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    Coming to Our Senses: Balance and Creative Learning

    by Linda Rightmire
     | Feb 20, 2014

    It was a beautiful spring afternoon, downright hot, and the sprinklers were on the lawn at the school, all quiet at this late hour. It was a nice school in a quiet suburb—fairly advantaged in the scheme of things.

    It was the mid-1990s. A colleague and I were there to check out their new equipment. The admin had gotten help from IBM to set up a couple computers with a new program. Clunky by today’s standards, this software let you walk down a path in the forest, notice a sparkly bit on a tree, and lo and behold, click it and there’s a bear cub peering out at you. Sure we make fun of it today—but at the time, it was part of appreciating nature. Specifically, it related to our district environmental centre on a lake outside town. 

    Don’t get me wrong: everyone has their passion and computers were the cutting edge at the time. But I was appalled to think folks were so excited about this—couldn’t we just spend money to take the kids out there? 

    This centre in the forest was a jewel for our district. All grade fives got a week’s stay, but teachers wangled it for other classes if they could. Of course, some kids have outdoorsy adventures with their own families—but most do not. For many children, some spiders in the shrubs, or watching the crows pull crusts from the trash can on the playground are what counts as a ‘nature experience.’ 

    p: woodleywonderworks via photopin

    I experienced a powerful disconnect—it was rude to scoff at what the principal was clearly so proud of. But how could it compare? Why sit at a machine when we can give kids real experiences, dipping up tadpoles, laughing and getting soggy and muddy themselves. Or listening for the strange sounds in the forest when we would sit so quietly, and being really cold at night in their sleeping bags on the rustic beds in the cabins. In the morning they can fry eggs and pancakes like real campers.

    Of course, this software was just the beginning. Amazing to think how far we’ve come—the next year we were all internetted and thinking Netscape was so cool. Now it’s 2014. YouTube, Facebook and Twitter were all created in the mid-2000s, just a few years ago—but we barely recall “the time before”. 

    “...[T]echnology changes so rapidly that it clouds our memory of things as they existed but a few years before... We lose a part of our humanity, a historical sense of our recent selves.” (Bauerlein)

    So we rush forward feeling ‘the future is now’, having heard our whole lives that we were teaching kids whose later lives we could not imagine. 

    The lure of it all is inescapable—and I’m right there with you. Browsing dozens of URLs, falling down any number of rabbit holes. The world is fascinating, and every reference, every image—it’s all right there at your fingertips.

    Teens text hundreds of times a day and keep their phones nearby day and night. Parents don’t dare suggest cutting off Facebook and texting—it’s a new “place”, an entirely new layer of socialness. You might as well say they can’t go to the mall with a friend. And parents don’t want their kids left behind—they clamour for more SmartBoards, raising money with bake sales, even while the playground equipment needs sprucing up. But it creates a frenzy, this siren call of gizmos.

    We know the curriculum is fragmented as it is. It takes longer than you thought to set up the activity—writing or maybe a craft. Finally everyone is pretty much into it. There is a happy buzz —but you are watching the clock: it’s snack time prior to recess, or someone’s delivering the lunch and milk orders. Or you must get the spelling pre-test done. “Stop, everyone—put that away, we’ll work on it tomorrow...” 

    As teachers we get caught up in that rush of many demands, but children and parents will thank us if we can ourselves present a calm demeanor. We should reassure people, “It’s okay. Really.” As educators our job is to step back and find this balance—to give adequate time to each lesson. In some ways “less is more.” 

    A favorite teacher of teachers used to say, “Stop interrupting the children!” The forty-five minute period seems far too short to do the intro and get into quality work—the work that requires thought and depth. 

    In the past few decades we have really learned how to use great interactive approaches. When hyped in advance with rich sensory details—“imagine the smells, the sounds”—even small children can form an ‘Oprah’ style panel that responds to deeper questioning from their peers. 

    “So how did you feel, Cinderella, when you saw your sisters in their fancy clothes, going out the door to the party?” Or, “Were you afraid, when the fairy godmother said the coach would turn back into a pumpkin if you were late?” 

