in. There is always an instructional decision behind the choice and typically I try to gear the book choice to their needs and potential interests. For instance, just because Jack likes hockey, that doesn't mean he likes Matt Christopher books on hockey. Actually, in class, we try to locate themes, conflicts, and life issues that students are interested in.

    Jack, again, likes hockey, but hockey doesn't define him. Actually, Jack lacks confidence. He always starts new books and never sticks with one. I offer him “Rump” by Liesl Shurtliff. Turns out he loves the book, but won't tell anyone why. And it’s not because the book is a favorite genre, fantasy. That's a secret Jack and I have together. Now, he is interested in reading. He tries to be everyone's friend. As the classroom teacher, the manager of the curriculum, I have to make choices. Students don't often like it, but they understand my stance. Why?

    Second, independent reading is really theirs. It's their choice and they have the freedom to move about the cabin, err, the classroom library. I don't assign them books unless there is a reason. There will be a literature circle or guided reading for that purpose (which is often tied to discovering new interests). Again, freedom is not free reign, I am still monitoring their choices. This, of course, eliminates levels. My kids ARE NOT going to the book store to ask staff for a book at their level.

    I model and raise these readers to make choices: What do I want to learn about? What's something I haven't tried yet? Tanya said that book was great, I think I'll try it. If Janice wants to read seventeen “Who Was...” books over the next two months (about a book every two days) who am I to stop her? I know the books are “2nd-3rd grade level,” but there is a reason she is interested in those books and how much will you wager, that leads her to other, more complex biographies or other non-fiction text on that person or topic? Independent reading cannot be dictated by a level. That is like turning a horse out in a box stall and calling it a pasture. There is no room to move.

    However, there are safe boundaries to institute as well. I need students to explore themselves and their reading lives within reason. Like my sixth graders who read “Twilight.” Just because it's in the book order or that the two guys are “hot” doesn't mean the book is good for right now.

    I read “Slow Getting Up” by Nate Anderson when school started. I loved the book and told my students why I read it. Now, my football adoring students wanted to read the book because they were interested in football. The “level” of the book was not challenging, but they were NOT going to read this book. The premise was football, but the frequent adult themes, activities, and “locker room” talk were not appropriate for my students. Instead, I handed the book off to other teachers to model how I share reading ideas with people my age. You would not ask a child learning to ride a bike to ride down a rocky hill, even though they may want to. Rather, we have to teach them how to handle their bikes and have the right tools available, so when they mature into riding down rocky hills, they can.

    Students in my class learn to read what they can manage. We do this, sometimes, with a mathematical formula. For example, students might sit down and read “Wake Up Missing” by Kate Messner. I ask them to keep a few boundaries in mind: What would it take to finish the book inside a week?

    If their response is, I can't finish the book in a week, a conference might be in store to discuss book selection or support their personal reading management.

    “Wake Up Missing” is 264 pages. If you follow the “minute-per-page” guideline, the book should take 264 minutes, or 4 ½ hours. (If you're a “thinking” reader, like me, which is a different story, you might go two minutes per page, for a total of 9 hours.)

    If students are genuinely reading 30 minutes a night (which, by the way, is well-below research based norms) the book should be done in nine days. While that is not a week, nine days is OK.

    But that means nine straight days? What about a day off from reading. (Truthfully, students think they have to read every night, which twists its way around to not reading at all, because they “have to read tomorrow night anyways.”)

    A night off is a reason to manage a reading life. Reading nine days in a row is perfectly unreasonable. The idea of not reading should not be punitive.

    Going back to “Wake Up Missing,” I try to guide students to read the book five days over the week. That, at most, is an hour a night, something sixth-grade readers should be doing anyway at this level.

    If the book winds up going nine days because the student read for an hour every night and really delved into the thinking aspect, there is no reason to be upset with reading a book in nine days. The reader has to play with this cycle and I need to be present to mentor them. This mentoring is often not found in the level of the book, but in learning how to be a reader.

    Often, I see readers switch to a “lower-level” book after this to read a book in less time or just to read something simple.