    Not only do these take time in the set-up, we know that kids, when put on the spot, need time to think—‘wait time’. Your children can be trained to be very courteous in this regard. “Just wait, give him a moment,” while you all listen briefly to the furnace fan and the classroom noise next door. It’s a thoughtful pause.

    Another approach uniquely offers a structure for study in depth. It generates excitement through the very natural power of “the hunt” and the satisfaction we feel when we find new treasures. Learning in Depth (LiD) is the brain child of Kieran Egan, whose earlier work helped teachers vividly tap into kids’ imaginations with the power of story.

    The structure of LiD is audacious to consider: in a child’s first year of school, he or she is assigned a topic they’ll work on individually for their entire school career, spending one hour each week to learn everything imaginable about the topic. Looking at the suggested topics chart, we see they are all nouns—bones, mountains, stone—though some are more abstract or broad such as humour or counting systems. Others are already a lifetime study for adults—musical instruments, sacred buildings. The sheer diversity offers rich performance and display opportunities over the years—weaving and spinning, Olympic games, dance. 

    The notion that the topic is assigned brings an instant response from many—why not let kids choose? In fact, the point is made that all these topics are worthy of great depth of inquiry and pursuit. It proves the point, in not being your choice—not dinosaurs, not Lego. You can easily imagine how ‘apples’ leads to a visit to an orchard, an interview with an orchardist, cooking, and categorizing. The apple in myth and history—odd to think both Eve and Snow White fell to its juicy temptation.

    Whether apples, bridges, or castles, the school community creates a ‘buzz’ around this event—the day you learn what your topic is to be. To take one topic year after year gives children a lot of scope with technology, a variety of presentation forms, collaboration opportunities, and not least, real world connections. It can be argued this is a holistic approach at its best.

    Schools and families involved often praise LiD. A wealth of resources and examples of student work can be found on the LiD website. 

    Step back and remember our sunny day with the sprinklers and a little bear in the tree on the screen. We will learn the technology along with our kids, but we must make wise choices to show how the sensory richness of the world can be brought to every hour. 

    As adults we know what feels good, what wholeness and balance feel like. So too we must nourish some calm in our own classrooms. Children need time for play and exploration in the material world. It will sound odd to say, but now we must actually build it in, since many do not get much time for it otherwise. 

    Don’t forget—less is more.

    Linda Rightmire on Reading Today OnlineLinda Rightmire offers workshops and mentoring sessions on a structured partner reading approach that emphasizes Allington’s Six Elements of Reading Instruction. She also tutors students in individual and group reading sessions, and works as a teacher on call in the Kamloops-Thompson School District in British Columbia. Her articles have appeared in the regional daily newspaper and elsewhere. 
    It was a beautiful spring afternoon, downright hot, and the sprinklers were on the lawn at the school, all quiet at this late hour. It was a nice school in a quiet suburb—fairly advantaged in the scheme of things. It was the mid-1990s. A...Read More
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    • Putting Books to Work

    Putting Books to Work: TAR BEACH

    by Kathleen Hunter
     | Feb 18, 2014

    TAR BEACH (Crown Publishing, 1991) 
    Written and Illustrated by Faith Ringgold
    Grades K–5

    Tar Beach book coverTAR BEACH, by Faith Ringgold, is a beautiful picture book with imaginative illustrations. The story is told from the point of view of eight-year-old Cassie Louise Lightfoot. During the summer Cassie and her family play at the “tar beach,” which is the rooftop of the apartment building where she lives in Harlem. Cassie lies on the “beach” and imagines herself flying through the sky over the rooftops. She dreams about being free—to go where she wants without any boundaries, or anyone to tell her she can’t. And so begins the story of Cassie’s flying adventure.

    The notion of flying has wonderful and magical connotations in the African American culture. Historically, flying was symbolic to African Americans for freedom from slavery and the opportunity to return to their native land. In TAR BEACH, flying symbolizes freedom in Cassie’s world. In her flying dreams her father owns the buildings he looks up to rather than down from buildings he builds as a construction worker. Cassie’s mother has the privilege of laughing and sleeping late into the morning like the well-to-do neighbors. And best of all, her family eats ice cream every day!

    You’ll notice that the border on the illustrations resemble a quilt. Originally, the author wrote this story on a quilt that she sewed and then used as a canvas for her paintings. The actual quilt is part of a series called, “Woman on a Bridge.” They are on display at the Solomon R. Guggenheim Museum in New York City.

    Although TAR BEACH is an older publication, it’s still in print—and continues to give a taste of what can be done in the classroom to teach African American culture, language, and history. Hopefully, these lessons will spark awareness in the students and provide some background knowledge for future lessons.

    Cross Curricular Connections: language arts using imagery commonly found in the African American culture, reading comprehension, vocabulary, art, history.

    Ideas for Classroom Use:

    History and Symbolism

    Read the story out loud to your students. Be sure to show them the pictures as you read. I especially like technology in the classroom at times like this. You can display the pictures on a big screen while the students follow along with the text as you read aloud. This is a fun way to meet every child’s level of reading and comprehension. After you have finished the story you can engage your students in a deeper understanding of the text. Here are a few questions to prompt a lively group discussion:

    • What is meant by “tar beach” in the story? (The blacktop roof on the top of Cassie’s apartment building where she lives). How does the reader know this?
    • What does flying symbolize for Cassie? (Possible answers might be: Freedom for herself to go beyond the boundaries of her home, freedom for her father from racial bigotry with the unions and freedom for her mother to be able to live like the wealthy neighbors who can sleep late each morning). Ask students to give examples from the text and illustrations to support their answers.
    • Are Cassie’s adventures real or imaginary? How can you tell?
    • What are some traditions that Cassie and her family have?

    Visualizing/Verbal Sharing:

    Materials: beach towel for each student (students can bring a towel from home).

    Clear some space in your classroom by moving desks and tables to the side. Ask your students to lay out their beach towels and lie on their backs. Next, ask them to imagine they are at “tar beach.” Tell them they are flying through the sky. Remind them that flying is symbolic for freedom from something in their lives. It could be something as immediate as homework to something deeper like a parent being out of work.

    Invite students to share out loud to the class what some of their freedoms are. I always enjoy taking part in activities with my students whenever possible. This one particularly lends to the teacher participating. So, remember to bring your beach towel, too!

    Dream Journal:

    Materials: notebook paper, pencils

    This activity can be done after the previous activity or on its own. Ask your students to either return to their desks or to find a spot on their “beach” to write their dreams down on paper. This activity lends itself quite nicely to a free-write or journaling exercise. Or you can extend this activity over the course of a few days to include the writing process from prewrite to final draft.

    Paper Quilt:

    Materials: crayons/paints/pastels (choose the medium that you think will best suit your group of students), blank sheets of paper, large sheet of butcher paper (any bold color will do)

    Now your students can make their flying adventures in their minds come to life on paper. Pass the book around to groups of students to refer back to while they make their own illustrations. Remind your students of the vibrant colors the author/illustrator used. After your students have completed their illustrations, mount them on one large sheet of butcher paper to resemble a quilt of flying dreams. And, if you also did the writing activity you can include your students’ writings along the border of illustrations, similar to Faith Ringgold’s. Now your classroom quilt is ready to go on display!

    Additional Texts:

    Frame, Jeron Ashford (2003). YESTERDAY I HAD THE BLUES. Tricycle Press.

    Ringgold, Faith (1995). AUNT HARRIET'S UNDERGROUND RAILROAD IN THE SKY. Random House Children’s Books.

    Additional Resources and Activities:

    Virtual Museum Visit
    If you can’t make it to the real Guggenheim, take your students on a virtual field trip and show them the quilt that preceded TAR BEACH. The site also offers a lesson plan and more information about author/artist Faith Ringgold.

    Flying to Freedom: TAR BEACH and THE PEOPLE COULD FLY
    This lesson plan, from ReadWriteThink.org, focuses on liberation and racism by comparing these two titles in a complex, multifaceted manner.

    Teacher’s Guide
    This teacher’s guide, from Teachers @ Random House, contains a plethora of ideas for more thematic and interdisciplinary connections, as well as suggestions for further reading.

    TAR BEACH Discussion Guide
    Short guide from Scholastic with suggestions for pre- and post-reading discussions.