    As an adult, have you ever done that? I have. I call it a newspaper, magazine, or a book of interest—rock 'n roll bios or horse racing books.

    The truth is, if “Wake Up Missing”can be read in somewhere around a week and the student finds the appropriate time to make reading possible, the student has discovered one way to regulate their reading lives at their level. This ability, sense, judgment is not acquired instantly. Rather, significant time in conferring and mini-lessons is required to model and provide feedback to the readers.

    Flaws in this method exist, but it’s a lot better than telling a student what book they should read, when they should read it, and what they have to know from it.

    I have to trust my readers to read, take risks, and make mistakes.

    The premise is that in the intermediate grades (4-6) there is no longer a race through levels (to meet grade level benchmarks, etc.), but a necessity to incubate within a level. Forget levels. Maturing readers just need to be nurtured and swaddled in reading. We did not race our infants to walk, why do turn reading into a race?

    The bottom line: mold the readers, but give them reasonable boundaries to work with, allow them to move through the ebb and flow that is reading. In the end, the more you tell a reader what, where, and how to read, the less they will read and the less they will know about themselves as a reader. We have to learn through experimenting, and reading in grades 4-6 offers us this laboratory.

    Come see Justin Stygles present “Close Reading and Critical Literacy: Song Lyrics—The Ultimate Teachable Moment, Grades 4–8” and take part in “Advisory Committee of Teachers (ACT) - CCSS: Integrating New Standards into the Classroom and Comparing Approaches in Ireland” at IRA’s 59th Annual Convention, May 9-12, 2014, in New Orleans, Louisiana. 

    Justin Stygles on Reading Today OnlineJustin Stygles is a Grade 5/6 ELA/humanities teacher. He is currently writing a book with Corwin Literacy. Justin recently became a National Board Certified Teacher.
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  • I recently attended a technology conference and learned about Lucidpress.com. Lucidpress is a free, web based publisher that includes a variety of artistic, user friendly templates that when completed can be saved to Google Drive.
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    • Teaching Tips

    Publish Student Writing with Flippable eBooks

    by Stephanie Laird
     | Mar 04, 2014

    Two years ago my building implemented a one-to-one technology initiative, giving kindergarten through fifth grade students their own iPad or MacBook. With this new technology in the classroom, I am always on the lookout for new ways for students to publish their writings digitally. 

    I recently attended a technology conference and learned about Lucidpress.com. Lucidpress is a free, web based publisher that includes a variety of artistic, user friendly templates that when completed can be saved to Google Drive.

    Flipbook on Reading Today Online

    Signing up for teachers and students is easy! Simply go to Lucidpress and enter your name and email address. If your district is a Google Apps for Education district, students can click the “Sign up with Google” button. If your students do not have their own email addresses, they can use the Gmail +1 trick to sign in. Once logged in, click “Create” and choose “Document.” From there, students can choose from over thirty digital templates to find the best fit to support their writing.

    My students enjoy using the newspaper and book templates to assemble their writings. Some students choose to type on the template the entire time, while others opt to type in Google Drive and then paste their work on the template. No matter which drafting option they choose, students find the process easy to accomplish and gratifying.

    Lucidpress templates on Reading Today OnlineOnce the Lucidpress templates are completed and saved as a PDF, students can log into another free website, FlipSnack.com, which transforms PDFs, and other files, into flipping eBooks. These eBooks can then be embedded in the students’ online portfolios as a way to document their accomplishment and growth.

    The possibilities of digitally publishing student work using Lucidpress and FlipSnack are endless. Whether you are looking for a web based platform for students to publish their work, or a unique way to transform the typical typed student work into a flipping eBook, I encourage you to check out these digital publishing tools.

    Stephanie Laird on Reading Today OnlineStephanie Laird is a Title 1 teacher at Southeast Polk Community School District.
     
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  • Louisiana Reading Association President Shanne Bowie shares her inspirations and proudest moments, and is excited to welcome thousands of colleagues to New Orleans in May.
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    • Teaching Tips

    March Member of the Month: Shanne Bowie

    by Sara Long
     | Mar 03, 2014

    Shanne BowieYou may recognize International Reading Association (IRA) member Shanne Bowie from the February/March issue of “Reading Today” in which she and Gerri Settoon wrote a lovely piece welcoming colleagues to Louisiana for the IRA Annual Conference in May. Bowie is the current President of the Louisiana Reading Association and a longtime elementary school teacher. In this “Reading Today” interview, she shares her inspirations, proudest moments, and what refreshes and renews her spirit.

    When did you know you wanted to become a teacher?

    I wanted to become a teacher in Kindergarten when Mrs. Frasier read to me while I sat on her lap. Later in high school, I wanted to become a teacher because I thought they got summer vacations. My first year to teach, I knew I wanted to become a teacher when my sixth grade student didn't want to leave my room on the last day, and she tearfully said, "No one will ever care about me like you." I knew then, I wanted to become a teacher.

    Did any children's literature influence your decision to become a literacy educator?

    I loved Hans Christian Anderson's tales as a very young child. I would make up my own tales to tell my sister. Later, I was fascinated by Caddie Woodlawn, a story of a frontier girl. I loved it because she was a tomboy just like me. I promised myself when I became a teacher, I would read Caddie Woodlawn every year, and I have done so for the last 28 years.

    How did you begin your career, and what led you to your current position?

    I began my career in a sixth grade classroom, but my heart was really in the lower grades where I have spent most of my time as an educator. I came to my current position the year after I completed National Board certification. My school is known for its literacy emphasis and deep commitment to helping children learn to read and write well. I knew it was the place for me.

    Shanne BowieWhat can literacy educators do to motivate kids to want to read?

    I believe the most important way to motivate kids to read is by modeling reading. Show them reading is fun by reading books you love to them. When children see a teacher's love for the written word it opens a door to a world of which every child can be a part. The teacher can then get down to the basics of what the child needs to be able to read a good book with fluency.

    Which professional development books have you found influential in your education?

    I come home from an IRA conference with several new reads. Staying abreast of best practices, latest research, and cutting-edge techniques is key to continued professional development for me. “The CAFE Book: Engaging All Students in Daily Literacy Assessment and Instruction” by Gail Boushey and Joan Moser validated for me a teaching style I already used, but they modeled a way to organize the literacy block that was easily implemented. Their techniques really release the power of personal reading growth to the students. I recently read “Text Complexity: Raising Rigor in Reading” by Douglas Fisher, Nancy Frey, and Diane Lapp in a professional book study. The authors focus on instruction and assessment of complex texts through close readings and complex discussions. I'm currently reading “Notice and Note” by Kylene Beers and Robert Probst. IRA's website has a wonderful resources section with recommended reads.

    How long have you been a member of the International Reading Association?

    10 years. I learned about IRA from another teacher. She encouraged me to join. After I attended my first conference, I was hooked.

    How has membership influenced your career?

    The professional growth experiences I have received through my IRA membership are without measure. I have never attended a conference that I didn't return with techniques to implement, professional and children's books to read, new professional contacts, and a renewed commitment to my profession. IRA's website has a wealth of resources to access daily. Check it out!

    What are you looking forward to doing at the Annual Conference in New Orleans?

    I am looking forward to networking with other professionals and hearing the "rock stars" of education that IRA always provides at conferences. I know I will leave New Orleans motivated and energized to teach children at my school. I won't forget to enjoy some delicious food and culture of the historic city of New Orleans either.

    What do you consider to be your proudest career moment?

    The day I became a National Board teacher was pretty up there, but my proudest moment in my career so far was when I was a new teacher and Clinton, a struggling reader, read fluently for the first time. He smiled, and I cried.

    What do you like to do when you're not wearing your educator hat?

    When I'm not wearing my educator hat, I travel quite a bit. I recently went to a bookstore in Lyon, France. I quickly had to find the English section. I also read and write for fun!