    Kathleen HunterKathleen A. Hunter, MS is a literacy tutor and aspiring children's book author. You can visit her online at www.KathleenHunterWrites.com.

     

    © 2014 Kathleen A. Hunter. Please do not reproduce in any form, electronic or otherwise.
    TAR BEACH (Crown Publishing, 1991)  Written and Illustrated by Faith Ringgold Grades K–5 TAR BEACH, by Faith Ringgold, is a beautiful picture book with imaginative illustrations. The story is told from the point of view of eight-year-old Cassie...Read More
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    • Putting Books to Work

    Putting Books to Work: THE HOUSE THAT GEORGE BUILT

    by Kimberly Osko
     | Feb 14, 2014

    THE HOUSE THAT GEORGE BUILT (Charlesbridge, 2012)
    Written by Suzanne Slade
    Illustrated by Rebecca Bond
    Grades K-5

    Putting Books to Work: The House that George BuiltTHE HOUSE THAT GEORGE BUILT takes K-5 readers on an informative and fun journey back to the early days of the White House. The creation of the most famous house in America is revealed in picturesque step by step progression with beautiful watercolor illustrations by Rebecca Bond. Slade reveals how George Washington was part of building this presidential project from design to deadline.

    Readers will be delighted to observe the colonial landscape and the construction process evolve from beginning to end. It wasn’t easy, and Washington faced many challenges, the story speaks to perseverance! This Junior Library Guild selection (and 2013 Bank Street College of Education Best Book of the Year) shares two writing styles: informative historical narrative and rhyming verse in cumulative memorable prose children will love to repeat!

    The Author’s Note discloses little-known details about the White House project. From the contest Washington held to the many additions, a lot has changed to the house that George built, especially after it was set fire during the War of 1812. Readers will be surprised to learn it has received many improvements and every US president has lived in the White House except Washington himself.

    Putting Books to Work: THE HOUSE THAT GEORGE BUILTWhether teachers are looking to introduce President's Day or inquisitive students are learning about the construction process, this book is a valuable resource. THE HOUSE THAT GEORGE BUILT can help connect K-5 classrooms to the history of the White House, Washington DC, Election Day, or an American symbols and landmarks study.

    Cross-curricular connections: Science, History/Social Studies, Writing/Language Arts

    Ideas for Classroom Use:

    Building the President’s House 

    Read THE HOUSE THAT GEORGE BUILT picture book.
    Students will write a descriptive paragraph(s) which explains how the President’s House was built including the raw materials and order of construction. 

    Modification option: Teacher may specify the number of construction steps to be included in narrative (more for older grades or less for younger grades.) 

    [Addresses : CCSS.ELA-Literacy.CCRA.R.1, CCSS.ELA-Literacy.CCRA.R.2, CCSS.ELA-Literacy.CCRA.R.3, CCSS.ELA-Literacy.CCRA.W.2, CCSS.ELA-Literacy.CCRA.W.4, CCSS.ELA-Literacy.CCRA.L.1, CCSS.ELA-Literacy.CCRA.L.2]

    Changes to the President’s House

    After reading “The Changing President’s House” section in the back of the book, students will write a descriptive paragraph(s) which shares several improvements made 
    to the White House after it was built, including details of who made each and why.

    Modification option: Students will reference the White House website below and find one improvement not listed in the book to share in narrative.
    Changing White House Timeline

    [Addresses: CCSS.ELA-Literacy.CCRA.SL.4CCSS.ELA-Literacy.CCRA.W.4, CCSS.ELA-Literacy.CCRA.L.1, CCSS.ELA-Literacy.CCRA.L.2]

    The Best President’s House Improvement

    In a class discussion, ask students to answer the following question and provide reasons for their opinions—“What was the best addition/improvement made to the President’s House and why?”

    [Addresses: CCSS.ELA-Literacy.CCRA.SL.1, CCSS.ELA-Literacy.CCRA.L.1

    Student Improvement Ideas

    Students will write a narrative about their own plans for a new improvement or addition to the President’s House or grounds. Narrative will include well-chosen details about the improvement and its potential benefits (for President’s family, White House staff, visitors, or country.)

    [Addresses: CCSS.ELA-Literacy.CCRA.W.3CCSS.ELA-Literacy.CCRA.W.4, CCSS.ELA-Literacy.CCRA.L.1, CCSS.ELA-Literacy.CCRA.L.2]

    WebQuest, Research and Write Descriptive Essay

    Students in Grades 3, 4 or 5 will collaborate in groups and research past improvements to the White House, take a short video tour, and write a descriptive essay with three supporting details describing an addition or improvement from their group using this instructional WebQuest.

    [Addresses: CCSS.ELA-Literacy.CCRA.W.3CCSS.ELA-Literacy.CCRA.W.4, CCSS.ELA-Literacy.CCRA.L.1, CCSS.ELA-Literacy.CCRA.L.2]

    Additional Resources and Activities:

    THE HOUSE THAT GEORGE BUILT book trailer

    The White House - Symbol of Leadership (K - 3) 
    These White House Historical Association activity sheets explore what being a “symbol” means, and describe how the White House is a symbol. They also share how the White House became white, include a printable coloring sheet of the White House, and provide an opportunity for students to draw their own plans for an expanded White House.

    Every Day is President’s Day at the White House (Grades K - 3)
    This link provides White House Historical Association activity sheets which help students imagine what it would be like to be president. Activities include writing a new law, choosing supplies for the Oval Office, and a quiz which explores the decisions presidents must make.

    The Colors and Shapes of the White House (Grades K - 3)
    These White House Historical Association activity sheets ask students to draw plans of their own homes, then compare their plans to the White House plan. Photographs of two rooms in the White House are provided so students can search for various shapes in the room.

    Building the White House (Grades 4 - 8)
    This White House Historical Association link provides activities for students to learn how the White House has expanded through the years, and instructs students to create their own expansion ideas.

    The White House Time Machine
    This website lists important historical events relating the White House from 1790, when the site for the nation’s capital was first selected, through the year 2000. Each entry in the time machine has a link to related media clips and/or additional content.

    Kimberly Osko is the children’s librarian at Lily Lake Grade School in Maple Park, IL. She recently graduated with a Library Information Technology degree from the College of DuPage and is one the first Illinois Paraprofessionals to earn the Certified Library Support Staff or CLSS, a new national program from ALA. She enjoys helping 4th and 5th graders create book trailers and has presented at the Illinois School Library Media Association conference in 2012. Kimberly is also proud to be an Illinois Monarch Award Committee Member.

    THE HOUSE THAT GEORGE BUILT (Charlesbridge, 2012) Written by Suzanne Slade Illustrated by Rebecca Bond Grades K-5 THE HOUSE THAT GEORGE BUILT takes K-5 readers on an informative and fun journey back to the early days of the White House. The ...Read More
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    The Impact of a Teacher’s Praise

    by Sarah J. Maas
     | Feb 13, 2014

    Throne of Glass by Sarah J. MaasAt every author event I do—whether it’s a signing or a school visit or a panel—there’s always one story that I make a point to tell regarding my path to publication. I began writing THRONE OF GLASS at age sixteen, but my journey began years before that. In fact, I never would have had the courage or confidence to attempt writing a novel if it wasn’t for my 7th grade teacher.

    Growing up, I loved Disney Princesses and cute boys and nail polish—I loved clothes and parties and just being a girl. I also played sports, loved “boy”/“nerdy” things like Star Wars and video games, read endlessly, and was far more interested in being the one kicking butt than the damsel in distress. But as I got older, I felt more and more pressured by the world around me to choose between the “girly” side of me and the “tomboy” side. By the time I got to 7th grade, I made a conscious effort to drop the nerdy/boy stuff.

    Worse, I stopped reading.

    Honestly, I hated most of what I read in school—so the majority of my reading was done outside of it, always for fun and as often as I could. But I stopped reading all together, and (this is so horrifying to admit) decided to focus more on those cute boys and nail polish (the mixed signals I received regarding femininity and strength is a story for another day).