    What's the best advice you could offer someone new to the profession?

    I would advise new teachers to find a professional teacher/mentor who is devoted to children. I would encourage them to attend professional conferences like the International Reading Association conference. They should be a part of their local reading council, too. I would invite new teachers to read professional books. Finally, I would tell them to allow relaxation time to refresh and renew their spirit, so they can return to school energized and ready to teach children to read and write well.

    Sara Long is an editor/content manager at the International Reading Association.

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  • As long-time teachers, we recognize the power of reading. We know that reading is absolutely essential to people’s success both in and out of school. But sometimes we worry that the power of reading obscures its pleasure...
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    • In Other Words

    Making Reading Pleasure More Central to Our Practice

    by Jeffrey Wilhelm & Michael Smith
     | Feb 27, 2014

    As long-time teachers, we recognize the power of reading. We know that reading is absolutely essential to people’s success both in and out of school. But sometimes we worry that the power of reading obscures its pleasure, at least in public policy discussions. That’s why we undertook a study of the nature and variety of the pleasure young people take in their out-of school reading, especially their reading of texts that are often marginalized by schools: romances, vampire stories, horror, dystopias, and fantasy.

    p: Leonie Vienna via photopin

    What we found was that young people were amazingly articulate about the playful pleasure they derived from entering a story world; the pleasure that stemmed from using their reading to do inner work, that is, to think about the kind of person they wanted to become; the intellectual pleasure of figuring out the puzzles texts provided; and the social pleasure they derived from using their reading to connect with others.

    And they were equally articulate about why pleasure should be central to teachers’ practice. Here’s Bennie talking about her beloved Harry Potter books:

    Teachers should read these books. If you can grab kids with what already excites them, then you are on the way. I never understood why school picks the books that they do except that they are important—but they are not as relatable to us. And as a direct result kids weren’t into it and it was all like pulling teeth. Start with what kids are already excited about. You can teach the same lessons and build the same skills and have more willing participants.

    Think of the implications: What would happen if we resolved to follow Bennie’s suggestion and to make pleasure a primary concern in our instructional planning? We think that the implications of this resolution are enormous. One implication is that we would have to be mindful of the variety of pleasures that readers can take from their reading and not privilege intellectual pleasures—the enjoyment taken from figuring out how things work, the characteristic province of school.

    To be sure, the participants in our study took pleasure in making thematic generalizations, in figuring out metaphors, in carefully analyzing the aesthetic choices an author makes, in making subtle distinctions among related genres, intellectual pleasures all. But we also saw the pleasures of entering a story world and living through a character’s actions, of trying on a character’s perspectives and thinking about what it might mean for how one wants to live, of sharing one’s reading with friends. We should choose texts and provide instructional environments and supports that promote this variety of pleasure (or let our students choose those books and provide ways for them to share these pleasures with each other).     

    Another implication would be to work to expand the range of texts in which students can take pleasure, taking care as we do so to teach in a way to engage students in experiencing the pleasure of texts that they might not select on their own while recognizing that it might not be easily forthcoming. Let’s think about what our resolution might say about selecting texts. Student choice is safer than teacher choice. Variety is safer than similarity.

    We are not calling for eliminating the study of classic or challenging contemporary literature. Our respondents talked on occasion about how they took pleasure from such texts. What we are calling for is embedding the teaching of those texts in contexts that foster the pleasure students can take from them. Such contexts would involve inquiry models of teaching, in which groups could read different books addressing an essential question in small groups such as literature circles, and then share what they had learned and experienced with other groups.

    Another implication is making interpretive complexity equal to text complexity in planning.  Vampire novels might not appear in many curricula, but look at the kind of thinking they fostered in Jaycee:

    Being a teenager is partly about struggling to be more adult and have more adult relationships…I think a real struggle of more adult relationships is making sure they are life-giving in both directions. I mean, we all have these needs so you have to be careful about not being a vampire and sucking someone else dry, or hurting and discarding them. But you have to be really careful not to let someone do it to you too, like dominate you, just because you like being liked or feeling attractive or whatever. I think it’s a real danger.