    But I had this amazing teacher in 7th grade: Stan (I went to one of those schools where you call your teachers by their first names). And Stan noticed that I’d stopped reading. Granted, I wasn’t the best student in my class by any means—I didn’t stand out much in any subject, actually. Yet he somehow noticed this shift in my behavior.

    p: rogintakesphotos via photopin

    Upon meeting with my parents for a parent-teacher conference, he mentioned my sudden lack of reading to them. He told them that it was okay if I wasn’t enjoying what we read in class, but I needed to be reading something. Stan asked them to take me to the bookstore to pick out some books that I wanted to read—to let me select a few titles for myself. Immediately following that conference, my parents did just that.

    I walked out of the store that day with Robin McKinley’s THE HERO AND THE CROWN and Garth Nix’s SABRIEL, two novels that were seemingly sprung straight from my daydreams: fierce heroines in compelling fantasy worlds who get to save the day and kick butt. Those books were all I’d ever wanted, a combination of those two parts of me, and reading them changed my life—in so many ways.

    They rekindled my love of reading—and introduced me to the fantasy genre; they made me slowly begin to realize I didn’t have to choose between the girly-girl and tomboy sides of me at all (a realization later solidified by watching Buffy the Vampire Slayer). And more than that, reading those two novels made me want to write.

    I’d never written anything before—at least, not outside of class. But I began writing after that. Complete and total rip-offs of those novels, but they sparked a desire to keep writing.

    I didn’t share a word of my writing with anyone until we had a creative writing unit in school, and I submitted one of my SABRIEL rip-off stories for an assignment. I had no idea if it was good, no idea if I could write—no idea if writing was even worth my time.

    And then Stan read my assignment and told me my writing was good—that I was a good writer, and should keep at it.

    Again, I’d never been that great at anything before—at least anything that had sparked my interest in such a big, big way, so hearing from a teacher I respected and adored that my writing was good…well, that changed my life. I stopped thinking of myself as someone who wrote for fun, and instead thought of myself as a writer.

    I kept writing for several years after that—mostly fantasy rip-offs and embarrassingly awful fan-fiction. I wrote whenever I could. I kept reading, too—any and all fantasy novels I could get my hands on. Yet by the time I was sixteen, when that first spark of inspiration hit for the Throne of Glass series, I still credited Stan with giving me the encouragement and motivation to start writing. And when THRONE OF GLASS was published in 2012 (ten years after I began writing it; fourteen years after being in Stan’s 7th grade glass), Stan was right there in the acknowledgements, for all that he’d done for me.

    There were other teachers over the years—some encouraging, some quite the opposite—but I will be forever grateful for Stan taking the time to notice that I had stopped reading, and to give me that initial bit of praise about my writing. I usually tell the story of Stan at my various events, but I always make a point to share it at my school visits. Not just for the students, but also for the teachers watching, too—so they know just how far a bit of praise and a nudge can go, and how much of a positive impact they leave on their students’ lives. I wouldn’t be here today without it.

    Sarah Maas on Reading Today OnlineSarah J. Maas is the New York Times bestselling author of Throne of Glass and its sequel Crown of Midnight, published with Bloomsbury. She was born and raised in New York City, but after graduating from Hamilton College in 2008, she moved to Southern California. She's always been just a tad obsessed with fairy-tales and folklore, though she'd MUCH rather be the one slaying the dragon (instead of the damsel in distress). When she's not busy writing, she can be found geeking out over things like Han Solo, gaudy nail polish, and ballet.

    At every author event I do—whether it’s a signing or a school visit or a panel—there’s always one story that I make a point to tell regarding my path to publication. I began writing THRONE OF GLASS at age sixteen, but my journey began years...Read More
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    Is Common Core Too Challenging for Kindergarten?

    by Sam Williams
     | Feb 11, 2014

    I have been a teacher for quite a while. I truly love working with my kindergarten kids. Every year there are new challenges to teaching, the Common Core State Standards (CCSS) are definitely one of these challenges. But not in the way that many people think.

    I read the CCSS the first time they were accessible for public review. I have now been teaching kindergarten with the new standards for a couple of years. I don’t really find the standards to be much different than what I have been teaching for many years. I believe the difficulty is in the approach to teaching and the expectations that may be put on teachers to deliver these standards.

    p: woodleywonderworks via photopin 

    As I review the CCSS again I think it is important to pay attention to the language used in the standards. Many of the standards insert “With prompting and support” before the focus of the standard. When I read “With prompting and support” I interpret that to mean that one should, as I have always done in my class, teach students the concept, provide them opportunities to practice the concept and give support through the entire process. 

    One of the reading standards for literature states, “With prompting and support, ask and answer questions about key details in a text.” I have always expected my students to be able to do that. As far back as 15 years ago I asked my students to provide key details in a text. Some students did this easily and others required prompting and support.

    One area of the standards that have been hotly debated in education forums, faculty meetings, PLCs, and even happy hour discussions at a local restaurant, has been close reading. Everyone seems to be asking, “What does it mean?” The CCSS state “Read closely to determine what the text says explicitly and to make logical inferences from it; cite specific textual evidence when writing or speaking to support conclusions drawn from the text.” When I read this it sounds like an awful lot for a 5 year old. But let’s look at what close reading should mean in kindergarten.

    Close Reading in Kindergarten:

    • Rereading (having text read to them) over several days
    • Exploring key vocabulary in the text and discussing vocabulary in the context of the text
    • As students listen to the story they are asked text-dependent questions.

    That’s a lot, right? The truth is most of us have done this for years. There are many texts that we read multiple times in the classroom over the course of a year. We explore texts repeatedly to gain meaning from the text. When I read a text that has academic vocabulary that may be unknown or challenging we discuss it in the context of the book.

    I ask my students what the author tells us to help understand the meaning of the word. For example, if I am reading an informational text on bears that uses the word hibernate, I may first ask students if they are familiar with the word. If a student can provide a definition we will write it on a chart for that book. If no one can define the word then we will reread the section and see if we can get a definition from the context. If not, then I may either look it up in a dictionary with the students or simply provide the definition and use it in a sentence. If I am reading a challenging text I will often provide some vocabulary before reading the text to the students.

    After reading the text at least once I will usually have students use their reading notebooks or sticky notes as they listen to the text again to write down a key detail. What does this look like in kindergarten? It may be a picture of a bear, a cave, or just a few letters from a word. Of course there are some students that will be prepared to write about the key detail. My purpose for this activity is not to see how much they can write, but to trigger their thoughts about the key details in a text. And yes, this takes practice.

    The CCSS ask students to be able to retell key details from a text. As I ask text dependent questions throughout reading, the students are asked to jot down their thoughts about what is happening in the text. I might ask “What important details did the author use to support why bears hibernate in the winter?” The students can draw a quick sketch to show the lack of food, they may write a word or two about the lack of food or write a complete sentence about a fact taken directly from the text. Any of these responses shows me that the student is able to identify a key detail. We then turn and talk about these facts or have students come up and share their sticky notes on a chart.

    When I am finished with reading this text over several days I will ask students to complete some form of performance task to demonstrate their understanding of the texts. This is the part that we have done well in kindergarten. I don’t always have to ask students to go to their seats and write about what they learned. In this example of an informational text on bears, I might break my students into groups and have each group create a poster that represents a different season (which was discussed in the book) and what they know about how bears survive during that season.

    Anytime we get out chart paper, markers, glue, construction paper, even glitter, my students are highly engaged and they can certainly show me in a creative way that they are able to identify key details from a text. If you are interested in checking out some of the other creative ways to address close reading check out my website at www.sharpenyoungminds.org.

    I really want to challenge my fellow kindergarten teachers to explore the standards. Reread them and remember that many of these standards are asking us to do the things that we have always done. It may just be the language is a little different. And don’t forget those words, “With prompting and support!”

    Sam Williams on Reading Today OnlineSam Williams is a kindergarten teacher in Tampa, Florida. He is also a published author, and is a professional development writer and trainer. He owns an educational resource company that supplies resources and professional development for teachers around the country.  You can find Sam at www.sharpenyoungminds.org.

    I have been a teacher for quite a while. I truly love working with my kindergarten kids. Every year there are new challenges to teaching, the Common Core State Standards (CCSS) are definitely one of these challenges. But not in the way that...Read More
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