    She’s clearly engaged in making complex inferences about the texts she’s reading, just the kind of inference-making the Common Core State Standards call for. And she does so in service of becoming the kind of person who she wants to become, a deep form of inner work.

    Finally, making pleasure more central to our practice would mean providing plenty of opportunities for choice. Although the readers in our study experienced similar kinds of pleasure, the texts that fostered those pleasure very different.

    Here’s Callie talking about what she called dark fiction:

    So if I were responding to a situation in a fiction state of mind, I would probably be like the teen heroine in this fiction state of mind where something horrible happens to them, but then they emotionally grow and strive above it. That’s my fiction voice. But a more realistic dark character, something really horrible happens and I have no idea what to do and I think and I ponder about what the possibilities are as I try and try desperately to overcome this situation but never really do and end up moving on with this situation that still is left hanging. Like, because that’s a way more realistic way of life.

    And here’s Kylie’s comment about the romances she loved to read:

    The [heroine] has to make things clear to her love, and usually has to organize things…for them to be together which she has to do one step at a time because usually things are pretty complicated! And then they have to really see and really care about each other—hopefully forever. HEA [Happily Ever After], baby!

    What book is going to appeal to both young women? Hmm. If we’re committed to maximizing our students’ textual pleasure and if we can’t know what books our students are going to take pleasure in, we have to let them choose, at least on occasion.

    We want to be the kind of teachers who help our students fall in love with books in ways that foster a life-long devotion to reading. If we are to succeed, then we need to keep—at the forefront of our attention and in all of its various forms—the rich, complex, and profound pleasures of reading.

    Jeffrey Wilhelm on Reading Today OnlineJeffrey D. Wilhelm, is a professor of English education at Boise State University and was a middle and high school teacher for 15 years. Jeffery has written more than thirty books, among them are: “You Gotta BE the Book; Engaging Readers and Writers With Inquiry;” and “Improving Comprehension With Think-Aloud Strategies.”

    Michael Smith on Reading Today OnlineMichael W. Smith is currently a professor in the College of Education at Temple University and has 11 years’ experience teaching high school. Michael has written a wide variety of articles and contributing chapters, as well as more than a dozen books, including “Authorizing Readers: Resistance and Respect in the Teaching of Literature;” “The Language of Interpretation: Patterns of Discourse in Discussions of Literature;” and “Understanding Unreliable Narrators.”

    Jeff and Michael’s previous collaborations include: Reading Unbound: Why Kids Need to Read What They Want – and Why We Should Let Them, published by Scholastic [NASDAQ: SCHL];“Reading Don’t Fix No Chevys: Literacy in the Lives of Young Men” (winner of NCTE’s 2003 David H. Russell Award for Distinguished Research in the Teaching of English); “Going With the Flow: How to Engage Boys (and Girls) in Their Literacy;” “Getting It Right: Fresh Approaches to Teaching Grammar, Usage, and Correctness;” and “Fresh Takes on Teaching Literary Elements: How to Teach What Really Matters About Character, Setting, Point of View, and Theme.”

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  • Teaching is all about making connections, connections with your students, connections with other teachers, and connections with your community.
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    Making Connections with Students, Teachers & Community

    by Mary Lou Benesch with Margaret Muthiga
     | Feb 26, 2014

    Every child deserves a champion, an adult who will never give up on them, who understands the power of connection, and insists that they become the best that they can possibly be.” -Rita Pierson

    Teaching is all about making connections, connections with your students, connections with other teachers, and connections with your community.

    Margaret Muthiga is a senior teacher at the Kilimo Primary School in Nakura County, Kenya. This primary school in Kenya is a government owned school that has an enrollment of 594 with a student-teacher ratio of 42.4 and this means there are 74.3 pupils per classroom in 8 classrooms. Margaret teaches year three this year and has over 50 students. She makes connections not only with her students, but also with her community. She started a “Why Wait Reading Club” which has two children from each class (24 students in all). They act as class librarians and mentors for those in their class that need help with reading. Every year these students help to organize “Orphan’s Day” at the local orphanages. There are a tremendous amount of orphans in her country due HIV and AIDs, negligence, rape, or Female Genital Mutilation.  

    Last year, her reading group visited the Haven of Hope Orphanage. Children in this orphanage are two months old and older. “Being connected to a children’s home and thinking about the less fortunate in our society has always given our pupils something to look forward to,” said Margaret. Her group reads with the children and helps to teach them reading skill games and activities. These children are so poor that even taking care of their basic needs is a struggle. They do not have access to reading books so when they see the students from the school, they are overjoyed.

    Margaret humbles you. I met Margaret in Chicago at the International Reading Association Convention. She told me about her school and I was truly in awe of everything that she does. Being around Margaret, you feel just how truly special she is.

    Making Connections with Students, Teachers & CommunityWhen Margaret attended the IRA conference in San Antonio the next year, she was sent home with an extra suitcase loaded with pencils, colors, magic markers, erasers and other school supplies for her to use with her students. I also received a grant from the Nebraska State Reading Association to purchase a computer for Margaret to use at her school. They did not have a computer in their school, and they are now using it to record the books in their library.

    This year Margaret and her “Why Wait Reading Club” students visited the Lion’s Club Children’s Home, a girls’ orphanage that houses children from 9 to 20 years old. Her school received grant money from Global Operations of the International Reading Association. Children at the home were eager to see and read new books, and have books read to them by the students at Kilimo Primary School.  Pupils brought a few story books, but they also brought donated food and clothes and this year they had a special gift of pencils and erasers from Margaret’s friend in the United States.

    Singing and dancing were evident upon their arrival. Margaret’s students love singing and dancing. Pupils greeted and hugged each other and everything was great. The compound and rooms were swept and cleaned, and then they washed the clothes of the younger children. Games were played including football, netball, sliding, and hide and seek. There were so many children that one would wonder where they all came from. Again, the story is the same. They are orphans because their parents have died of HIV/AIDS, were neglectful; the mothers were raped, or other sad cases. Margaret encourages us:

    “Life is a journey and if we have to leave a mark of hope in our classes, we must uphold justice for these small ones. Education is the key to their success. That’s why, we the ACT (Advisory Committee of Teachers), with the help of our affiliates, must give our all to these small ones under our care. Laugh with them and cry with them, for the ladder of success is best climbed by stepping on the rungs of opportunity. Individuals play the game, but teams win championships. We have goals and plans to reach them. We are like a ship that has set sail with a destination. Goals are not only absolutely necessary to motivate us. This is why I say; commitment leads to action. Action brings your dream closer. Be born TEACHER!”

    We are a literacy experts, and we can make reading connections with others who do not have the ability whether it is a child in your school or half way around the world. But as Rita Pierson said, “…it is not impossible. We can do this. We are educators. We are born to make a difference.”  

    Mary Lou Benesch on Reading Today Online

    Mary Lou Benesch currently teaches Title 1, grade and grade 4 reading, and grade 5-6 social studies. She holds a bachelor’s degree in elementary education from Wayne State College, a media specialist endorsement from the University of Nebraska at Kearney, and a Masters in Educational Reading Specialist from Concordia University.

    Margaret Muthiga on Reading Today Online

    Margaret Muthiga is a senior teacher at Kilimo Primary School in Nakaru County, Kenya, mmuthigaus@yahoo.com.

    Teaching in ACTion is a series from the Advisory Committee of Teachers (ACT), an International Reading Association committee comprised of exemplary reading and literacy teachers from around the world. Educators who best exemplify the mission of IRA are chosen from a pool of applicants to serve a three-year term. Among other responsibilities, the main charge of ACT is to be the conduit between IRA’s members and the board of directors.

    ACT invites member to engage in the conversation by sending responses to us. ACT’s goal is to get a feel for how members feel about current hot topics, so that we may better serve members by sharing their concerns with the board of directors.

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